Kara no Kyoukai:Chapter01 04 - Revision history

24.108.128.191: Changed "called" to "named"... (Although they seem to be of the same meaning.)

2013-04-20T22:32:57Z

Changed "called" to "named"... (Although they seem to be of the same meaning.)

← Older revision		Revision as of 22:32, 20 April 2013
Line 101:		Line 101:
	But before that, Shiki looks at the woman.		But before that, Shiki looks at the woman.

	''One on each of her legs, one on her back, and one point on her left chest. The cutting section ~~called~~ ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is an illusion or something else, as long as it's alive, even if it were a god, I'll kill it.''		''One on each of her legs, one on her back, and one point on her left chest. The cutting section named ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is an illusion or something else, as long as it's alive, even if it were a god, I'll kill it.''

	Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.		Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.

24.108.128.191: Small change...

2013-04-20T22:29:59Z

Small change...

← Older revision		Revision as of 22:29, 20 April 2013
Line 101:		Line 101:
	But before that, Shiki looks at the woman.		But before that, Shiki looks at the woman.

	''One on each of her legs, one on her back, and one point on her left chest. The cutting section called ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is an illusion or ~~not~~, as long as it's alive, even if it were a god, I'll kill it.''		''One on each of her legs, one on her back, and one point on her left chest. The cutting section called ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is an illusion or something else, as long as it's alive, even if it were a god, I'll kill it.''

	Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.		Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.

24.108.128.191: Small correction...

2013-04-20T22:26:02Z

Small correction...

← Older revision		Revision as of 22:26, 20 April 2013
Line 101:		Line 101:
	But before that, Shiki looks at the woman.		But before that, Shiki looks at the woman.

	''One on each of her legs, one on her back, and one point on her left chest. The cutting section called ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is a illusion or not, as long as it's alive, even if it were a god, I'll kill it.''		''One on each of her legs, one on her back, and one point on her left chest. The cutting section called ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is an illusion or not, as long as it's alive, even if it were a god, I'll kill it.''

	Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.		Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.

24.108.128.191: The previous translation was very lossy...

2013-04-20T22:24:45Z

The previous translation was very lossy...

← Older revision		Revision as of 22:24, 20 April 2013
Line 101:		Line 101:
	But before that, Shiki looks at the woman.		But before that, Shiki looks at the woman.

	''One on each of her legs, one on her back, and one point on her left chest. The cutting section called ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. ~~Even if that~~ woman is ~~just an image~~, I ~~could~~ kill ~~a God~~.''		''One on each of her legs, one on her back, and one point on her left chest. The cutting section called ''death'' can be certainly seen. The one on her chest would be a good one to aim for. That would be an instant kill. Whether this woman is a illusion or not, as long as it's alive, even if it were a god, I'll kill it.''

	Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.		Bringing the knife to bear in a firm reverse grip, Shiki glares at the enemy in the sky.

Georgi at 19:51, 7 March 2009

2009-03-07T19:51:44Z

Vaelis at 12:00, 3 January 2009

2009-01-03T12:00:59Z

← Older revision		Revision as of 12:00, 3 January 2009
Line 1:		Line 1:
	→／3		===→／3===

	''---------The bone in my nape creaks.		''---------The bone in my nape creaks.
Line 43:		Line 43:
	... With eight girls flying around it.		... With eight girls flying around it.

	◇
			<div style="text-align:center">◇</div>


	The white figure in the night sky is that of a woman. She wears a fancy white garment that one might mistake for a dress, and has long black hair reaching down to her waist. Her arms and legs are slender, and they make this woman look even more beautiful.		The white figure in the night sky is that of a woman. She wears a fancy white garment that one might mistake for a dress, and has long black hair reaching down to her waist. Her arms and legs are slender, and they make this woman look even more beautiful.
Line 77:		Line 79:
	In the windless night, her voice hung in the air for a long time.		In the windless night, her voice hung in the air for a long time.

	----		<nowiki>----</nowiki> The will put into the fingertip is the intent to kill.

	The will put into the fingertip is the intent to kill.

	The white fingertip points at Shiki.		The white fingertip points at Shiki.
Line 162:		Line 162:

	Above, the floating girls still remain...		Above, the floating girls still remain...


			<noinclude>
			{\| border="1" cellpadding="5" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaaaaa solid; padding: 0.2em; border-collapse: collapse;"
			\|-
			\| Go back to [[Kara_no_Kyoukai:Chapter01_03\|Previous Section]]
			\| Return to [[Kara_no_Kyoukai\|Main Page]]
			\| Move to [[Kara_no_Kyoukai:Chapter01_05\|Next Section]]
			\|-
			\|}
			</noinclude>

84.108.86.183 at 17:07, 25 May 2008

2008-05-25T17:07:42Z

← Older revision		Revision as of 17:07, 25 May 2008
Line 29:		Line 29:
	''The outline of the city fills my vision.''		''The outline of the city fills my vision.''

	The rooftop of the Fukiyoh building is a plain one. The floor is made of flat concrete, and there is a fence that ~~surrounding~~ the perimeter of the roof. A solitary water tower stands atop the annex, but there is nothing else particularly significant.		The rooftop of the Fukiyoh building is a plain one. The floor is made of flat concrete, and there is a fence that surrounds the perimeter of the roof. A solitary water tower stands atop the annex, but there is nothing else particularly significant.

	The rooftop itself is a plain one, but the view from it is out of this world.		The rooftop itself is a plain one, but the view from it is out of this world.

24.147.77.17: Switched "phase" (to schedule/order, to synchronize) for "faze" (to disrupt/disturb/daunt/frighten)

2008-05-23T16:35:11Z

Switched "phase" (to schedule/order, to synchronize) for "faze" (to disrupt/disturb/daunt/frighten)

← Older revision		Revision as of 16:35, 23 May 2008
Line 119:		Line 119:
	Saying that, Shiki raises the empty left hand.		Saying that, Shiki raises the empty left hand.

	The suggestion does not work anymore. Shiki is not even ~~phased~~.		The suggestion does not work anymore. Shiki is not even fazed.

	"I don't have that kind of admiration for the sky. I don't feel alive, so I don't know the pain of living. To be honest, I don't care about you at all."		"I don't have that kind of admiration for the sky. I don't feel alive, so I don't know the pain of living. To be honest, I don't care about you at all."

24.14.209.26: removed language about Shiki's gender

2008-05-23T08:44:47Z

removed language about Shiki's gender

← Older revision		Revision as of 08:44, 23 May 2008
Line 21:		Line 21:
	The door opens without a sound. What's outside is a totally different world, a world of darkness.		The door opens without a sound. What's outside is a totally different world, a world of darkness.

	After arriving at the annex, containing only the door leading to the rooftop, the elevator leaves Shiki and descends back towards the first floor. There are no lights, and ~~her~~ surroundings are painfully dark.		After arriving at the annex, containing only the door leading to the rooftop, the elevator leaves Shiki and descends back towards the first floor. There are no lights, and the surroundings are painfully dark.

	Heading across the small room, Shiki pushes open the door to the rooftop.		Heading across the small room, Shiki pushes open the door to the rooftop.

202.14.216.129 at 04:29, 5 June 2007

2007-06-05T04:29:01Z

← Older revision		Revision as of 04:29, 5 June 2007
Line 13:		Line 13:
	''Passing by the card checker at the entrance, I enter the elevator.		''Passing by the card checker at the entrance, I enter the elevator.

	''It's empty inside. A mirror is bolted to the rear panel of the elevator for the convenience of the passenger. Watching me me with lazy eyes from the inside of the mirror is someone wearing a black leather jacket over a light blue kimono. Eyes that look like they care about nothing.''		''It's empty inside. A mirror is bolted to the rear panel of the elevator for the convenience of the passenger. Watching me with lazy eyes from the inside of the mirror is someone wearing a black leather jacket over a light blue kimono. Eyes that look like they care about nothing.''

	Shiki glances at the figure in the mirror, and pushes the button that says "R". With a small start-up sound, the world around Shiki rises. The motor-driven box will reach the top floor in a matter of seconds.		Shiki glances at the figure in the mirror, and pushes the button that says "R". With a small start-up sound, the world around Shiki rises. The motor-driven box will reach the top floor in a matter of seconds.

← Older revision		Revision as of 19:51, 7 March 2009
Line 3:		Line 3:
	''---------The bone in my nape creaks.		''---------The bone in my nape creaks.

	''Is the cold that's making me ~~tremble~~ coming from outside or inside my body?''		''Is the cold that's making me shiver coming from outside or inside my body?''

	Leaving what can't be distinguished aside, Shiki keeps walking.		Leaving what can't be distinguished aside, Shiki keeps walking.
Line 29:		Line 29:
	''The outline of the city fills my vision.''		''The outline of the city fills my vision.''

	The rooftop of the ~~Fukiyoh~~ building is a plain one. The floor is made of flat concrete, and there is a fence that surrounds the perimeter of the roof. A solitary water tower stands atop the annex, but there is nothing else particularly significant.		The rooftop of the Fujiyoh building is a plain one. The floor is made of flat concrete, and there is a fence that surrounds the perimeter of the roof. A solitary water tower stands atop the annex, but there is nothing else particularly significant.

	The rooftop itself is a plain one, but the view from it is out of this world.		The rooftop itself is a plain one, but the view from it is out of this world.

	The view of the night town from this building that is at least ten stories higher than its surroundings feels perhaps more lonely than beautiful. It feels like you're on top of a tall ladder looking down onto the world. The depths of this sea view, however, are certainly beautiful. The electric lights dotted here on there give off a warm luminescence like that of an anglerfish.		The view of the night town from this building that is at least ten stories higher than its surroundings feels perhaps more lonely than beautiful. It feels like you're on top of a tall ladder looking down onto the world. The depths of this sea view, however, are certainly beautiful. The electric lights dotted here and there give off a warm luminescence like that of an anglerfish.

	''If my view right now is that of the whole world, then the world right now is indeed asleep, as if eternally, but fortunately it's only temporary. The silence tightens my heart more than any coldness, and it is rather painful...		''If my view right now is that of the whole world, then the world right now is indeed asleep, as if eternally, but fortunately it's only temporary. The silence tightens my heart more than any coldness, and it is rather painful...

	''The coldness of the night sky stands out as just much as the coldness below. If the town is the deep sea, then the sky is just pure darkness. In the darkness, stars glitter like jewels. The moon is a void in this darkness - a large hole in a big black canvas known as the night sky. So that thing is really not a mirror of the sun, but rather a view of "the other side"... That's what I heard at the house of the Ryougi. According to them, the moon is a gate to another world.''		''The coldness of the night sky stands out just much as the coldness below. If the town is the deep sea, then the sky is just pure darkness. In the darkness, stars glitter like jewels. The moon is a void in this darkness - a large hole in a big black canvas known as the night sky. So that thing is really not a mirror of the sun, but rather a view of "the other side"... That's what I heard at the house of the Ryougi. According to them, the moon is a gate to another world.''

	Since ancient times, the moon has carried magic, women, and death. And with that moon behind it, a human form is floating...		Since ancient times, the moon has carried magic, women, and death. And with that moon behind it, a human form is floating...
Line 65:		Line 65:
	"Then I shall have to kill you"		"Then I shall have to kill you"

	Perhaps hearing Shiki's murmur, the woman looks down. The woman is four meters above this rooftop which is already over forty meters high. The ~~woman~~ and Shiki's gazes meet.		Perhaps hearing Shiki's murmur, the woman looks down. The woman is four meters above this rooftop which is already over forty meters high. The woman’s and Shiki's gazes meet.

	There are no words to speak, nor is there a language to communicate with.		There are no words to speak, nor is there a language to communicate with.
Line 97:		Line 97:
	The woman wonders if the contact was too weak, and decides to use ''suggestion'' again.		The woman wonders if the contact was too weak, and decides to use ''suggestion'' again.

	But this time, stronger. Not a weak impression like "You can fly" but she orders firmly: "You have to fly!".		But this time, stronger. Not a weak impression like "You can fly" but she orders firmly: "You have to fly!"

	But before that, Shiki looks at the woman.		But before that, Shiki looks at the woman.