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	<title>Kino no Tabi:Volume14 Author&#039;s Notes - Revision history</title>
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	<updated>2026-05-06T06:59:07Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.baka-tsuki.org/project/index.php?title=Kino_no_Tabi:Volume14_Author%27s_Notes&amp;diff=524788&amp;oldid=prev</id>
		<title>72.174.136.220: /* 「Afterword」 —Preface— */</title>
		<link rel="alternate" type="text/html" href="http://www.baka-tsuki.org/project/index.php?title=Kino_no_Tabi:Volume14_Author%27s_Notes&amp;diff=524788&amp;oldid=prev"/>
		<updated>2017-08-05T08:28:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;「Afterword」 —Preface—&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:28, 5 August 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To all of my readers, I&amp;#039;m sorry to have kept you waiting! This is the author, Sigsawa Keiichi, and this was the new volume of Kino, after about a year! The fourteenth volume!&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To all of my readers, I&amp;#039;m sorry to have kept you waiting! This is the author, Sigsawa Keiichi, and this was the new volume of Kino, after about a year! The fourteenth volume!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I&#039;ve been doing my best to ensure I can release a new Kino volume &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;very &lt;/del&gt;October, and somehow I managed to deliver another one to you this year as well. I am currently writing this afterword while stroking my chest in relief.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I&#039;ve been doing my best to ensure I can release a new Kino volume &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;every &lt;/ins&gt;October, and somehow I managed to deliver another one to you this year as well. I am currently writing this afterword while stroking my chest in relief.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As is tradition, this doesn&amp;#039;t contain any spoiler about the main text, so please rest assured and read on.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As is tradition, this doesn&amp;#039;t contain any spoiler about the main text, so please rest assured and read on.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>72.174.136.220</name></author>
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	<entry>
		<id>http://www.baka-tsuki.org/project/index.php?title=Kino_no_Tabi:Volume14_Author%27s_Notes&amp;diff=519004&amp;oldid=prev</id>
		<title>Tltl: Created page with &quot; ==「Afterword」 —Preface—==  left   To all of my readers, I&#039;m sorry to have kept you waiting! This is the author, Sigsawa...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.baka-tsuki.org/project/index.php?title=Kino_no_Tabi:Volume14_Author%27s_Notes&amp;diff=519004&amp;oldid=prev"/>
		<updated>2017-05-15T05:31:22Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot; ==「Afterword」 —Preface—==  &lt;a href=&quot;/project/index.php?title=File:Kino_no_Tabi_v14_264.jpg&quot; title=&quot;File:Kino no Tabi v14 264.jpg&quot;&gt;x200px|thumb|left&lt;/a&gt;   To all of my readers, I&amp;#039;m sorry to have kept you waiting! This is the author, Sigsawa...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
==「Afterword」 —Preface—==&lt;br /&gt;
&lt;br /&gt;
[[File:Kino_no_Tabi_v14_264.jpg|x200px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
To all of my readers, I&amp;#039;m sorry to have kept you waiting! This is the author, Sigsawa Keiichi, and this was the new volume of Kino, after about a year! The fourteenth volume!&lt;br /&gt;
&lt;br /&gt;
I&amp;#039;ve been doing my best to ensure I can release a new Kino volume very October, and somehow I managed to deliver another one to you this year as well. I am currently writing this afterword while stroking my chest in relief.&lt;br /&gt;
&lt;br /&gt;
As is tradition, this doesn&amp;#039;t contain any spoiler about the main text, so please rest assured and read on.&lt;br /&gt;
&lt;br /&gt;
Now let&amp;#039;s start the afterword.&lt;br /&gt;
&lt;br /&gt;
This year marks the ten-year anniversary since Kino&amp;#039;s conception. The first volume was released in July of 2000. It was also the first book I published in my life (by the way, this is my 34th paperbook since joining ASCII Media Works).&lt;br /&gt;
&lt;br /&gt;
Ten years since my debut—, I wonder if it&amp;#039;s been a been a good ten years.&lt;br /&gt;
&lt;br /&gt;
The things that were harder than I expected, the things that were just as hard as I expected, and the things that were so much more fun than I expected were all mixed together.&lt;br /&gt;
&lt;br /&gt;
Naturally, meeting deadlines is difficult. In the month leading up to a deadline, I have no time to rest. After all, if you break the deadline and slack off on your manuscript, the book won&amp;#039;t make its release date.&lt;br /&gt;
&lt;br /&gt;
But even for homework or a graduate thesis, the fact that there&amp;#039;s a due date is what pushes people to work their hardest, so in the same way, deadlines are a powerful driving motivator for authors. If the editing department said &amp;quot;Oh, just do it whenever—&amp;quot;, I don&amp;#039;t think a single writer would get any work done. Deadlines banzai! My battle with deadlines will continue in the future too.&lt;br /&gt;
&lt;br /&gt;
Also, as long as you can stick to your deadlines, you can eat (=make money) by writing out your personal fantasies, which makes the writing industry incredibly fun.&lt;br /&gt;
&lt;br /&gt;
Turning your imagination into a book, having a readership, and receiving their impressions —.&lt;br /&gt;
&lt;br /&gt;
Let me also state that if one of your readers wants to become an author themselves, when they make their dreams come true, that will make you proud too.&lt;br /&gt;
&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
And so, after these wonderful, mixed up ten years, I guess all I really have to say now is, &amp;quot;I&amp;#039;ll continue to work hard for the next ten years too, so let&amp;#039;s enjoy it together&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
When I first wrote my application manuscript in 1999, I never could have even dreamt that I would continue writing for more than 11 years. I&amp;#039;ve said this before, but originally I thought I would finish after two volumes!&lt;br /&gt;
&lt;br /&gt;
I can&amp;#039;t help wondering and looking forward to what I&amp;#039;ll be writing or what I&amp;#039;ll be doing 10 years from now, in 2020 (it feels so far into the future right now, but it will probably feel just as normal then as 2010 feels now).&lt;br /&gt;
&lt;br /&gt;
I&amp;#039;ll do my best while watching my health, so I can continue to leave my name in bookstores.&lt;br /&gt;
&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
Now for a few words of thanks.&lt;br /&gt;
&lt;br /&gt;
To all of you readers that sent me fan mail, thank you very much.&lt;br /&gt;
&lt;br /&gt;
Whenever I read these handwritten letters, I imagine the person writing them, and my heart grows warm. Sometimes, no, relatively often, I get letters that say &amp;quot;I&amp;#039;m writing this during class&amp;quot;... just make sure you don&amp;#039;t get &lt;br /&gt;
caught!&lt;br /&gt;
&lt;br /&gt;
To my readers in elementary and middle school —, thank you so much for choosing to spend your allowance on &amp;quot;Kino no Tabi&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Now, I wrote this in the afterword for &amp;quot;Gakuen Kino 4&amp;quot; as well, but I&amp;#039;ve started a Twitter account.&lt;br /&gt;
&lt;br /&gt;
Twitter is like a blog with very short posts. Even if you don&amp;#039;t want to register, you can read my tweets at http://twitter.com/sigsawa.&lt;br /&gt;
&lt;br /&gt;
It&amp;#039;s summarized at http://twilog.org/sigsawa, so you can also access my tweets from there. The ID I use is &amp;quot;sigsawa&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I tweet out things such as my everyday happenings and thoughts, simple jokes, and my interactions with other authors and people in the industry.&lt;br /&gt;
&lt;br /&gt;
Once in a while, I also reply to the questions I receive there. Of course, it&amp;#039;s not a sure thing; I&amp;#039;m sorry if I can&amp;#039;t answer your question due to lack of time or due to the content.&lt;br /&gt;
&lt;br /&gt;
However, I do check all of the responses to my tweets. Your candid thoughts make me very happy. Please continue to take care of me from now on as well.&lt;br /&gt;
&lt;br /&gt;
Finally, let me make some acknowledgments befitting an afterword.&lt;br /&gt;
&lt;br /&gt;
To my artist, Kuroboshi Kohaku-sama, you have really done so much for me. I&amp;#039;m filled with excitement like &amp;quot;uwaa&amp;quot; every time I see your illustrations. I&amp;#039;m truly glad to be able to work with you.&lt;br /&gt;
&lt;br /&gt;
To everyone in the editing department, everyone at ASCII Media Works, and everyone else involved in the review, printing, distribution, and marketing, I&amp;#039;m truly indebted to you. Thank you very much.&lt;br /&gt;
&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
And so this mixed up tenth-year afterword has come to an end.&lt;br /&gt;
&lt;br /&gt;
Normal afterwords are quite nice, aren&amp;#039;t they! Even if I read this again in ten years, it probably won&amp;#039;t make me feel ashamed, like &amp;quot;muwaa!&amp;quot; or &amp;quot;nuu!&amp;quot; It&amp;#039;s safe and secure.&lt;br /&gt;
&lt;br /&gt;
Well then, let&amp;#039;s meet again in the next &amp;#039;&amp;#039;Kino&amp;#039;&amp;#039;.&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
October 10, 2010. Sigsawa Keiichi.&lt;/div&gt;</summary>
		<author><name>Tltl</name></author>
	</entry>
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