White Album 2/Script/1004: Difference between revisions

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|24|春希|Haruki
|24|春希|Haruki
|「俺の仕切り癖を知ってて俺に振るお前が悪い！」
|「俺の仕切り癖を知ってて俺に振るお前が悪い！」
|"It's your fault for throwing that at me when you knew I went off helping everyone!"
|"It's your fault for throwing that at me when you knew I went helping everyone!"
|}}
|}}


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|ベースを見つけてドラムを見つけて<br>できればキーボードを見つけて曲決めて練習して<br>その他諸々の問題を解決するには十分な時間だ。
|ベースを見つけてドラムを見つけて<br>できればキーボードを見つけて曲決めて練習して<br>その他諸々の問題を解決するには十分な時間だ。
|There's plenty of time to go find a bassist, drummer, and maybe a keyboardist. Decide on a song, practice, and deal with all sorts of other things.
|There's plenty of time to go find a bassist, drummer, and maybe a keyboardist. Decide on a song, practice, and deal with all sorts of other things.
|}}
|I'm thinking that a semicolon or comma would work better in place of the period because the pause isn't quite as long between the two clauses.}}


{{WA2ScriptLine
{{WA2ScriptLine
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|89||
|89||
|『そうなると、<br>後はそのイメージを守るために見栄に見栄を重ねて…』
|『そうなると、<br>後はそのイメージを守るために見栄に見栄を重ねて…』
|"When that happened,<br>I had to do so many things to keep up my image..."  
|"When that happened,<br>I had to do so many things to preserve my image..."  
|From 1003 line 240
|From 1003 line 240
|}}
|}}
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|100||
|100||
|こっちのどんな演奏にも<br>即興で合わせてくれる完璧なピアノ。
|こっちのどんな演奏にも<br>即興で合わせてくれる完璧なピアノ。
|The fluent piano that would improvise,<br>regardless of what melody I played.
|The fluent pianist that would improvise,<br>regardless of what melody I played.
|}}
|}}


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|107|春希|Haruki
|107|春希|Haruki
|「もう音楽科の連中とは口きかん。<br>なんであんなにプライド高いんだ奴らは」
|「もう音楽科の連中とは口きかん。<br>なんであんなにプライド高いんだ奴らは」
|"I'm not gonna talk with those music guys anymore.<br>Why do they have so much pride, anyway?"
|"I'm not gonna talk with those music guys anymore.<br>Why do they have so much pride anyway?"
|}}
|}}


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|115||
|115||
|やれ計画性がないだの、無謀だの、<br>素人の浅はかさに呆れるだの、<br>どうせ上手く行くはずがないから参加を取り消せだの。
|やれ計画性がないだの、無謀だの、<br>素人の浅はかさに呆れるだの、<br>どうせ上手く行くはずがないから参加を取り消せだの。
|Like we were disorganized, reckless,<br>his disgust of such foolish amateurs,<br>and his unwillingness to participate since it wouldn't go well anyway.
|Like we were disorganized, reckless;<br>his disgust of such foolish amateurs,<br>and his unwillingness to participate since it wouldn't go well anyway.
|}}
|'Possible edit: Calling out/Declaring- that we were disorganized, reckless;<br>his disgust of such foolish amateurs,<br>and his unwillingness to participate since it wouldn't go well anyway.' It changes the meaning albeit slightly but it flows better from the previous statement and addresses its list-like property.}}


{{WA2ScriptLine
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|123||
|123||
|と、いうわけで、振り出しに戻ってしまった<br>『第二音楽室の主』探し。
|と、いうわけで、振り出しに戻ってしまった<br>『第二音楽室の主』探し。
|And, with that, we're back to square one with<br>finding the "owner of the second music room".
|And with that, we're back to square one with<br>finding the "owner of the second music room".
|}}
|}}


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|126||
|126||
|確かに、Ｈ組の隣にあれだけ広い第三音楽室があるし、<br>わざわざ普通科側の音楽室を使う理由はない気がする。
|確かに、Ｈ組の隣にあれだけ広い第三音楽室があるし、<br>わざわざ普通科側の音楽室を使う理由はない気がする。
|Certainly, class H has that big third music room.<br>It looks like they'd have no real reason to come all the way to use the second one.
|Certainly, class H has that big third music room.<br>It looks like they'd have no real reason to come all the way out to use the second one.
|}}
|}}


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|128||
|128||
|しかも、第二音楽室のことを聞いたときの、<br>音楽科の連中の態度も気になる。
|しかも、第二音楽室のことを聞いたときの、<br>音楽科の連中の態度も気になる。
|Even more, the attitude they had when I asked them about the second music room gave pause.
|Furthermore, the attitude they had when I asked them about the second music room gave pause.
|}}
|}}


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|174||
|174||
|いくら席が前後のよしみだからって、<br>バラしていいことと悪いことがあるだろう。
|いくら席が前後のよしみだからって、<br>バラしていいことと悪いことがあるだろう。
|He should know that because he's sitting right in front of her,<br>so any good or bad news will spread.
|He should know that because he's sitting right in front of her,<br>any good or bad news will spread.
|}}
|}}


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|「あのなぁ、<br>いつもはこっちから話しかけてもシカトしまくりなくせに、<br>人が落ち込んでる時だけわざわざ話しかけてくるなよ…」
|「あのなぁ、<br>いつもはこっちから話しかけてもシカトしまくりなくせに、<br>人が落ち込んでる時だけわざわざ話しかけてくるなよ…」
|"You know,<br>just because you ignore me when I come talk to you all the time,<br>don't go out of your way to talk to me when I'm down."
|"You know,<br>just because you ignore me when I come talk to you all the time,<br>don't go out of your way to talk to me when I'm down."
|}}
|I feel that the order of cause and effect is jumbled in this sentence. It should be something like 'just because I come talk to you all the time...don't go out of your way...'}}


{{WA2ScriptLine
{{WA2ScriptLine
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|202||
|202||
|…少なくとも、ぶたれたりせずに、<br>ただ鬱陶しがられるだけくらいには。
|…少なくとも、ぶたれたりせずに、<br>ただ鬱陶しがられるだけくらいには。
|... at the very least, things remained without getting physical,<br>only remaining gloomy.
|... at the very least, things ended without getting physical,<br>only remaining gloomy.
|}}
|}}


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|開いた窓から吹き込む、ちょっとだけ冷たい風。
|開いた窓から吹き込む、ちょっとだけ冷たい風。
|A chilly wind that came from the open window.
|A chilly wind that came from the open window.
|}}
|I thought about deleting 'that' but it seems to change the prevailing mood in this scene.}}


{{WA2ScriptLine
{{WA2ScriptLine
|242||
|242||
|その風に吹き上げられ、<br>窓にぶつかり、パタパタと音を立てるカーテン。
|その風に吹き上げられ、<br>窓にぶつかり、パタパタと音を立てるカーテン。
|The rattling of the curtain as it shuddered, hitting the window from the wind blowing against it.
|The rattling of the curtain as it shuddered, hitting the window as a consequence of the wind blowing against it.
|}}
|}}


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|254||
|254||
|とどめに『第二音楽室の主』の尻尾を掴むチャンスを、<br>自らのポカで棒に振ってしまった。
|とどめに『第二音楽室の主』の尻尾を掴むチャンスを、<br>自らのポカで棒に振ってしまった。
|And wasting my chance of having almost caught the tail of the "owner of the second music room", through my own blunder.
|And wasting my chance at having almost caught the tail of the "owner of the second music room", through my own blunder.
|}}
|}}


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|302||
|302||
|気合いを入れ直し、<br>恐怖心を忘れるため、目を閉じて雨どいに手を伸ばす。
|気合いを入れ直し、<br>恐怖心を忘れるため、目を閉じて雨どいに手を伸ばす。
|Bringing back my fighting spirit,<br>and to forget the fear in my heart, I close my eyes and grab the drain spout.
|Bringing back my fighting spirit,<br>to forget the fear in my heart, I close my eyes and grab the drain spout.
|It should either be 'Bringing back my fighting spirit,<br>to forget the fear in my heart' or 'Bringing back my fighting spirit,<br>and forgetting the fear in my heart'. The use of the conjunction makes little sense as it is now.}}
|}}


{{WA2ScriptLine
{{WA2ScriptLine
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|316||
|316||
|最後の目的地を見定めるべく、<br>窓の中を覗き込んだとき、<br>教室の真ん中のグランドピアノが目に飛び込んできた。
|最後の目的地を見定めるべく、<br>窓の中を覗き込んだとき、<br>教室の真ん中のグランドピアノが目に飛び込んできた。
|Making sure of my final destination,<br>just as I peep into the window,<br>the grand piano in the middle of the classroom is made clear.
|Making sure of my final destination;<br>just as I peep into the window,<br>the grand piano in the middle of the classroom is made clear.
|}}
|}}


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|346||
|346||
|指先だけが窓枠に引っかかり、<br>腕全体の力を集中させることができない。
|指先だけが窓枠に引っかかり、<br>腕全体の力を集中させることができない。
|Only my fingers are hanging on the window frame,<br>so I can't focus the power in my arms.
|Only my fingers are hanging onto the window frame,<br>so I can't focus the power in my arms.
|}}
|}}


Revision as of 00:53, 22 May 2014

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