Mushi:Vol6 TLnotes

From Baka-Tsuki
Revision as of 14:54, 14 March 2020 by Brynhilde (talk | contribs)
Jump to navigation Jump to search
Translator's Notes and References for

蟲と眼球とダメージヘア

Mushi, Eyeball and Broken Hair

Ragnarok 00: Damaged hair of a place no one knows

Damaged Hair's use of 'I'

Damaged Hair uses a fairly archaic way to refer to herself, using the first-person pronoun 'warawa' (see https://en.wiktionary.org/wiki/%E5%A6%BE#Japanese ). This term is historically used by women as a diminutive and modest way to refer to herself.


Return to Text


Ragnarok 01: 19-year-old Useless Repeat-year-student, Hobby is video gaming

FC

FC is the abbreviation of Famicom, the Nintendo 8-bit gaming system released in the 1980s. Guriko has quite a bit of interest in this entertainment system, as seen previously in the series. See here https://en.wikipedia.org/wiki/Nintendo_Entertainment_System


Return to Text


Fukuzawa Yukichi

Fukuzawa Yukichi is the person whose portrait is present on the ten-thousand Yen bill. A famous author and educator in the Meiji era, Fukuzawa founded universities, newspapers, and publishing houses. He is regarded by many as a founder of modern Japanese education and the nation's sense of statehood. See https://en.wikipedia.org/wiki/Fukuzawa_Yukichi


Return to Text


Ragnarok 02: Marionette of blood and flesh and bone

Asura

A type of deity in Hinduism. While Asuras can be aligned towards good or bad, many of the Asura fought continously against the main Hindu pantheon in later Hindu literature.


Return to Text


Guanyin

Guanyin is a prominent Buddha in Chinese and other Far Eastern Buddhism. At times male and at other times a female, Guanyin is portrayed to have 'Thousand-Arms' in Far East Buddhism literature and statues as a symbol of the Buddha's omnipotence and power.


Return to Text


Seven Gods of Fortune

The Seven Lucky Gods (七福神, shichifukujin) are seven gods in Japanese mythology believed to bring good luck to people. While quite a few of these gods have origins outside of Japan (eg. from Buddhism or Chinese folklore), the seven of them are now accepted as good luck gods in Japanese culture. The seven consists of Hotei, Jurōjin, Fukurokuju, Bishamonten, Benzaiten, Daikokuten, and Ebisu.


Return to Text


Vairocana Buddha

The Vairocana Buddha is one of the celestial Buddhas and considered by many Far Eastern Buddhism groups as a primordial Buddha, one of the main Buddhas in heaven, and the spiritual body of the historical founder of Buddhism, Gautama Buddha.


Return to Text


The Eight Million

Shintoism, the native religion of Japan, believes there is a god in all things. It is said that there are eight million gods in Japan, including nature spirits, gods in Takema-ga-hara (heavens) and Yomi (underworld), household gods, deceased ancesors and Emperors, even old objects that gained divinity (eg. tsukumogami).


Return to Text


Pantheism

A religious doctrine that believes everything in reality is a part of an all-encompassing 'God', that the physical reality is equal to that of divinity. Pantheism, therefore, does not acknowledge that there is a separate spiritual 'God' that exists outside of physical reality, bringing it into frequent conflicts with the Christian Church.


Return to Text


Jizo Buddha

A Buddha in Far Eastern Buddhism that is responsible for the underworld. Its name translates roughly into 'Earth Treasury', and is a prominent hell-Buddha, governer of hell-beings, and representation of deceased or aborted children in Japanese Buddhism.


Return to Text


Bannai Tarao

Bannai Tarao is a fictional character in Japanese cinema. In-universe, Mr. Tarao is a detective who is adapt at disguising himself and is capable of taking on seven distinctively different personas. 'Bannai Tarao' also became known as the series of mystery films that featured the character as its protagonist. The first film, Nanatsu-no-Kao (ie. Seven Faces), was released in 1946. The Bannai Tarao series continued until 1978 and contains 13 films.


Return to Text


Ragnarok 03: Peaceful, Everyday Heaven

Urashima Tarō and the Dragon Palace

In Japanese folklore, Urashima Tarō was a fisherman who helped a turtle, and as a reward was carried to the underwater Dragon Palace. He spent a few days in the Dragon Palace, yet when he returned to the surface, 100 years had already passed.


Return to Text


Return to Main Page