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City Series:Volume5a Chapter12
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===Mallette’s Answer Sheet: Industry Theory – Final Exam=== 43-A0169: Mallette Harculia Chosen Topic (2): The History of an Industrial Product I Know Well One of my friends is an industrial product. I am referring to Rosetta Balleroy, the Belle de Marionnette friend of Beretta McWild who you might remember from the festival’s closing ceremony – I believe you were there, professor. I have been her friend ever since that incident. Some of my relatives have Belle de Marionnettes at their homes. I will be writing about what led to that, the questions that have occurred to me, and how that relates to the topic. The history of Belle de Marionnettes is said to have started along with that of Appareils. They are said to have come about during the Edge era, the third age and world of destruction that existed even before the Obstacle and Genesis eras that themselves are older than the times spoken of in the Bible and such books. People were destroyed along with the world countless times and they evolved along with the world, but Belle de Marionnettes and Appareils were one element of that evolution. Those without a will of their own remained in the world as Appareils where they continued to evolve. Those with a will of their own remained in the world as Belle de Marionnettes where they continued to evolve. Unlike humans who were destroyed, continued to reincarnate, and gathered in heaven, they were more like stones, air, or water. They were machines and thus they continued to exist in the world for the sake of humans. These facts from ancient times and from the eras of repeated destruction are known due to the evidence discovered around the world, in space, or from careless statements of the gods. All of the facts we understand at the moment suggest the ancient humans had some reason for making a division between Belle de Marionnettes and Appareils and that continued division has allowed our City era to inherit two types of machines as a part of our world. Belle de Marionnettes and Appareils were reset when the world was remade, but they were reborn into the world during the City era due to the power of their Concept Existence Formules. According to a certain Concept Existence Formule researcher, more than 98% of what exists in the current world was not initially created in this world but came about during the previous 5 eras where they became built into the world’s Concept Existence Formules. Whenever the world was destroyed and remade, the things with powerful Formules were inherited by the next world – in other words, the concept of their existence was reincarnated. According to that researcher, the concepts of wheels, writing, lights, and even spirit fuel are all from a previous era, but the things with weaker Concept Existence Formules, or that take time to develop, take longer to appear after the world is remade. When Belle de Marionnettes were created in this era depends on your interpretation of the Bible (as some theorize that the Adam created by god was a Belle de Marionnette), but they are confirmed to date back to 5th or 6th century BC in western Asia. Moving mud dolls known as golems existed there. The name of god was divided into 72 names and carved into those dolls. That basic technique was confirmed and strengthened by Alexander the Great during his campaigns and by Aristotle, so the mud dolls became soldiers made from metal. Those thousands of undying troops known as Marduk’s Army can be seen in mosaics of Persian cathedrals. But with Alexander the Great’s death, Marduk’s Army was destroyed along with the Macedonian Empire and the technique for carving the Shem ha-Mephorash was lost. Thus, Belle de Marionnettes became people instead of powerful warriors. Of the 72 names of god carved into the golem, the word “emeth” (meaning truth) was always written on the forehead. We write it as “emeth”, but it only had three letters in Hebrew: e/me/th. If the golem was no longer needed, the initial Hebrew letter would be erased, leaving only “meth” (meaning death). That would destroy the golem. That means that Belle de Marionnettes are easily destroyed – Marduk’s Army were made of metal and thus the “e” was hard to erase. For that reason, it became a tradition for Belle de Marionnette creators to hide their Belle de Marionnette’s true name or official designation. The Airam and Aileppoc type of Belle de Marionnettes are common these days, but those names come from Maria and Coppelia spelled backwards. That tradition came about in BC times and is still going strong today. The method of creating golems was lost with the Macedonian empire, but people continued to create Belle de Marionnettes. Many varieties beyond just mud dolls have been created. The Homunculus and Armed Flesh varieties still exist today. But in 11th Century, the Persian Belle de Marionnette engineers hired by brothels began a conceptual revolution: Human creations must be even more beautiful than humans. They would resemble humans but be greater than humans. The Dazarhahs-type Belle de Marionnette (named after the princess who acts as storyteller in One Thousand and One Nights) was very unlike the Homunculi being researched in Europe. They used woodworking and porcelain techniques imported from China and elsewhere to create a “pure doll”. This technology was brought back to Europe during the Crusades and a new era of Belle de Marionnettes began. The European and Middle Eastern doll technologies were combined during the middle of the 14th Century while the Habsburgs were taking control of Europe and the Hundred Years’ War against England was intensifying. Once Belle de Marionnettes had both form and function, they were gifted as toys to the sons of influential individuals. Appareils had gone through a similar development, so their evolution was completed in that era and they spread across Europe. The most popular Belle de Marionnettes at the time were the Ereveniug-type (named after a well-known wicked woman in England) and – while this one only came about a while later – the Ennaej-type (named after a girl known as a messenger of god). These Belle de Marionnettes were known for completing any job given to them and for a complete inability to adapt. They still had their origins as industrial products. The next revolution took some time. It was predicated on the existence of Aerial City. Worn down by the Hundred Years’ War, England sought a new realm for sea trade, eventually discovered the New World, migrated there, brought in other species to make up for that, and became the fictional world of Aerial City – London due to the intervention of the gods and demons. All fictional things can exist in that world and it was an unnamed school of Belle de Marionnette makers who gave Belle de Marionnettes their next evolution. They adored the story of Coppelia and every last one of them worked nonstop until they had created Belle de Marionnettes who could evolve into humans. That theory was born in that land during the 17th Century, but it was not completed until the early 18th Century. And the foundation of the self-evolving Belle de Marionnette was finally created in 1912. The three on which it was based were named the Aileppoc-type, revealed to the world, and became the foundation of the current mainstream style. The old man who is the sole survivor of that school of Belle de Marionnette makers has created a total of 49 Aileppoc-types, including the 3 initial ones, and they are still functional today. Most of them work at England’s Oxford University or at Scotland Yard. The foundational theory of the Aileppoc-type Belle de Marionnettes was brought to Europe and America during World War One and used in the weapons and prosthetics of the time. The most well-known examples would be the stateless self-evolving Kaiserburg airship, the 7 ships based on it, and Riryoku, the Card Device possessed by 6th Sword Master Souwa Kanou. What does the future hold for these Belle de Marionnettes who can evolve on their own thanks to their history? I am sure my two friends will find the answer. That which was created as a machine, modeled after humans, and can become something greater than human is approaching her true self. That is all it is. My friend is nameless. I do not know if the creator she calls her father was unlicensed or if her current master has simply forgotten, but she has no designation beyond the name Rosetta. And I think that is just fine. Her and her descendants (there was news of a Belle de Marionnette giving birth in England about 5 years ago. The idea weirded me out at the time, but it seems perfectly natural now) will evolve to the point that no designation is necessary. That is the history of Belle de Marionnettes as I know it and my predictions for the future.
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