Phenomeno:Case 10

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Case 10: The Invisible Friend[edit]

Movies can change your life. It’s possible that a person, who was thinking of ending their life, would, after seeing this movie, happily trot out of the cinema and go buy a flower for themselves—

A guy in my high school who was really into movies said that; I wonder how he’s doing nowadays.

The ‘Yoishi Mitsurugi Rehabilitation Plan’ had gotten off to a hopeless start, but I was instantly comforted when I remembered this line and that film buff's boundless, radiating smile. I reassured myself, thinking I’d only just started. Having said that, I had realized something: The only thing besides the occult that brough a faint glimmer to Yoishi Mitsurugi’s eyes, was movies.

She’d sometimes wander off to the rental store, borrow a few films and watched them alone on her computer. What types of movies did she watch? …Well, it was obvious. She wouldn’t be watching anything like a teary-eyed drama about human relationships or a thrilling action adventure that made you scream with excitement. One day, she was watching a splatter horror film with intense concentration that had more blood 'splattering', rather than 'gushing', I asked her if she’d ever been moved emotionally by anything, and she looked at me with a curious expression.

“Animals… you said you had no interest in them. Then, look, what about kid stuff? Wouldn’t it be refreshing to be a child again?”

“The world of children is much crueler.”

Her words suddenly made me bitter as they reminded me of the incident from the other day, but I refused to back down.

“But even you might have kids one day.”

“I will not - I will never do anything to leave my genes in this world.”

Yoishi asserted flat out, without losing her expression.

I’m still a long way from seeing her smile, I thought, but when I heard that, I also had a deep feeling of relief somehow.

That was in a way, a declaration of Yoishi’s chastity, a declaration of her virginity. I think I was somewhat relieved to know she was a virgin. No, it wasn’t because I was into virgins or anything like that, it was just a sense of relief that the cause of her twisted nature was not a result of sexual abuse suffered at the hands of a close relative, like what might have been for Ayana Takamura, who disappeared in the underground place of the Koumei institute.

It's been about half a year since I met her. But Yoishi was yet to even speak of her family. It was actually difficult to ask her, since she was emitting a hundred-meter aura in every cardinal direction suggesting that if you were to ask about her family, she’d put a curse on you with all her knowledge. That’s why I didn’t ask, and I felt I would probably never have the chance to.


“But – saying that.”

It was also true that it would be a problem if I don’t ask some day.

After all, someone else's daughter was living -- or rather, parasitizing - in the loft of my apartment. Whenever I’d see Krishna-san, she’d persistently ask: “When are you going to resolve the situation?”, and moreover, this was not a normal situation.

I mean, was it my fault?

When I think about that day again, I still get angry.

In the first place, when Yoishi came to my apartment, it was bad enough that Karasu-san happened to be there. Karasu-san was from the old guard and a regular visitor to the occult site ‘Ikaigabuchi’. She was a beautiful woman whose age was unknown, and her actual profession was being a fortune teller, but she had a propensity to be too easy going or too mischievous, to think everything is fine as long as it's funny and to take no account of the trouble she caused to those around her.

She babbled something incomprehensible like:『There, there, it’s fine, isn’t it? It’s better to live together first than to get married out of the blue.』wearing a grin on her face; At that time, I was pinned down with my legs tied. During that period, Yoishi finished shifting her things in the blink of an eye. Even though I say she shifted her things, she took out from her bag what seemed to be the only possession she had brought along: her laptop, and threw all my stuff down from the loft, but that was the start of her life as a parasite in my home.

But they say, ‘There’s no use crying over spilled milk’, and it’s not in my nature to grumble about things that have already happened. Yes, even if it’s a misty hope behind the fog, the journey of a thousand miles begins with the first step. It's all about action, determination.

Having said that, I was painstakingly working to improve Yoishi’s eating habits, and trying to change her life cycle to a daytime one every day. I made her clean up after herself, made her habitualize taking a bath, and hoped that one day – I could fill in the blank pieces of Yoishi Mitsurugi that existed inside me. I hoped that a day might come... when she would finally smile.

And thus, it was on a Sunday in December.


“Yoishi! Lunch is ready!”

It was in the afternoon that day, I had cooked Chinese style fried rice with lettuce and pork for two people and called out to Yoishi in the loft, but there was no reply, nor did she come down.

“Heeeey, Yoishi!”

I called out once more, but there was no reply; I clicked my tongue and climbed up the ladder.

There, I found her lying in her permanently laid out futon wearing her school uniform, she had headphones on and some sort of video was playing on her computer. It was a little unusual to see her excited with eyes wide open. I crawled up to the loft and stood next to her, wondering if she had rented a hit film, when I realized…

The LCD panel of her computer wasn’t playing a movie. It looked like some kind of amateur home video. It appeared to be an event at some kindergarten. It showed smiling children marching in a line in an auditorium-like building, with their parents around them, creating a very congenial atmosphere.

“What is this--? A video of someone you know?”

I asked, but Yoishi silently put her index finger to her lips.


“It starts now.”

“…Huh?”

Yoishi unplugged the wire from the headphone jack, and the audio started playing through the computer speakers. I had no choice but to sit down next to Yoishi in my apron and peered into the screen with my face up close.

Mixed in with the noisy cheers of the crowd was the frolicking voices of the kindergarten children. The slight camera shakes and frequent panning of the camera in search of a subject truly did resemble a home video. The cameraman’s focus seemed to be the children in their yellow uniforms for most of the time – but at certain points, the camera was panned to the left as if they had suddenly noticed something. The camera wanders through the parents as if looking for something, or rather, someone. But after doing so for a while, the camera abruptly returns to the march of the school children once more.

“Why did it turn to the left just now?”

Yoishi operated the computer in silence and rewound the footage again.

The footage starts to play once more. The cheerful kindergartners. The smiling parents looking at the camera. And the camera suddenly pans to the left once again. It lingers for a while in search of a subject, then returns to focus on the kids in the front again—

“Huh?”

I suddenly noticed something strange.

“Show it to me once more.”

Yoishi rewinds the video once again. The video pans left from the marching school kids. In the far back rows of the parents --Ah, I knew it. There was a kindergartner dressed in a yellow school uniform and a hat. It was too blurry and far away to determine if it was a boy or a girl… but, that child alone stood still in the corner of the parents' section, with their head down, looking like they were the only one not taking part in the fun event.

“Why is that child… not taking part in the march?”

As I uttered that, Yoishi rewound the video again and played it back once more. This time from the point the camera panned to the left. It showed the figure of the lone kindergartner amidst the parents, and that was when I finally felt a sense of unease. For some reason, a shiver ran down my spine.

“…P-play it once again, please.”

After a few more replays, I finally realized what that was.

More so than I saw earlier, no, the more I replayed it…. The more different that kindergartner’s body leaned. It seemed as if their body was turning towards us slowly. At the same time a shivering cold took over me, and I remembered.

It was something I had seen on the internet, a famous ghost story among occult enthusiasts.

It began when a university film club snuck into a train station late at night to film. They wanted footage of an empty station, but after they finished filming and checked the footage, they somehow found a woman on the platform with an umbrella on the next platform across the tracks. The student who was director among them seemed angry on why no one had seen her during filming, but as they replayed the footage, someone noticed.

Why was the woman there alone at the station after the last train had departed?

Moreover, each time the footage was replayed, wasn’t the woman turning her body towards the camera, little by little?

Everyone laughed in the beginning, thinking such a thing wasn’t possible, but after ten replays, everyone started to go quiet. The woman whose back was clearly turned away from the camera, had turned her body far back enough that her face was visible. With long black hair and head hung down, her movements which indicated she would soon look up and face the camera, made everyone tremble with fear, and the film was sealed and burnt in a temple. After that, it was said that the film crew members met with strange accidents and died – I didn’t know the details. I think there might have been some embellishments as well.

Suddenly recalling that story, I panicked and stopped the video.


“….Ooo, Oi, Yoishi…This, it can’t be…?”

Yoishi, who was close enough to catch my breath, spoke happily.

“It’s the real thing.”


Yoishi called the rental store to check; It seemed that the person who rented the DVD previously returned it with the wrong disc, and the shop owner failed to check it, so it found its way here.

“What kind of person had this in their possession, I wonder?”

Yoishi eyes lit up as she asked, and after we gulped down the fried rice that had already turned cold, we rode together on the mama bike and headed towards the rental shop.

We arrived at the rental shop, a complex attached to a video game and book department. It was crowded with customers on a Sunday. I stopped my mama bike at the entrance and locked it, while Yoishi quickly headed inside towards the reception. I entered the shop belatedly and watched from a short distance, the young male shop assistant was apologizing profusely and seemed to be asking if she would like to borrow it again.

“I don't have time for that anymore.”

Yoishi shook her head, and then pressed the apologetic-looking employee, “Instead, I'd like you to tell me who rented this film before me.”

However, despite it being a mistake on the employees’ part, he refused, saying “I’m afraid we can’t do that.” Well, that was obvious as it was personal information. Yoishi persistently nagged him for a while, saying, "Do something about that", but the shopkeeper just bowed his head and refused to do so.

Eventually, Yoishi left the reception area, and I followed her.

As I approached Yoishi, who seemed to hide behind a pillar, she spoke:

“We'll see what happens here for a while. That employee is bound to contact the previous borrower to retrieve the original disc.”

“I see.”

We killed time by pretended to see a trailer of a new film on display on the monitor there, while keeping an eye on the employee from earlier, he soon started making a phone call somewhere while looking at his computer screen. After staring intently at the fingertips of the employee pressing the buttons on the push-button phone, Yoishi took out her phone and inputted some numbers. She then pressed the call button after the employee had finished talking and hung up.

--This girl could actually be a detective in the future.

I watched her in amazement, but as Yoishi said “Hello”, I involuntarily held my breath.

“Sorry for disturbing you once more. I’m calling from the video rental store again.”

I drew closer to Yoishi and leaned my ear into the phone to catch the voice from the other side.


〈…I told you I can't come today.〉

The voice from the other side seemed to belong to a woman. She spoke in a somewhat muffled tone of voice.

“Yes, I understand. There was something we forgot to mention – actually, the film has been booked by another customer, and if it's all right with you, we'd like to come and retrieve it now, so may we come over to your house?”

〈………………..〉

The woman on the other side briefly went silent as if troubled by the request.

However, she eventually consented with a small, muffled〈…Understood〉, “Is this address alright?” Yoishi asked as she gave her a random address.

Thereupon, the other party must have said 'no', and Yoishi immediately apologized.

“We’re sorry, it seems the address has been entered incorrectly in the system. Can you please inform us of the correct one once more?”

After that, Yoishi quickly jotted down the correct address she managed to wring out of the woman on a piece of paper. All I could do was watch on nervously.

“You’re… amazing.”

I said that to Yoishi after she hung up,

“Let’s go.” said Yoishi, and we immediately set off.


The address led us to a residential area near Shakujii Park, far north of Kichijoji Station. The area was densely populated with rather small dwellings via several small alleys, making it difficult to get a sense of direction.

Yoishi checked the address on the telephone pole with the paper in one hand, and continued walking. I followed behind, pushing my mama bicycle.

“Say. It’s alright to visit that house, but, what are we going to do about that DVD the person mistakenly put in there instead of the film? Isn’t it still back at the shop?”

“You receive the film and return it to the shop as the shopkeeper doesn’t know your face, and you officially receive that DVD instead. You then return it to this person again.”

“Ah…. I see.”

“If you do that, we can talk to that person twice, and watch it once more.”

“If possible, I don’t wanna see that again.”

As I told her that.

“It’s here.”

Yoishi stopped in her tracks.

It was— one of the small developments in a residential area. Strangely enough, even though it was broad daylight, the house seemed dimly lit. The plot of about 83 square meters was surrounded by a wall, and along the inside of the wall was covered thick with many dogwood trees that had not been touched for quite some time now. The nameplate on the rusty iron gate read 'Iizuka'. Peering inside through the spider-webbed gateposts, I saw a doghouse by the front door. But there was nothing inside – or rather, the entrance to the kennel was boarded up and nailed shut, which felt creepy.

“Huh… what a creepy house.”

I turned back to see Yoishi had her lips pursed together, her pale face seemed to be even paler. She looked like she was trying very hard to endure.

“H...hey, are you gonna throw up? Is that it?”

--Shit. I had forgotten to bring along a plastic bag since we had left in a hurry.

As I fumbled around both my pockets:

“…It’s alright.”

Yoishi muttered as she staggered to the sooty intercom next to the gate and pressed the button. A chime rang out from inside the house, and eventually a quiet voice came through the intercom speaker, “…Yes.”

Yoishi had a deathly expression on her face and didn’t say anything, so I had no choice but to answer in her stead.

“W…we’re from the rental shop that called earlier! We’re here to pick up the film!”

The front door opened inaudibly – And a woman who looked to be in her thirties appeared.

“…Please come in.”


“S-sorry to disturb you.”

Leaving me aside, I thought that Yoishi, dressed in a high school uniform would be nothing but suspicious, but the woman didn’t seem to care about that at all.

We took off our shoes at the entrance, went past the creaking, dimly lit corridor and were shown into a 10 sqm living room, where we sat down in front of a wooden table as indicated by the woman.

“I’ll bring some tea.”

While the woman was in the kitchen, I managed to get a look around the room. The ceiling wasn't so high, and an old, worn-out carpet lay spread on the tatami. There were several stains on the carpet, probably from children spilling on it.

Come to think about it, there were a number of stains on the tatami in the living room of my parent's home. I guess that’s how it is in a house with small children. However, it was as silent as the grave inside the house, as if there wasn't anyone else present besides that woman.

Nonetheless, it was dark.

Despite the curtains of the sash leading to the small courtyard being open, a gloomy darkness clung to the room. Was the room just bad at receiving sunlight? The warm winter sunshine continued to fall outside in the courtyard, but the room received none of that blessing.

"Sorry to have kept you waiting."

The woman eventually brought two teas and an open DVD.

"...Here, I'm sorry. I ended up returning it with the wrong disc."

"Ah, yes, that seems to have been the case."

I said that while taking the disc from the woman, when "...Well then", she looked at me in the face.

Her emaciated face… shocked me. I checked her appearance carefully once more. Her face, without any makeup, was pale and had several deep wrinkles. There were dark circles under her eyes, and her lips looked parched. Even though she wasn't that old, there were many white streaks running through her shoulder-length hair.

--She was dead, while alive.

I shook my head in a panic as I suddenly thought such insolent things.

"Ah, ummm - - About the DVD you mistakenly put in. Hmm... that is..."

I looked to my side, puzzled as what to say.

"I have a question."

Yoishi, who had been quiet all this while, suddenly spoke up.

"Are you the one who shot that video?"

"…Which video are you referring to?"

"The video taken at that kindergarten."

In response, the woman's eyes opened slightly.

"…Did you see that one?"

"I'm sorry. We had to make sure of the contents."

"…How much of it did you watch...?"

"All of it."

Yoishi answered.

"We saw all of it, including the child who shouldn't have been there."

A chilling cold air rose at these words.

I gripped my knees as I sat in the formal position.

"...Is that so?"

The woman looked away from us, and her gaze focused downwards, as if she stared on the stains on the carpet. She stayed like that as Yoishi asked her.

"Who is that child, and what meaning does that video have? Actually, a lot of bad things have happened at our store since then. I believe you have an idea of the kind of things that are happening."

Yoishi had spoken that much, when--

"Mai!"

Suddenly, the woman turned and sent an ear-splitting scream my way, causing me to buckle reflexively.

"Go over there!"

After looking closely, I saw that her focus was behind us, and I turned back to see a paper sliding door closing behind me.

"…That was my daughter, I beg your pardon."

"....Ah, not at all."

Apparently, her child was in the next room.

"--Have you heard the rumor of the child known as 'Shōko-chan'?"

"Huh?"

I tilted my head in puzzlement at the unexpected question, as the woman continued.

"My daughter really loves that rumor in her kindergarten. She says it's a secret friend that the adults can't see and only the preschoolers know about."

"Is the child in that video that 'Shōko-chan'?"

Yoishi asked, but it seemed as if her question didn't reach that woman.

"One day, a lone frog was found stabbed to death at the end of the bamboo in the kindergarten's hedge."

The woman narrated the tale, letting her words fall to the floor.

"The teachers seemed to have been frightened and removed it, but after a few days, another frog stabbed to death was discovered. And then... they gathered all the children together and cautioned them not to do such poor things to living creatures. They didn't intend to go into who did it, but one of the children was brought to tears and said, 'I tried to stop it’. They then asked if he knew who did it, and after hesitating for a moment, he answered, ‘Shōko-chan’. However, there was no such child bearing that name in the kindergarten. The teachers thought it must have been someone’s nickname, but shortly afterwards, the child who told them the name had a traffic accident. The child survived, but the shock was so severe that he soon transferred to another school. After that, a strange rumor started spreading among the children: ‘Takuya-kun had an accident because he tattled to the teachers.’”

“Does that mean he got into an accident because ‘Shōko-chan’ held a grudge against him?’”

Yoishi interjected, and the woman nodded slightly.

“However, as I mentioned earlier, there were no children named ‘Shōko-chan’ enrolled in that kindergarten. Nevertheless, some of the old staff members knew the name, and there were stories from children of all generations: of children who were locked in the barn where entry was forbidden, or children who had burns on their stomachs, backs and other parts of their bodies that were not easily seen by adults.”

“That film—”

Yoishi asked her:

“Were you the one who made that video?”

“…Yes.”

“Were you trying to film your daughter?”

“…Yes.”

“Why did you turn the camera midway through to an irrelevant direction away from your daughter?”

“…That was… I somehow felt I had to point the camera in that direction… Yes, I unwittingly pointed my camera that way.”

“Do you think the child in the film present where they’re not supposed to be is ‘Shōko-chan’?”

“…I don’t know.”

“How many times did you see that film?”

However, the moment Yoishi mouthed those words.

I was horrified, as the woman suddenly grabbed her hair tightly and started to pull with enough force to tear it all off.

--Hey Yoishi. Stop it. Something's wrong with her.

I gently tapped Yoishi’s knee with the intention of telling her so, but she continued her interrogation without a care.

“Did you watch it until the child turned his head completely? Did you make eye contact wi—”

“A, …AAAGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!”

The woman started screaming, and I shrieked back in fear.

But - at the same time – Yoishi sitting right next to me started making a strange noise.

“…B, Blaaaaaaaaaaaaaaaaaaaaaaaaarrrgghhhh!”

The pale Yoishi suddenly began to vomit loudly on the spot.

“U-ooooooooooooo…”

Despite being screamed at from the front and the side, I still managed to catch Yoishi’s vomit in mid-air by holding out my hands thanks to my reaction speed, which was in a realm where it could be called that of a master or an expert. I somehow managed to protect the carpet in someone else's house from her vomit, but my hands were now filled with her warm puke.

“…I, I’m terribly sorry.”

I apologized to the woman, but I didn't know what to do from there. I had no idea what I was doing anymore, I was here in this creepy house, sandwiched between two denpas, with vomit in my hands. The woman who shouted for a while fell silent again, and Yoishi being Yoishi, didn’t care about the drool on her mouth, and continued to ask questions.

“You returned that film to the rental store on purpose, didn’t you?”

The woman looked up slightly at Yoishi’s question, but I looked at her, startled.

--On purpose? What do you mean, on purpose?

“You must have deliberately returned that film to the rental store. Was it because you were afraid of the footage of the schoolchild turning towards you every time it played? Because you felt something would happen if you looked at their face? No. Maybe you already made eye-contact with the child in the video -- and maybe, something already happened in this house. Perhaps something is happening to your daughter."

“…Please leave.”

The woman spoke in a frail voice.

“I think you’re better off not knowing any more than that. Besides -- you two are not from that store, correct?”

…Damn, we got caught.

I mean, wasn’t it obvious?

A high school girl school uniform who asks such sharp questions and then suddenly throws up in her companion's hands can't possibly be an employee from the rental store.

“Please excuse us.”

I apologized, stood up and kicked Yoishi on the knee with my toe.

It was an obvious signal that enough was enough, and that it was time to leave.


When I went outside, I felt a dazzling sense of brightness.

The oxygen was thick, the sunlight felt warm. Above all, there was a sense of liberation, as if I had escaped from a monotone world and discovered a world of color. I wanted to take a deep breath, but the sour smell from the liquid on my hands prevented me from doing that. As I contemplated on what to do with it:

“If we don't hurry, it could get bad.”

Yoishi spoke that, and began to walk at a brisk pace. She still looked pale, but her gait was steadier than before.

“H, hey, wait a second! My bike! You push my bike!”

Yoishi tossed her black hair, turned around and tilted her head in puzzlement.

“Don’t act like you don’t know why. My hands are full because of you, the least you could do is push my bike.”

Yoishi then stood motionlessly in place as she stared at the vomit in my hands as if she had just noticed, and spoke:

“Are you a vomit maniac or something?”

“…Huh?”

“How long are you going to keep carrying that around as if it were precious material?”

“…Y,Y, You bitch. There’s no way anyone would carry this around because they liked it! If you’re gonna go around throwing up everywhere, then it’s your job to carry a plastic bag with you at all times! I mean, is this stinky crap something you can just casually throw everywhere? It's a nuisance to the neighborhood, so throw it in the toilet of a park somewhere! And wash my hands while you’re at it!”

Hearing my fervent speech go that far, Yoishi finally put her hands on the mama bike.

Although she seemed very reluctant to do so, we went to the toilet in Shakujii Park together. After dumping Yoishi’s vomit in the public toilet by the entrance, I thoroughly washed my hands with soap in the hand-washing area. Not having a handkerchief, I wiped my wet hands on the back of my jeans.

“Say, have you heard the term, Imaginary companion?”

Yoishi suddenly asked me out of the blue.

“Imaginary companion…? Ah… it’s that, right? A friend who only exists in your imagination when you're a kid, right?”

“Yes, also known as an imaginary friend. Children are in their own way, under pressure adults cannot perceive. Their minds have not developed resistance or anything yet, so they create the ultimate ideal, an imaginary friend to protect themselves.”

“I’ve heard about it before, so what of it?”

I asked that much, when I suddenly realized.

“….Eh? Wait, are you saying… that’s what we saw in the DVD?”

Yoishi shook her head and said ‘I don’t know’, before walking off.

“At first, I thought that was the case – but, I feel it’s different somehow.”

Her white face hung downwards as she moved away, I drag my mama bike in a rush to catch up with her.

“Wait, why is there an imaginary friend in the video?”

Besides that, according to the story that woman named Iizuka told us, the image of the rumored ‘Shōko-chan’ sounded more like it was the target of everyone’s fear. It was nothing like an ideal friend that appeared in order to protect a child’s spirit. On top of that, wasn’t it weird how all the other kids shared that image?

“Right, it’s weird.”

Yoishi muttered happily for some reason.

“That’s exactly what makes me curious.”

Her eyes were suddenly filled with vitality. They shone with such energy that it was hard to believe she had just vomited a few moments ago.

“Anyways, we’ve already lost twenty minutes. Let’s hurry up.”

“Hurry up…? What for?”

“We need to hurry up and make sure that video isn’t seen by anyone else.”

As I looked at Yoishi, who had already taken a seat on the back of the mama bike and was waiting for me to get on, I felt deeply dismayed.

--Oi, just how many times did we see that dangerous video?



Thereafter, we rode double on the mama bike illegally back to the rental shop, and as per Yoishi’s suggestion, I returned the movie that should have been returned originally and took back that creepy DVD with the kindergartner once more. The store employee put the DVD in a cheap case, as though he felt bad about giving it back bare-cased, but even so, it felt scary to hold the DVD with that creepy thing in it directly in my hand. Staring at the light bounce off the disc inside the case made me reluctantly recall that grainy video. A chill ran down my spine as I recalled the kindergartner with their head hanging down, and how, with each successive replay, their body slowly turned towards us and head raises up with each playback.

Despite that, I had no choice to take it with me, so I quickly made my way to the exit and thrust the DVD into Yoishi’s hands, who was waiting outside the shop.

“Here. So, what do you plan on doing with it?”

“I wonder.”

Yoishi gave an irresponsible comment, but—

Didn’t you take it back because you had some kind of plan?

“Say, what did you mean when you said that woman deliberately returned this DVD to the shop?”

“Same as you are now. She didn’t want to hold it for a long time, so throwing it away was the best option, and I believe she threw it away many times over. However, in all likelihood -- this ended up returning.”

“Ended up returning??”

“There are things in this world imbued with such a nature, like ’A doll that’s been loved for a long time’, or ‘A creation you put your heart and soul into’, Most of the time, it's just that the original owner hasn't quite let go of the old feelings in their heart and is calling them back."


That suddenly made me recall the doll memorial in the temple[1] I saw when I was on a school field trip to Kyoto. I recalled that in one corner of that temple, a smaller temple surrounded by shimenawa[2] was built separately, where countless dolls were bunched together and how they stared coldly at me. I recalled the bundle of hollow stares that suggested they were no longer needed by their masters, and I remember running off reflexively.

“It would be best to seal it off somewhere.”

--Hey, don’t tell me you plan on swiping another shimenawa from a temple again? I had a bad feeling as I stared at Yoishi play around with the DVD in her hand by spinning it round, when—

“Oh, Nagi-kun-- and Yoishi-chan?”

Hearing a familiar voice call out my name, I turned around and saw Karasu-san there for some reason.

She was wearing what could be called her trademark black camisole with a fluffy fur shawl, twirling her car keys with her fingers, and had a broad grin covering her entire face.

“What are you two doing here on a Sunday?”

The female fortuneteller and longtime regular of ‘Ikaigabuchi’ asked me as she wore her beautiful black hair tied high on her head today. She was a tall woman by nature, and also a beauty with a flamboyant face. In addition to all that, she had a loud voice, which made her truly stand out. With her appearance alone, she gave the impression of a large sunflower blooming in full bloom, and we were instantly the center of attention from everyone around us.

“Us? What are you doing here?”

I asked back in a hushed voice.

“Me? Well, I’m just wandering around because it’s my day off, but…? Aaah… could you two be on a date? A date! I love it, I love it!!”

It’s not a date; Your voice is too loud.

I was about to say that, when she suddenly grabbed me with her arm and put me in a tight headlock. Under the fluffy shawl, my cheeks were buried in Karasu-san’s soft bust, and I could smell her nice fragrance. Locked in a headlock, I was dragged towards the parking lot.

“Say, say, say, Nagi-kun? Don’t you have anything to report to me?”

“W-what are you talking about?”

“There you go again, playing the fool. You’re still living together with Yoishi, aren’t you? Which means… you’re together now, right? In short, it’s become that sort of thing, right?”

“…Huh?”

“Tell me, tell me, what did you think of Yoishi-chan's lips and all that?? That girl’s a little strange, but she's got some serious quality, doesn't she? Even as a woman, her eyebrows and eye shape make my heart throb, so I don't blame you for losing patience, but aah, damn, I'm so disappointed in myself. If I could meet a girl like that, I wish I’d been born a man!”

“—A-are you... are you nuts! What are you talking about?!”

“Oh my, you're all red-faced. After all, a 16-year-old girl makes a big decision and walks into a guy's house. Oh, the two can’t possibly still be platonic, right? I think that’s super unhealthy.”

Which one is unhealthy?! In the first place, if you hadn’t placed me in a headlock like this back then, I wouldn’t have been caught up as an offender of the Youth protection ordinance. Yoishi wouldn’t have started parasitizing in my house.”

I finally managed to break free of Karasu-san’s headlock and declared that.

“Be thankful, I arranged a special event in your springtime of youth.”

Karasu-san laughed as she cheerfully slapped me on the shoulder.

--It’s no good. Her pace might have made me genetically incapable of fighting back… is what I thought, when—

“Hmm?”

Suddenly, Karasu-san stared at me and gave a puzzled look. She skillfully raised only one of her slender, well-groomed eyebrows and put her hand on my cheek.

“W, what is it?”

“You’re having trouble with women, aren’t you?”

“Trouble with women? Yeah, I’m having trouble with you!”

I retorted scathingly, but Karasu-san replied with no, no, no, and started stroking my chin and cheekbones with her fingertips even further.

“This is—trouble with a woman far younger than me. And it’s not Yoishi either. Right—if I had to guess, I’d say a girl of elementary school age. It can’t be, don’t tell me you touched an elementary school girl. You know that’s a crime, right?”

“Of course not! I mean, you’re the one who helped a high school girl parasitize in the loft of my apartment, so please don't talk to me about crime.”

Ah, her fortune-telling was always like this. It was, how do you say: Out of focus? Unreliable? It wasn’t there when you needed it, and there were times when she would gleefully tell you of disasters that had already passed by. That elementary school girl she mentioned was probably the girl selling ghost photographs -- Akane Nanamori. That was already a bitter memory that remained within me.

“Well, be careful. These days, elementary school kids can be very mature.”

She spoke somewhat elatedly -- The carefree fortuneteller then waved a "Yoo-hoo" to Yoishi, who had remained silent for a long time.

“Yoishi-chan, how have you been?”

As if finally noticing her at last, Yoishi silently turned her eyes towards Karasu-san.

“My, my, Yoishi-chan is as cute as ever. Your deep eyes look like they could steal my soul, I can't help but adore them. I think I might lean that way!”

Even in the face of such cringe-worthy dialogue, Yoishi maintained a blank expression.

On the contrary, she waited for Karasu-san to finish speaking, before muttering:

“Is the apartment next door yours?”

“…Huh?”

“Next door to our apartment -- room 101. I heard you're using it as a storage space.”

“Ahh, that’s right, but… what about it?”

Karasu-san nodded cheerfully, and Yoishi asked a strange question:

“Who’s in there?

…Huh?

I looked at Yoishi’s face with my mouth agape.

Not ‘what’s in there?’, but ‘who’s in there?’

“Who, you ask, ermmm…. there's just a bunch of stuff in there…”

Karasu-san spoke somewhat evasively, prompting Yoishi to interrogate her further.

“That's strange. I can sense the presence of at least ten or so people in that room at any given time.”

Her words sent a shiver down my spine.

T…ten? Eh, what? What did that mean?

Astonished, I looked at Karasu-san to see that she too, was unnerved.

“......Oh, uh—that is, I mean….”

“What DO you mean?”

When I pressed her as well, the female fortuneteller finally opened up reluctantly.

“Actually...... There's a lot of items in that room with a shady history, you know, items that have been entrusted to me by customers.”

“Items with a shady history?”

“No, no, no, no, it’s not a big deal! It’s merely common stuff like ‘A mirror with a person trapped inside’, ‘a meat mask that can’t be taken off once worn’, or ‘a laughing doll’! But more so than being kept in storage, they are items that are sealed away because they can’t be touched presently – Ah, but Nagi-kun, you don't have to get all teary-eyed. They've all been spiritually treated. Nothing will happen unless you go in there and break the seal!”

“T-that’s not the problem here! Don’t seal such suspicious things next to someone’s apartment! No, I mean, please don't say such things in front of her right now!”

If it says ‘Enter and you will die,’ Yoishi would enter even if she had to kick the door down. If there was a sign that says you will be cursed if you open it, she would use any and all means necessary to open it.

As expected of her, Yoishi whispered:

“Show me that place.”

“…Eh?”

Karasu-san was at a loss for words; I shouted out loud as if moving her out of the way.

“No, no! Don't make things more complicated than they already are! We need to get rid of that DVD first!”

“That’s why, I need to see it.”

“…What did you say?”

“There might be something we can use.”



…Oi, you gotta be kidding me. The moment Karasu-san opened the door to the storage room, I was already at my wits end.

As soon as we entered, I saw countless talismans stuck on top of the front door. They were also stuck above the door of the modular bath, and another in the cramped kitchen. For some reason, many of the talismans were old, and some were blackened as if they had been blasted from above with a gas burner. But the most bizarre thing about this room was that the partition door leading to the living room had been removed and was replaced by a thick, old shimenawa. You would never see such an impressive thing even at a shrine. And it was definitely not something you’d find in an ordinary rental apartment.

“…Karasu-san, please explain it to me.”

“You’ve seen it before, haven’t you? A shimenawa?”

“I understand that, I’m a regular user of ‘Ikaigabuchi’ too! What I’m asking is, why is there such a huge shimenawa in a place like this? It's strange, no matter how you think about it! This is just like the doll memorial in Kyoto…”

I said that much, and then, Ah, I understood.

…I see. So that’s why Yoishi wanted to see this place. This was a room built exactly for that purpose, a room for slowly purifying items that couldn’t be out in the world, items that had a certain history about them – Wait, this wasn’t a time to be accepting.

“K-K-Karasu-san! If you had something like this next door, you should have told me when you introduced me to this apartment.”

“No, because, you were in a very precarious situation at that time.”

“Being in a precarious situation means that I don’t have the right to make such a basic choice?”

I yelled out loud at Karasu-san, but I felt my voice being swallowed by the darkness behind the shimenawa.

There were countless boxes placed in the dark living room behind the shimenawa, but even I, despite having no ability to sense the paranormal, could tell. Something felt wrong. I could tell from that fact that although the light in the corridor was switched on, the living room right next to it was dark, as if it repelled the light. It was, how should I put it, otherworldly. The air itself was distinctly different. There was something so thick in the air that made me believe it was dangerous, to the point where even the gravity there might be different.

However, Yoishi took off her shoes, quickly went under the shimenawa alone by herself, and muttered “How wonderful” to herself.

“Right, right?”

Karasu-san nodded happily as she followed, and seeing Yoishi happily pick up the suspicious items one after another and stare at them as if she were admiring antiques made me think dark thoughts to myself:

--Hey, take a look. This is what a true occult maniac looks like. In internet slang, they're the ‘denpas’ who suddenly broadcast their occult fantasies to the world. Ever since the cat incident happened, some people in the western club building branded me as a ‘weirdo who likes scary stories’, but even that perception will be completely overturned when they find out about this kind of existence. I'm sure they will understand how normal, how much of a beginner I am in the unfathomable world of the occult -- I thought such thoughts to myself, while I waited in the corridor, refusing to go through the shimenawa by myself; I saw Yoishi in the living room lift something and ask Karasu-san:

“This is?”

“Oh, they’re opposite mirrors that were in the storehouse of a large landowner in Toyama. It is said that if you hold the two mirrors up to each other on the night of the new moon, you will multiply.”[3]

“What do you mean by multiply?”

“They say that your reflection in the mirror starts to take on a different personality. If you were to close the mirror in fear, the self in the mirror would remain there, and begin life anew in the world of the mirror. It is said that the mirror was originally used in a local brothel, but the details are unknown. Anyway, it's dangerous, so it's wrapped up nice and tight and can’t be opened.”

“Hey…Yoishi, don't open that thing, okay?”

I warned her from the corridor, but of course, Yoishi wasn’t listening.

“This cell phone is…?”

“This is similar to the story, ‘The Monkey's Paw’ by W. W. Jacobs. From what I’ve heard, it seems to be a cell phone found in the hands of a child who committed suicide, and if you were to press the call button on the phone and make a wish, the wish will be granted in a dubious way. Like getting into the school of your choice, but losing a leg in exchange.”

“And these shoes?”

“Ah, those are dangerous. A certain man is said to have crafted them from the skin of his wife. They seemed to have been at bad terms from the start, but the husband killed his wife and made shoes out of her skin so that he could trample over her, again and again. But it seems that shortly afterwards, the husband jumped off a building while wearing those very same shoes.”

…What the hell is that….? Why, why the hell is that thing here??

“This rope is…?”

“That is said to have been used by people who hung themselves in the dense woodlands. The local police and fire brigade found it when they made their regular patrols, but no matter how many times they cut it off when they recovered the bodies, people kept using it to commit suicide again and again for some unknown reason. It was as if the string was enticing them, so they handed it over to a local shrine, but the head priest there also ended up committing suicide, so after a series of events, it made its way here.”

…Wait, what the heck were the events happened that brought it here? Why the hell were so many dangerous things all gathered in the apartment next to mine? Now that I think about it, when I ran away from that ‘Wish-fulfilling house’, Karasu-san quickly introduced me to this apartment, but why was a cheap place so close to the university vacant up until now? Wasn’t it because it was a dangerous place?

Once a person starts thinking negative thoughts, those thoughts begin to growl and spin, faster and faster. I began to worry about the potholes in my life one after another.

I was in a situation where I was going in and out of the Beatnik Research Society, aka one of the largest occult sites in Japan, my apartment had a collection of cursed items next to it, and moreover, a girl resembling a vengeful spirit inhabited my loft. I'd become numb to the fact that Yoishi was close by because of everything that had happened, but this was definitely not a normal life. I tried to roughly recall the people I’d met since I came to Tokyo, since the ’Ikaigabuchi’ offline meeting, it’s been nothing but a string of dangerous people starting with Karasu-san, and in the ultimate form of Yoishi Mitsurugi. No, the ultimate of the ultimate was the evil priest, Sako Takita. He was undeniably the worst of the worst, and I don’t know if I’d go so far as to lump him with Yoishi, but anyway, the only sane ones are the Kurimoto siblings – no, wait, wait. Am I not being fooled by Krishna-san’s large bosom and baby face? Even she is clearly involved in the occult, and as long as she is the leader of ‘Ikaigabuchi’, she can be thought of as a major figure in the occult, right? According to Sako, she was ‘on the verge of breaking down once’, and even her eloquent younger brother, Yukihito Kurimoto said he had ‘died once’. Oooo…. oiii, does that mean that none of them are sane? Does that mean none of them are sane human beings of this world? If I keep on associating with them like this, I’ll surely be dragged to the world on the other side, won’t I? No, both of my feet are already immersed in the other si – Argh, look at them, your feet. Can you see them clearly? Is that the ground? Are your feet there? Isn’t it just an ink-like darkness, spreading outwards….?

“………………”

--No.

….It’s….dark.

Before I realized, I was standing alone and still, in the dark.

…Was it a blackout?

But when I reached out my hand, I found that the walls of the apartment that had just been there had disappeared.

…Hey, where is this? Yoishi---? Karasu-san?

I look around frantically, but no one was there. I didn’t even know if I was in a wide, or a narrow place. A sticky darkness alone enshrouded me, a lukewarm darkness that penetrated through my nose and through my mouth.

I grabbed my hair and was about to start screaming, when –

  • SLAP*- I was smacked on the shoulder.



“--Yes, deep breaths.”

When I came to, I saw Karasu-san’s smiling face in front of me.

I had slumped down to the floor, and she was crouched beside me, looking at me.

“Take a dee—ep breath in, then hold. Yes, slowly let it out--- Repeat that three times.”

I didn't understand it very well, but I did what she said, I started to breathe better and calmed down. I looked down at my feet in a daze, they were still there. I was wearing gray socks, and sitting on the floor of the apartment. And the fluorescent light was there and all. I was drenched in sweat and there was a wall against my back.

“You'd better remember.”

Karasu-san smiled as she gently stroked my hair.

“Your fear most likely comes from forgetting to breathe.”

“Breathe…?”

“It’s probably the effect of your childhood asthma. If the fear inside you intensifies, then like now, make sure you're breathing properly. No matter what kind of paranormal lies ahead of you, you’ll definitely make it through somehow. As long as you're breathing properly, you're invincible. You're not broken at all.”

I felt my nose reflexively sniffle. That was the kindest look I’d ever seen from the ‘outrageously’ dressed Karasu-san. And that soaked into me like the sunlight on a warm spring day. It became a strong Kotodama, and strengthened the foundations of my heart.

“…Thank you.”

I unconsciously spoke those words of thanks out loud—

“No, you don't have to thank me. Maybe, so…”

Uhehehehe, Karasu-san laughed slack-jawed and my sense of security collapsed in an instant.

“—Let’s use this.”

I heard Yoishi’s voice and raised my head to see she was casually holding up the creepy rope from earlier.

“Use it… for what?”

In response to Karasu-san’s question, Yoishi took out the DVD from her pocket.

“This rope is a ‘sewing thing’.”

“…Hmm? What’s that?”

“It may be the final result, but it is tinged with the idea of ‘sewing’ the subject to the spot. Maybe the first person who committed suicide with this rope is still haunted by it, unaware of their death. Or perhaps the rope is still faithfully protecting the wish of its first master. The number of things clinging to this rope is so numerous that it makes it hard to fathom their true nature, and the only thing they’re staring at, is our necks.”

After uttering those horrifying lines—

Yoishi began to unravel the somewhat overtly thick straw rope, split it to a reasonable thickness, and began to tie it around the DVD from all four sides.

“…The rope needs something to bind to, and in this, there exists something to be bound to.”

The way she crouched on the living room floor, mumbling something with her mouth as she handled the rope, was, as expected, a ghastly sight.

“Shut up… Be quiet… It doesn’t matter what color it is.”

I heard such intermittent speech, but I had no idea who she was talking to, and quite frankly, that scared me. Eventually, something that resembled an object bound with rope rolled on the floor, and Yoishi sat down there as if her mind was at peace.

“It should be fine now.”

Yoishi muttered, causing Karasu-san to sigh in exasperation and shrug her shoulders.

“And so, the number of strange things keeps growing.”



About a week had passed since then.

I had no idea what happened since then, and Yoishi didn’t talk about it either.

It turned out that the apartment next door was a haunted tool shack, but nothing strange happened. I didn't get paralyzed, or hear any strange noises, and I didn't feel any of the presences Yoishi mentioned. Maybe it really was like Karasu-san said, and the items had been spiritually treated. I was a little disturbed when I went to sleep at night as expected, but… well, if something abnormal were to happen, then the walking spirit sensor in my loft, Yoishi Mitsurugi would warn me about it – But now that I'd had time to calm down, a lot of things didn’t add up.

As I’m attending a lecture at university, I think to myself: What did it all mean in the end?

Assuming the kindergartner turning towards the camera in the video was ‘Shōko-chan', and supposing that the video was shot by that woman named Iizuka – Yoishi had said that the woman purposefully returned that DVD back to the rental store. Was it because something had already happened in that house? Did something happen to that woman’s daughter? Then—in short, what the hell happened to her? Was that the reason behind the immense darkness in that house? I didn’t know. Or perhaps it was better that I didn’t know -- but somehow, I wasn’t satisfied. Was it alright if we were the only ones that were saved? I couldn’t shake off those doubts.

I’m sure that was because -- the bitter memory of not having been able to save Akane Nanamori still cast a shadow over me.

Having said that—

After my lecture had finished, I got on my mama bike and headed towards Shakujii Park by myself.

For the time being, I intended to ask around about the rumored ‘Shōko-chan' in a nearby kindergarten.

I didn’t know how asking around would help. No, I’m sure the situation wouldn’t change. I understood that it was already over – or almost over. Still, I couldn’t come to terms with it unless I understood the end myself. If I didn’t get to the point where I was absolutely sure that there was nothing more I could do, I felt like something would swallow me up someday. I felt that leaving things in an ambiguous state would be an opening for the monsters to pounce on me. Krishna-san would say that I was an idiot, or that I hadn’t matured, but I was beginning to feel that this was what it meant to me to face the paranormal.

And the other reason—

The only other reason -- would be Yoishi.

It would be because of the ‘Yoishi Mitsurugi Rehabilitation Plan’, the goal to see her smile.

I would definitely see her smile someday. I recently learned that when I muttered this in my mind, that strangely enough, I felt less afraid. To begin with, if I were to decide that Yoishi’s reformation was finished as she was now, then in all honesty, I couldn’t call it progress. It would just be a bunch of muddling around in the dark, trying to make things add up. That’s why, I had to act. Even if it was something I couldn’t deal with, I had to act in any way that I could. That was my resolve as a mere human being facing off against the paranormal. Besides, Isn’t that what Karasu-san told me as well?「As long as you're breathing properly, you're invincible」. I was deeply dejected hearing her laughter at the end, but even so, those words touched me more deeply than I had expected. It gave me hope that maybe it was true. Even when I was too scared to move, I still managed to make it through somehow. I had to make sure that I really was ‘invincible’ in the face of all kinds of paranormal.

“—Well then.”

I searched for kindergartens in the vicinity of the Iizuka household, and looking at the map search results on my phone, there were two kindergartens within walking distance of that house. If you were to consider the range with the bus service, the number of kindergartens would increase, but for the time being, I decided to check the ones close by.

In the cold wind, I turned up the collars of my pea coat and pedaled hard on my mama bike. Eventually, I reached Oumekaido Road, where I turned toward Shakujii Park.

I arrived at the Iizuka household shortly thereafter, but only gave it a fleeting glimpse before passing it by. It was still dark and gloomy, and it was hard to tell if anyone was there or not. The boarded-up doghouse was still there, and the curtains were closed.

The kindergarten was located less than five minutes away by bicycle. It was a cute building painted with colorful colors. There were many children playing inside the kindergarten, probably because there was still time before the end of the school-day.

I parked my bike by the fence and watched the children. It was a curious feeling: I wondered if I too, had such fun times once, giggling and running around half-buried tires and monkey bars.

The children, tiny in stature, were already developing their own individuality. There was a boy who was managing a group and leading a game, a boy who was in a world with only two girls, and there was even a gigolo-like preschooler who had several girls as his attendants. When you think about it, a kindergarten is the beginning of the outside world for most human beings. From here, they would experience the world outside the warm confines of family, they’d experience a world that was unjust and unreasonable in many ways.

Welcome to the real world.

Gazing at the children and uttering such strange thoughts out loud, which could neither be described as encouragement nor sympathy, I suddenly take notice of one kid in particular. That boy came right up to the fence I was leaning against, and looked up at me curiously.

“Yo.”

I tried greeting him.

The boy just gave a ‘yes’, and small nod in acknowledgment. However, he did not smile cordially from there. Apparently, this boy had acquired the individuality of not quite being able to fit in with the group.

That was just what I needed, so I asked him:

“There’s something I wanted to ask; Do you know the child called ‘Shōko-chan'?”

As soon as he heard that proper noun, the boy was instantly startled. So, he did know, I thought to myself. I smiled and said: “It’s alright.”

“I know her too. So, let’s keep ‘Shōko-chan’ a secret between you and me, okay?”

“…Okay.”

“Where is ‘Shōko-chan’ right now?”

“…”

“Is she here?”

I spoke and looked around inside the kindergarten.

The boy then shook his head in silence.

“Then… where?”

“…She was taken away by that auntie.”

“Auntie?”

“Mai-chan’s auntie.”

--Mai-chan? Huh….Wasn’t ‘Mai’ the name that Iizuka lady shouted when she yelled, ‘Go over there’….?”

“Is Mai-chan also one of your friends?”

It was right when I asked him that question. A woman in an apron who appeared to be a nursery teacher gave me a suspicious look and asked: “What is it?”, her watchful eyes were definitely on the lookout for any suspicious persons.

“Ahh, n-nothing...” As I stammered, the nursery teacher grabbed the boys’ hand and began to pull him away, “Let’s play with everyone.”

The boy looked at me regretfully, but muttered quietly.

“Mai-can… already died.”

“…Eh?”

“It’s because Mai-chan was good friends with ‘Shōko-chan’.”



--What did it all mean?

I was frozen still in that spot for a while, before I started pushing my bike, and thought to myself.

Mai-chan was already dead? I had easily assumed Mai-chan’s auntie to be that woman named Iizuka, but --- was the ‘Mai-chan’ that boy mentioned different from the Mai from the Iizuka family? Was this not the kindergarten where the rumor of ‘Shōko-chan’ originated from?

No…that boy knew about ‘Shōko-chan’. There was enough indication that the conversation was relevant. I don’t think it could have been a coincidence. In other words, the kindergarten mentioned in that woman’s story was that place. However, if that were the case – I felt a chill rise up. I had a terrible feeling of dread, so I jumped on the mama bike again. I pressed on the pedals as if something was rushing me.

--Wait a minute, let’s get everything straight. Let’s assume that Mai-chan’s mother was that woman named Iizuka…. 'Mai-chan' and ‘Shōko-chan' were supposedly good friends. Then ‘Shōko-chan’ was something dangerous. At the very least, it wasn’t human. However, if that boy was telling the truth, then ‘Shōko-chan’ was taken away by Mai-chan’s mother – in other words, by that woman named Iizuka. Does that mean that something called ‘Shōko-chan’ was in the Iizuka household right now? Damn it, I didn’t get it. In the first place, wasn’t ‘Shōko-chan’ supposed to be in the DVD, already sealed away by Yoishi? And yet --- And yet, that, what was this unpleasant feeling? What was this uneasy feeling of having looked over something important? Like an invisible puddle slowly drenching my feet.

At that moment – beneath my feet, something with a splash made a water pattern in the dark puddle that couldn’t have existed.

In an instant, I stopped my bicycle involuntarily.

“That’s right…..I….”

I didn’t see that girl named ‘Mai’ in the Iizuka household at that time.

I saw the paper door slide shut, but I didn’t see get the chance to see the girl properly.

A terrifying chill crawled over my entire back.

And then, all of a sudden – I heard the siren of a fire engine.

The kind of sound that resonated inside you when a fire engine is dispatched, if I recall, it was a warning siren linked with the accelerator. As if being guided by that sound, I started pedaling my mama bike once again. I stood up, pedaled as hard as I could, and went flying.

With each alleyway I turned, the sound of the siren kept getting louder from all sides. I was close. I knew the fire engines were all converging somewhere extremely close by. Eventually, I could see black smoke rising over some rooftops. Curious onlookers were gathering in sparse alleyways. They must have all come out of their houses after hearing the sirens. I pressed my way forward while avoiding them. And with each pedal stroke, my conviction deepens.

I turned down the last alley and flew into the street where the Iizuka household was visible, but a crowd of people was in front of me, so I couldn’t go any further. I parked my bike in the shadow of a telephone pole nearby and continued running from there.

“I’m sorry, please let me through!”

I shouted as I continued forward, but the police at the frontline were shouting angrily and pushing back the crowd, halting my progress. Even so, I could see it through a gap in the crowds. It really… was true. The windows of the Iizuka household were broken, and a black smoke bellowed forth from within. Even from a distance, I could tell how strong of a fire raged within, the fire hose from the fire truck had practically no effect.

“Ah……”

Bitter emotions escape through my mouth without forming words. It was the house I had just passed by. And the house I had entered just recently, albeit only once. The sight of it burning to the point of being unmanageable was just too much for me.

Right then, I felt something cold on my arm, and I turned around.

I looked back to see Yoishi, holding my hand. She had mixed in with the crowd; her pale face looked at me.

“I made a mistake.”

“What mistake?”

“I was wrong about ‘Shōko-chan’.”

Her words darkly distorted the landscape. For the time being, I led Yoishi away from the crowd of people. When we arrived back where I had put my mama bike, I asked:

“Are you telling me that it was ‘Shōko-chan’ behind us that time?”

Yoishi looked at me once, and vaguely nodded.

“But it’s a little more complicated than that.”

“…No, wait a minute. Explain it to me from the beginning in a way I can understand. Just what was ‘Shōko-chan’ anyway? I just came back from that kindergarten. I heard ‘Shōko-chan’ was taken away by that person named Iizuka. And that her daughter – ‘Mai-chan’, was already dead.”

I relayed the story I had heard from the boy in the kindergarten, and Yoishi gave a small nod.

“I heard it as well. Albeit a few days ago.”

“Then….”

“I don’t understand everything either, now that this happened, I can only speculate but – the only thing I can say is that ‘Shōko-chan’ was a living spirit."

A shiver ran down my spine.

A living spirt. [4] It was – in short, a strong emotion that a living human unconsciously emits. Jealously, resentment, and excessive affections turn into curses that cause misfortune, but….

“By living spirit, do you mean to say it’s a living spirit of children? Is that the imaginary friend you mentioned before? But why would an imaginary friend of children be cruel to them?”

“That’s not it. It’s not from children.”

Yoishi’s clear eyes contained a glint of sorrow as she spoke.

“After giving birth and raising them all that time, kindergarten is the place where your children first begin to live with other people’s children. That is the first time that parents see their children through the lens of others. That is when they first start comparing their children to other people's children. Why can’t you do the things that other children can do? Why is that child more adorable? Why don’t you listen to me like those other children? Why, why, why – Yes, a kindergarten is the beginning of the outside world for children, but it’s also true for their mothers.”

“Hey…it can’t be….”

“That’s right, it’s always the adults who distort children.”

“….No way, then ‘Shōko-chan’ is….”

“—Yes. ‘Shōko-chan’ isn’t an imaginary friend of children. It’s an imaginary child of countless mothers.”

For a moment, the face of a child I’d never seen before flashes across my mind – It was the figure of the child in that DVD, slowly turning around towards me. The child slowly turns their face towards me, and looks up.

That fair, well-formed face, and red eyes look me in the eyes, and smile.

“The proper child who has all the ideal attributes not present in your own child – the child one yearns for. That’s what ‘proper Shōko-chan’, and the ‘yearned Shōko-chan’ originally was.[5] However, the girl transformed at some point. She transformed into the being that blamed her own child for not being able to become the ideal child. Eventually, that warped ideal child turned into an existence that blames and harms countless children - 'Harmful Shōko-chan’[6]."

“No… wait a second. A moment ago, you said it was a little more complicated, what did you mean by that? Why was that imaginary child taken away by Iizuka?”

“That woman, never had a child to begin with.”

“…Huh? Then who was the Mai-chan that died?”

With a somewhat cold gaze, Yoishi focused at one section of the crowd gathered at the scene of the fire.

It was a group of women who looked like young mothers around thirty years of age. Even though it was the scene of a fire, there was an atmosphere of enjoyment in the spectacle.

“I heard it from them. They said that woman was divorced by her husband. They said it was because she couldn't have children, but I don’t know if that was true or not. Whatever the case might have been, she lived alone since then and took ‘Mai-chan’ to the kindergarten every day for a walk. That’s how she became famous at the kindergarten, as Mai-chan’s auntie.”

“But… then that means that Mai-chan exists, right? She had a child, right?”

I made my counterargument, but –

The strange uncomfortable feeling from the story didn’t allow the goosebumps on my arm and back to go away.

“When you were standing in front of the house, did you notice what was next to the front door?”

Yoishi looked at me as if she could see into the depths of my soul, making me feel a horrifying chill.

Next to the front door – Ahh, I’m sure it was…

A doghouse. And its entrance was boarded up with layers of planks.

…The name tag on that was doghouse was—

“That’s right—”


“’Mai’… was the name of her dog.”


“Iizuka-san used to have a collar on her dog. However, that changed at a certain point. Just like the kindergarten kids, she knit a yellow school uniform for her dog, put it in a baby stroller, and started walking it. Those people laughed at her, saying it was creepy for her to treat a dog like a human being.”

Yoishi’s gaze didn’t waver as she pointed to the crowd of amused gossiping mothers who were watching the fire.

“I don’t know when Iizuka-san brought ‘Shōko-chan’ home from that kindergarten. But she ended up so far gone that she didn’t even notice that her dog ‘Mai-chan’ and been replaced by ‘Shōko-chan’.”

“………..”

“The thing she called ‘Mai’ back then was no longer a dog.”

I recalled the face of the woman I saw in that house, of Iizuka. I recalled her sullen eyeballs that made me reflexively think ‘She was dead, while alive’. And – when that woman shouted, ‘Go over there!’, the sliding paper door was indeed shut from the other side by something. That’s right, it was shut intentionally by something that had a will to do so. There was no chance it was done by a dog.

“But, then… what about that DVD? Didn’t Iizuka-san film that? And didn’t ‘Shōko-chan’ show up on it?”

Yoishi shook her head in reply, ‘That’s not it’.

“Iizuka-san, who had no child, couldn’t have been allowed to enter the kindergarten. And in this day and age, when outsiders are closely scrutinized, she should not have been able to attend a kindergarten event. That’s why, there’s no way that film was shot by her. And If that was the case, there could only be one reason why she would have that DVD in her possession. She was given that video by one of the mothers whose child did attend that kindergarten.”

Yoishi’s face contorted, as if she was on the verge of vomiting while looking at the crowd of mothers with their small children.

“And that was probably how it all began. Her own child’s sunny, happy day – and she passes it to Iizuka-san, a woman without a child of her own. At first glance, it seems like an act of sharing one’s happiness, but to Iizuka-san, it was without a doubt, a sad, painful, and miserable act. She might have tried returning it and throwing it away many times. On the other hand, she may have repeatedly watched that recording of children’s development with mixed feelings. Then one day, Iizuka-san finally noticed. The cameraman panned the camera to the left unexpectedly, and she saw the child that was not participating in the event.”

“…Ah.”

“Yes, in that moment, everything changed. Iizuka-san, unable to bear a child of her own, was granted the perfect child every parent idealized: ‘Shōko-chan’.”

A repeated view of the kindergarten event.

Then, the image tilts to the left.

A child who should not be there appears.

“But--”

I shook my head to shake off the image in my mind.

“But then, that’s just too sad for Iizuka-san, Isn’t it?”

“It is.”

Yoishi affirmed with her face pale, devoid of blood.

“I believe it started as a small matter born from a small act of malice. But, even after finally having gained a child, Iizuka-san was just like the other mothers. She, too, wanted to show off to everyone. She wished for the existence of the perfect child she had been granted, ‘Shōko-chan’, to spread far and wide into the world.”

“Ah—so that’s why she returned that DVD to the rental shop? That’s what you meant when you said she did it on purpose?”

Yoishi nodded in agreement.

“Children who were initially wished only to be born healthy, somehow become a product of their parents' egos. The tendency to give them unusual names, unusual hairstyles, and to dress them in peculiar clothing may all be substitutes for a perverted proxy competition by adults.”

‘But…’ said Yoishi, looking up at the house engulfed in black smoke.

“Children never grow up the way their parents want them to.”

The black smoke, which showed no sign of ceasing, bellows up into the sky as if mocking the firefighting efforts.

“Is it ‘burning Shōko-chan’ now? Or ‘laughing Shōko-chan’?”[7]

When Yoishi muttered those words, I felt I heard a child’s laughter from the blazing flames.

And amidst the red, black flames that danced and wiggled, I thought I saw the figure of a red-eyed child standing still.

Unable to bear it, I looked away.

Besides me, Yoishi quietly stared at the group of women. They must have been the mothers who gave birth to the imaginary child, and in the light of the blazing red flames, they seemed to be laughing.

“Ughhh…..”

A bitter feeling welled up from the pit of my stomach, when—

Yoishi, standing next to me, plunged down first.

Her beautiful white face was twisted in pain, and she started vomiting.

As several people frowned and looked towards us, I gently put my hand on her back.

Eventually, Yoishi raised her pale face, and asked sorrowfully:




“Say—don’t you think having kids is scary?"














Translator's notes and references[edit]

  1. https://www.discoverkyoto.com/event-calendar/october/doll-memorial-service-hokyoji-temple/
  2. https://en.wikipedia.org/wiki/Shimenawa
  3. https://upload.wikimedia.org/wikipedia/commons/8/87/Kitagawa_Utamaro_-_Takashima_Ohisa_Using_Two_Mirrors_to_Observe_Her_Coiffure_Night_of_the_Asakusa_Marketing_Festival_-_MFA_Boston_21.6410.jpg
  4. https://en.wikipedia.org/wiki/Ikiry%C5%8D
  5. So here, we have one of the interesting kanji puns that are not easy to translate. The syllables ‘Shō’ and ‘ko’ in ‘Shōko-chan’ are written in Katakana as ショウコちゃん throughout the case, but here, they are written in kanji forms as 正子ちゃん(Shōko-chan) and 憧子ちゃん(Shōko-chan). The kanji for 子(ko) means child, and the other kanji before ko are proper (正) Shō’, and yearned(憧) Shō’, so proper child and child yearned for.
  6. Continuing from the previous explanation, the kanji used here is 障, which has a meaning of hurt or harm, so harmful child. Interestingly the two kanjis here can also be read as Shōji(障子), which means paper sliding door, and which, if you can recall, first closed behind Nagito and Yoishi in the Iizuka household.
  7. Continuing on from the previous kanji puns, Yoishi now uses 焼子ちゃん, with the kanji 焼 meaning to burn, and 笑子ちゃん, with the kanji 笑 meaning to laugh or smile.


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