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===Kawa-Commentary=== Chapter 3: Comicalize *'''General In America, the hurricanes apparently actually come from Mexico. It’s starting to be a problem in Japan too, but paved areas with large elevation differences will have all the water flow downhill when it rains, flooding the lower areas. I wonder if they have that issue in SF. This chapter showed the City Hall and more of how Sarah lives her life. *'''Page 1 Sarah’s workplace. There is a whiteboard on the other wall covered in printouts of typhoon countermeasures and listing each worker’s post. Compared to before (Ch. 1), the monitor is now flatscreen and LCD. The desks are for work, so they have a slanted portion with a stopper at the corners to keep equipment from falling off. It’s hard to tell with Sarah in the way, but there is a cardboard box under the desk with a 16-bit system, a basketball, and other things inside. Those are cleaned up in Ch. 5. *'''Page 2 The top of Sarah’s desk, but there are bottlecap figures in front of the bookend. The idea is they’re from a series called the Dark Dance Showa Series and she is only missing Gachon out of the four rare ones: Gachon, Comanche, Nanchatte, and Sheeh. *'''Page 3 The building visible past Sarah’s reflection in the window is the storehouse. See the lights on there? Singlehorn might just be in there searching for Halifax’s upgrade parts after leaving Sarah a note. *'''Page 4 Originally, Sarah’s eyes had much bigger highlights, which made her look like a frog. The two lines Sarah travels along on the ground in the middle are a cable car track. *'''Page 5 A view from above the hangar. Benny covers them up, but the normally hidden guiderails and such can be removed from the base and brought to the door. The turntable is meant to hold things in place during modification and can’t be removed. Going clockwise, the personnel distribution inside the room is the supplies (food, etc.) on the upper right, meetings and planning on the right, an audio booster using a b6809 generator on the bottom right and bottom left, materials on the left, and a break area on the upper left. Each area has a whiteboard set up to check the progress of the work and provide a map. The things gathered around at the center of the room are sound boards and Benny’s personal things are piled up in front of the board on the upper left. *'''Pages 6-7 Not much to say here. *'''Page 8 The IZUMO name can be seen on Benny’s upgrade parts, but the idea is that IZUMO does built-to-order manufacturing of strengthened versions of existing parts. They are powerful since they come from Japan, the home of Rhythms, but they aren’t custom parts and can thus be attached with work like that seen on page 5. The same is done for Sarah’s Halifax, but it still needs to be reinforced with some tape. *'''Pages 9-10 The hilly city in the background has some pretty large elevation differences. The writing on the tape for Sarah’s spray gun tank says “FINE!”. *'''Page 11 Not much to say here, but Singlehorn’s front arms come from the front of his sides, so they aren’t always visible in this kind of pose. *'''Page 12 Not much to say here either. <noinclude> {| border="1" cellpadding="5" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaaaaa solid; padding: 0.2em; border-collapse: collapse;" |- | Back to [[City_Series:Volume7a_Chapter2|Chapter 2]] | Return to [[City_Series|Main Page]] | Forward to [[City_Series:Volume7a_Chapter4|Chapter 4]] |- |} </noinclude>
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