Hidan no Aria:Volume7 Chapter2 - Revision history

Denormative: added

2013-01-10T13:10:55Z

added <refs>

← Older revision		Revision as of 13:10, 10 January 2013
Line 353:		Line 353:
	Your Japanese has already become really weird.		Your Japanese has already become really weird.

	"Th-that's '''''too much!''''' Be-because '''''too early for me, for I'm just 17 at that time!''''' Lo-lo-look! If something comes so suddenly '''''how. how how how'd I ...I...'''''I !" ~~[http://www.baka~~-~~tsuki~~.~~org~~/~~project/index.php?title=Hidan_no_Aria:Volume7_Translator%27s_Notes#Chapter_2]~~		"Th-that's '''''too much!''''' Be-because '''''too early for me, for I'm just 17 at that time!''''' Lo-lo-look! If something comes so suddenly '''''how. how how how'd I ...I...'''''I !"<ref>The bolded-italicized words are in English in the original text.</ref>

	Because Aria had started panting and speaking in some sort of alien language, I couldn't understand what she was saying any longer...		Because Aria had started panting and speaking in some sort of alien language, I couldn't understand what she was saying any longer...
Line 778:		Line 778:
	That is a--'''Lancet'''		That is a--'''Lancet'''

	Called a Seiryuutou~~[http://www~~.~~baka-tsuki.org~~/~~project/index.php?title=Hidan_no_Aria:Volume7_Translator%27s_Notes#Chapter_2]~~ in Japan, it's a broad, weight, single-edged Chinese sword.		Called a Seiryuutou<ref>Lit. Young Dragon Blade</ref> in Japan, it's a broad, weight, single-edged Chinese sword.

	I learned this in Assault, but the Seiryuutou is not like a Japanese long sword, which is sharp, meant to slice through organs and arteries. The blade is heavy so that it can cleave through flesh and bone, and it's a weapon that, if conceptualized, resembles an axe. <!--The katakana for 日本刀 is unreadable.　ナガ？ス. I know of no Japanese swords by that name. ナガドス: Long sword-->		I learned this in Assault, but the Seiryuutou is not like a Japanese long sword, which is sharp, meant to slice through organs and arteries. The blade is heavy so that it can cleave through flesh and bone, and it's a weapon that, if conceptualized, resembles an axe. <!--The katakana for 日本刀 is unreadable.　ナガ？ス. I know of no Japanese swords by that name. ナガドス: Long sword-->
Line 1,605:		Line 1,605:

	<noinclude>		<noinclude>
			==Translator's Notes and References==
			<references/>

	{{Hidan no Aria Nav\|prev=Hidan no Aria:Volume7 Chapter1\|next=Hidan no Aria:Volume7 Chapter3}}		{{Hidan no Aria Nav\|prev=Hidan no Aria:Volume7 Chapter1\|next=Hidan no Aria:Volume7 Chapter3}}
	</noinclude>		</noinclude>

Denormative at 13:46, 30 September 2012

2012-09-30T13:46:27Z

← Older revision		Revision as of 13:46, 30 September 2012
Line 1,321:		Line 1,321:
	Aria. Right now, you're emitting supersonic waves. <!--I have to admit, this made me laugh.-->		Aria. Right now, you're emitting supersonic waves. <!--I have to admit, this made me laugh.-->

	"FJKLD@#$(&#$! SDOIFJO#&$(&#$! Pue! $LKJ#&@#(*&FDLKJ!"		<nowiki>"FJKLD@#$(&#$! SDOIFJO#&$(&#$! Pue! $LKJ#&@#(*&FDLKJ!"</nowiki>

	Starting to shout with some kind of inhuman language, ''SQUEEEEEEEEZE!''		Starting to shout with some kind of inhuman language, ''SQUEEEEEEEEZE!''

Denormative at 11:06, 29 September 2012

2012-09-29T11:06:39Z

← Older revision		Revision as of 11:06, 29 September 2012
Line 521:		Line 521:
	At that moment, I heard the announcer once again--		At that moment, I heard the announcer once again--

	<<To all the passengers　　I will tell you now.>>		<nowiki><<To all the passengers　　I will tell you now.>></nowiki>

	---!		---!

	<<This train　　will not stop at any stations　　until Tokyo　　it will go on　　non-stop　　Ahaha　　Ahahahahaha>>		<nowiki><<This train　　will not stop at any stations　　until Tokyo　　it will go on　　non-stop　　Ahaha　　Ahahahahaha>></nowiki>

	--A vocaloid's synthetic voice...!		--A vocaloid's synthetic voice...!

	<<The train　　will accelerate 10 km/h every three minutes　　not accelerating is impossible　　otherwise, Kaboom!　　Big boom!　　will happen　　Ahaha　　Ahahahahahahaha!>>		<nowiki><<The train　　will accelerate 10 km/h every three minutes　　not accelerating is impossible　　otherwise, Kaboom!　　Big boom!　　will happen　　Ahaha　　Ahahahahahahaha!>></nowiki>

	In response to the artificial laughter, cries started ringing out from within Train Hope 246.		In response to the artificial laughter, cries started ringing out from within Train Hope 246.

Just4fun at 14:02, 15 June 2012

2012-06-15T14:02:04Z

← Older revision		Revision as of 14:02, 15 June 2012
Line 23:		Line 23:
	I had just said a word of thanks, yet Shirayuki's face turned red, and she waved her hands furiously.		I had just said a word of thanks, yet Shirayuki's face turned red, and she waved her hands furiously.

	Because I saw Shirayuki, who was putting so much effort into being cheerful, abruptly return to her normal self, I laughed softly, a small ''Fu'' escaping my lips--and Shirayuki made a "Waaa!" expression.		Because I saw Shirayuki, who was putting so much effort into being cheerful, abruptly return to her normal self, I laughed softly, a small ''Fu'' escaping my lips--and Shirayuki made a "Waaa!" expression.

	And, to hide her expression, her hands slapped to her cheeks...her face, looked as if she was paying her respects, went all the way down to her lap, a sort of kneeling position, and her body twisted in what seemed like agony, she looked out the window.		And, to hide her expression, her hands slapped to her cheeks...her face, looked as if she was paying her respects, went all the way down to her lap, a sort of kneeling position, and her body twisted in what seemed like agony, she looked out the window.
Line 31:		Line 31:
	"Ahh...at such a short distance, I was blessed with 'Kin-chan laugh'...cool...cool, so cool...!"		"Ahh...at such a short distance, I was blessed with 'Kin-chan laugh'...cool...cool, so cool...!"

	While muttering what she was thinking in her heart, Shirayuki was, to put it in Riko terms, making a "excited by something moe face". The feeling of "Kyaaa".		While muttering what she was thinking in her heart, Shirayuki was, to put it in Riko terms, making an "excited by something moe face". The feeling of "Kyaaa".

	Do you think that I can't see your face? Well, I can see it really clearly in the reflection of the window.		Do you think that I can't see your face? Well, I can see it really clearly in the reflection of the window.

205.196.190.199: /* 2nd Ammo: HURRY UP */

2012-02-15T16:28:13Z

2nd Ammo: HURRY UP

← Older revision		Revision as of 16:28, 15 February 2012
Line 938:		Line 938:
	The moment right before Aria had been caught up in the explosion, her animal-like instincts had sensed the danger, and she reflexively did a backstep.		The moment right before Aria had been caught up in the explosion, her animal-like instincts had sensed the danger, and she reflexively did a backstep.

	Thanks ~~that~~ that, she escaped a direct hit, and it seemed that she hadn't received any serious injures like Reki had.		Thanks to that, she escaped a direct hit, and it seemed that she hadn't received any serious injures like Reki had.

	However, she received a considerable amount of damage from the impact. Aria's consciousness was fuzzy, and her knees were trembling. Aria was in a state where she could not stand up on her own. She had let go of her swords as well.		However, she received a considerable amount of damage from the impact. Aria's consciousness was fuzzy, and her knees were trembling. Aria was in a state where she could not stand up on her own. She had let go of her swords as well.

84.194.112.212: /* 2nd Ammo: HURRY UP */

2011-09-17T23:40:05Z

2nd Ammo: HURRY UP

← Older revision		Revision as of 23:40, 17 September 2011
Line 788:		Line 788:
	Was the female driver, half turning around to face this way, and there was nobody in the co-driver's seat. It appeared that Koko had kicked the co-driver out and had been sitting there.		Was the female driver, half turning around to face this way, and there was nobody in the co-driver's seat. It appeared that Koko had kicked the co-driver out and had been sitting there.

	''Ueeeenn''--Turning my ~~heard~~ towards that crying noise, close to the middle of Car 16, unable to escape from danger yet, the children were crying, clinging to the pregnant lady.		''Ueeeenn''--Turning my head towards that crying noise, close to the middle of Car 16, unable to escape from danger yet, the children were crying, clinging to the pregnant lady.

	They were all that was left of the normal passengers inside Car 16.		They were all that was left of the normal passengers inside Car 16.

Zero2001 at 09:24, 25 July 2011

2011-07-25T09:24:43Z

← Older revision		Revision as of 09:24, 25 July 2011
Line 1,605:		Line 1,605:

	<noinclude>		<noinclude>
	{{Hidan no Aria Nav}}		{{Hidan no Aria Nav\|prev=Hidan no Aria:Volume7 Chapter1\|next=Hidan no Aria:Volume7 Chapter3}}
	</noinclude>		</noinclude>

Zero2001 at 22:32, 24 July 2011

2011-07-24T22:32:48Z

← Older revision		Revision as of 22:32, 24 July 2011
Line 1,605:		Line 1,605:

	<noinclude>		<noinclude>
	{~~\| border="1" cellpadding="5" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaaaaa solid; padding: 0.2em; border-collapse: collapse;"~~		{{Hidan no Aria Nav}}
	\|-
	~~\| Back to [[~~Hidan no Aria~~:Volume7_Chapter1\|1st Ammo: Case E8]]~~
	~~\| Return to [[Hidan no Aria\|Main Page]]~~
	~~\| Forward to [[Hidan_no_Aria:Volume7_Chapter3\|3rd Ammo: The Third Quadra]]~~
	\|-
	\|}
	</noinclude>		</noinclude>

Zero2001: Repositioning pictures as agreed

2011-06-22T13:53:43Z

Repositioning pictures as agreed

← Older revision		Revision as of 13:53, 22 June 2011
Line 168:		Line 168:

	Turning my head, that hand was--Assault's Shiranui Ryou.		Turning my head, that hand was--Assault's Shiranui Ryou.
			[[File:Aria07 055.jpg\|thumb]]
	While the handsome Shiranui placed a finger in front of his mouth, making a gesture for "be quiet," his left and right eyes flicked open and shut, winking at me.		While the handsome Shiranui placed a finger in front of his mouth, making a gesture for "be quiet," his left and right eyes flicked open and shut, winking at me.

Line 193:		Line 193:
	The three female students, their faces red, were saying: "Pl-player," "Even with boys," "Ca-captured...!", apparently shocked. I could hear about three-tenths of what they were saying.		The three female students, their faces red, were saying: "Pl-player," "Even with boys," "Ca-captured...!", apparently shocked. I could hear about three-tenths of what they were saying.

	（...Th-this can't...)		(...Th-this can't...)

	Noticing their serious expressions, if I look at this from an objective point of view--This scene between Shiranui and me. Hands linked intimately, looking at each other directly, not saying anything. Two boys.		Noticing their serious expressions, if I look at this from an objective point of view--This scene between Shiranui and me. Hands linked intimately, looking at each other directly, not saying anything. Two boys.
Line 214:		Line 214:

	...Love? ...Romance? <!--Technically they're the same thing.　恋愛 as opposed to ロマンス-->		...Love? ...Romance? <!--Technically they're the same thing.　恋愛 as opposed to ロマンス-->
	~~[[File:Aria07 055.jpg\|thumb]]~~
	What. Isn't this the kind of thing that I'm horrible at?		What. Isn't this the kind of thing that I'm horrible at?

Line 813:		Line 813:

	Opposing her, Koko span the Seiryuutou around once...		Opposing her, Koko span the Seiryuutou around once...
			[[File:Aria07 079.jpg\|thumb]]
	"'''Come, come''', Sherlock the 4th."		"'''Come, come''', Sherlock the 4th."

Line 841:		Line 841:

	"You tricked me, you clown! The first time I faced you, you said your name was "Koko"--that was a false name! Cao Cao!"		"You tricked me, you clown! The first time I faced you, you said your name was "Koko"--that was a false name! Cao Cao!"
	~~[[File:Aria07 079.jpg\|thumb]]~~
	"That's a name that Europeans mistakenly use. Sherlock of I-U called me by such a name, so Koko let everyone use it. '''Koko'''. The true pronunciation of the name in [http://en.wikipedia.org/wiki/Cao_Wei Wei]!"		"That's a name that Europeans mistakenly use. Sherlock of I-U called me by such a name, so Koko let everyone use it. '''Koko'''. The true pronunciation of the name in [http://en.wikipedia.org/wiki/Cao_Wei Wei]!"

Line 1,134:		Line 1,134:

	"Cao Cao. Wh-what about Riko?"		"Cao Cao. Wh-what about Riko?"
			[[File:Aria07_091.jpg\|thumb]]
	Clutching the back of the seat with both her hands, Riko interrupted from the side.		Clutching the back of the seat with both her hands, Riko interrupted from the side.

Line 1,146:		Line 1,146:

	Having said that to Koko, whose eyes were suspicious, Riko, 'UnUnUnUnUnUnUnUn'		Having said that to Koko, whose eyes were suspicious, Riko, 'UnUnUnUnUnUnUnUn'
	~~[[File:Aria07_091.jpg\|thumb]]~~
	-with a desperate expression, nodded several times.		-with a desperate expression, nodded several times.

Hiro Hayase at 08:02, 16 June 2011

2011-06-16T08:02:08Z

← Older revision		Revision as of 08:02, 16 June 2011
Line 1:		Line 1:
	==2nd Ammo: HURRY UP==		==2nd Ammo: HURRY UP==

	~~Really~~, I should have stayed in the Hotogi shrine to watch over Reki, but Kanae-san's trial was fast approaching. And for that, there was an unconfirmed chance that the lawyers would have to speak with us, the people who had fought with I-U, face to face before the trial.		Honestly, I should have stayed in the Hotogi shrine to watch over Reki, but Kanae-san's trial was fast approaching. And for that, there was an unconfirmed chance that the lawyers would have to speak with us, the people who had fought with I-U, face to face before the trial.

	So, on the evening of that day, I left the doctors and Kazayuki to watch over Reki...		So, on the evening of that day, I left the doctors and Kazayuki to watch over Reki...
Line 9:		Line 9:
	"16, Car 15, Row D-E...Ah, here. It's all the way at the front, Kin-chan! Kin-chan likes the aisle seat, doesn't he? Here you go. Have this ticket."		"16, Car 15, Row D-E...Ah, here. It's all the way at the front, Kin-chan! Kin-chan likes the aisle seat, doesn't he? Here you go. Have this ticket."

	Pushing the ticket for the aisle seat into my hands and sitting at the window seat, Shirayuki--because she had left the Hotogi, was talking with me ~~ceaselessly~~. It seemed ~~that~~ she was trying to encourage me, who said ~~little~~, worried about Reki.		Pushing the ticket for the aisle seat into my hands and sitting at the window seat, Shirayuki--because she had left the Hotogi, was talking with me incessantly. It seemed like she was trying to encourage me, who barely said a word, worried about Reki.

	It was evident that her own heart wasn't calm. Shirayuki is really a very firm person.		It was evident that her own heart wasn't calm either. Shirayuki is really a very firm person.

	She never forgets to empathize, to be concerned for others, a really good person.		She never forgets to empathize, to be concerned for others, a really good person.
Line 25:		Line 25:
	Because I saw Shirayuki, who was putting so much effort into being cheerful, abruptly return to her normal self, I laughed softly, a small ''Fu'' escaping my lips--and Shirayuki made a "Waaa!" expression.		Because I saw Shirayuki, who was putting so much effort into being cheerful, abruptly return to her normal self, I laughed softly, a small ''Fu'' escaping my lips--and Shirayuki made a "Waaa!" expression.

	And, to hide her expression, her hands slapped to her cheeks...her face, ~~looking~~ as if she was paying her respects, went all the way down to her lap, a sort of kneeling position, and her body twisted in what seemed like agony, she looked out the window.		And, to hide her expression, her hands slapped to her cheeks...her face, looked as if she was paying her respects, went all the way down to her lap, a sort of kneeling position, and her body twisted in what seemed like agony, she looked out the window.

	Wh...what are you doing...?		Wh...what are you doing...?
Line 39:		Line 39:
	While thinking about that, I reclined in the seat a little, inside the Shinkansen which had just started to move.		While thinking about that, I reclined in the seat a little, inside the Shinkansen which had just started to move.

	I rested, but, is it ~~that~~ the continuous chain of events had completely thrown my body's clock into disorder...?		I rested, but, is it due to the continuous chain of events that had completely thrown my body's clock into disorder...?

	Again, I could not sleep.		Again, I could not sleep.
Line 95:		Line 95:
	(I'll just go to the washroom for a little while to wash my face.)		(I'll just go to the washroom for a little while to wash my face.)

	Go through the automatic door, going to the end of Car 16...I was going ~~to to go~~ to the washroom on this side of the cab.		Go through the automatic door, going to the end of Car 16...I was going to the washroom on this side of the cab.

	But...		But...
Line 125:		Line 125:
	(Kana was really good, I didn't even win once.)		(Kana was really good, I didn't even win once.)

	While I was ~~thinking~~ about the past, I once again started advancing up the aisle.		While I was reminiscing about the past, I once again started advancing up the aisle.

	Ah...having inclined the chair all the way backwards, the man drinking sake was Washio Narau.		Ah...having inclined the chair all the way backwards, the man drinking sake was Washio Narau.