White Album 2/Script/1004: Difference between revisions

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|2|雪菜|Setsuna
|2|雪菜|Setsuna
|「小木曽雪菜です。今日から軽音楽同好会に\n入部させていただくことになりました。\nどうかよろしくお願いします」
|「小木曽雪菜です。今日から軽音楽同好会に\n入部させていただくことになりました。\nどうかよろしくお願いします」
|"My name's Ogiso Setsuna. Starting today, I'll be entering the Light Music Club.\nPleased to meet you."
|"My name's Ogiso Setsuna. Starting today, I'll be entering the Light Music Club.<br>Pleased to meet you."
|}}
|}}


Line 36: Line 36:
|5|春希|Haruki
|5|春希|Haruki
|「飯塚武也。\n一応ここの会長」
|「飯塚武也。\n一応ここの会長」
|"He's Iizuka Takeya,\nour club president for now."
|"He's Iizuka Takeya,<br>our club president for now."
|}}
|}}


Line 42: Line 42:
|6|雪菜|Setsuna
|6|雪菜|Setsuna
|「ああ、あなたが飯塚君？\n色々と噂は聞いてます」
|「ああ、あなたが飯塚君？\n色々と噂は聞いてます」
|"Ahh, so you're Iizuka-kun?\nI've heard much about you."
|"Ahh, so you're Iizuka-kun?<br>I've heard much about you."
|}}
|}}


Line 66: Line 66:
|10|春希|Haruki
|10|春希|Haruki
|「え？　あ、こら…ネタじゃねえか怒るなよ！\nあ、だから伸びるって、お～い！\n…ごめん小木曽、ちょっとここで待ってて」
|「え？　あ、こら…ネタじゃねえか怒るなよ！\nあ、だから伸びるって、お～い！\n…ごめん小木曽、ちょっとここで待ってて」
|"Eh? Hey, come on... I was just joking, don't get angry here!\nAh, don't drag me, come on~!\nI'm sorry Ogiso, wait here for a minute!"
|"Eh? Hey, come on... I was just joking, don't get angry here!<br>Ah, don't drag me, come on~!<br>I'm sorry Ogiso, wait here for a minute!"
|}}
|}}


Line 72: Line 72:
|11|雪菜|Setsuna
|11|雪菜|Setsuna
|「う、うん…\nなるべく早く戻ってきてね～」
|「う、うん…\nなるべく早く戻ってきてね～」
|"O, okay...\nBe sure to come back soon, okay~?"
|"O, okay...<br>Be sure to come back soon, okay~?"
|}}
|}}


Line 84: Line 84:
|13|春希|Haruki
|13|春希|Haruki
|「どうした？\n顔色悪いな？」
|「どうした？\n顔色悪いな？」
|"What's wrong?\nYou look like hell."
|"What's wrong?<br>You look like hell."
|}}
|}}


Line 96: Line 96:
|15|武也|Takeya
|15|武也|Takeya
|「お、お、お、お前な…\nこの前の教訓、何も活かしてないだろ？」
|「お、お、お、お前な…\nこの前の教訓、何も活かしてないだろ？」
|"Y, y, y, you know...\nYou haven't learned from my lesson at all, did you?"
|"Y, y, y, you know...<br>You haven't learned from my lesson at all, did you?"
|}}
|}}


Line 120: Line 120:
|19|武也|Takeya
|19|武也|Takeya
|「お前、こういう話題先行型は嫌いだったんじゃ？\n朋のときだって散々文句垂れて…」
|「お前、こういう話題先行型は嫌いだったんじゃ？\n朋のときだって散々文句垂れて…」
|"I thought you hated this sort of topic?\nYou complained so much about Tomo too..."
|"I thought you hated this sort of topic?<br>You complained so much about Tomo too..."
|}}
|}}


Line 138: Line 138:
|22|春希|Haruki
|22|春希|Haruki
|「ない！\nこっちが頼み込んで出てもらうことになったの！\nお前がどうしても穴開けたくないって言ってたから！」
|「ない！\nこっちが頼み込んで出てもらうことになったの！\nお前がどうしても穴開けたくないって言ってたから！」
|"Nothing!\nI simply asked her to come in!\nBecause you wouldn't do a thing, you know!"
|"Nothing!<br>I simply asked her to come in!<br>Because you wouldn't do a thing, you know!"
|}}
|}}


Line 186: Line 186:
|30|春希|Haruki
|30|春希|Haruki
|「な、なんだよその目は？\nそりゃ、確かに俺だってあり得ない展開とは思うけどさ」
|「な、なんだよその目は？\nそりゃ、確かに俺だってあり得ない展開とは思うけどさ」
|"W, what's with that look of yours?\nWell, even I knew this was quite impossible to begin with."
|"W, what's with that look of yours?<br>Well, even I knew this was quite impossible to begin with."
|}}
|}}


Line 198: Line 198:
|32|春希|Haruki
|32|春希|Haruki
|「でも現に、俺が誘って小木曽は受けちゃったんだよ。\nそこに色々と深い事情はあるんだけど、\n他言無用だからこれ以上説明できないんだよ」
|「でも現に、俺が誘って小木曽は受けちゃったんだよ。\nそこに色々と深い事情はあるんだけど、\n他言無用だからこれ以上説明できないんだよ」
|"But the truth is, I invited Ogiso and she accepted.\nThere were some deep reasons as to why,\nbut I can't explain it to you."
|"But the truth is, I invited Ogiso and she accepted.<br>There were some deep reasons as to why,<br>but I can't explain it to you."
|}}
|}}


Line 228: Line 228:
|37||
|37||
|まるで狂信者の慈愛溢れる微笑み…\nいつも俺に女の子紹介するときの表情だ。
|まるで狂信者の慈愛溢れる微笑み…\nいつも俺に女の子紹介するときの表情だ。
|It was as if it were the smile of an affectionate, religious fanatic...\nThe same face he gave me when he introduced me to other girls.
|It was as if it were the smile of an affectionate, religious fanatic...<br>The same face he gave me when he introduced me to other girls.
|}}
|}}


Line 234: Line 234:
|38|武也|Takeya
|38|武也|Takeya
|「春希…お前、本当に目覚めちまったんだなぁ。\nなんて言うか、娘を嫁がせる父親の心境だよ」
|「春希…お前、本当に目覚めちまったんだなぁ。\nなんて言うか、娘を嫁がせる父親の心境だよ」
|"Haruki... you've truly awakened.\nI feel like a father who's wed his daughter to someone."
|"Haruki... you've truly awakened.<br>I feel like a father who's wed his daughter to someone."
|}}
|}}


Line 246: Line 246:
|40|武也|Takeya
|40|武也|Takeya
|「初挑戦がエベレストなのはどうかと思うけど、\nそこに二つ山があるから仕方ないよなぁ」
|「初挑戦がエベレストなのはどうかと思うけど、\nそこに二つ山があるから仕方ないよなぁ」
|"I don't know how you managed Mt. Everest in a single try,\nbut there were two mountains so it couldn't be helped!"
|"I don't know how you managed Mt. Everest in a single try,<br>but there were two mountains so it couldn't be helped!"
|}}
|}}


Line 258: Line 258:
|42|武也|Takeya
|42|武也|Takeya
|「それに、俺の見たところ奇跡的に脈有りっぽいし。\nお前一体いつの間に俺の技を盗んだ？」
|「それに、俺の見たところ奇跡的に脈有りっぽいし。\nお前一体いつの間に俺の技を盗んだ？」
|"And, from what it seems, this pulse of yours is like a miracle.\nSince when did you learn my technique?"
|"And, from what it seems, this pulse of yours is like a miracle.<br>Since when did you learn my technique?"
|}}
|}}


Line 282: Line 282:
|46|武也|Takeya
|46|武也|Takeya
|「ごめんお待たせ。\n俺が色々と噂の飯塚武也。こいつと同じギター担当。\n歓迎するよ、雪菜ちゃん。…でいいよな？」
|「ごめんお待たせ。\n俺が色々と噂の飯塚武也。こいつと同じギター担当。\n歓迎するよ、雪菜ちゃん。…でいいよな？」
|"Sorry to keep you waiting.\nI'm the rumored Iizuka Takeya, a guitarist like this guy.\nWelcome, Setsuna-chan... is that okay?"
|"Sorry to keep you waiting.<br>I'm the rumored Iizuka Takeya, a guitarist like this guy.<br>Welcome, Setsuna-chan... is that okay?"
|}}
|}}


Line 294: Line 294:
|48|春希|Haruki
|48|春希|Haruki
|「良くない。\nさん付けで呼べ。小木曽さんと」
|「良くない。\nさん付けで呼べ。小木曽さんと」
|"That's no good.\nCall her Ogiso-san, with the -san."
|"That's no good.<br>Call her Ogiso-san, with the -san."
|}}
|}}


Line 300: Line 300:
|49||
|49||
|いきなり握手に下の名前…\n俺が一週間かけてできないことをたった３分で。
|いきなり握手に下の名前…\n俺が一週間かけてできないことをたった３分で。
|Suddenly shaking her hand and calling her by her first name...\nHe did everything I couldn't do for a week in merely three minutes.
|Suddenly shaking her hand and calling her by her first name...<br>He did everything I couldn't do for a week in merely three minutes.
|}}
|}}


Line 306: Line 306:
|50|武也|Takeya
|50|武也|Takeya
|「まさか君が参加してくれるなんて奇跡だ。\n助かる。本当にピンチだったんだよボーカル。\n学園祭、盛り上げていこうな？」
|「まさか君が参加してくれるなんて奇跡だ。\n助かる。本当にピンチだったんだよボーカル。\n学園祭、盛り上げていこうな？」
|"It's a miracle that you've even come to join us.\nWe'rein your debt. We really needed a vocalist.\nLet's make sure this event's a blast!"
|"It's a miracle that you've even come to join us.<br>We're in your debt. We really needed a vocalist.<br>Let's make sure this event's a blast!"
|}}
|}}


Line 312: Line 312:
|51|雪菜|Setsuna
|51|雪菜|Setsuna
|「あ、えと、ご期待に添えるかわかりませんけど。\nその、カラオケでしか歌ったことないし」
|「あ、えと、ご期待に添えるかわかりませんけど。\nその、カラオケでしか歌ったことないし」
|"Ah, umm, I'm not sure if I can live up to that.\nWell, I've only sung at karaokes."
|"Ah, umm, I'm not sure if I can live up to that.<br>Well, I've only sung at karaokes."
|}}
|}}


Line 318: Line 318:
|52|武也|Takeya
|52|武也|Takeya
|「そんなの全然ＯＫ。何しろまだ一月もあるんだ。\nこれから練習してけば余裕で間に合うって」
|「そんなの全然ＯＫ。何しろまだ一月もあるんだ。\nこれから練習してけば余裕で間に合うって」
|"That's totally fine. We still have a month, anyway.\nWe'll make it if we start practicing now."
|"That's totally fine. We still have a month, anyway.<br>We'll make it if we start practicing now."
|}}
|}}


Line 330: Line 330:
|54||
|54||
|ベースを見つけてドラムを見つけて\nできればキーボードを見つけて曲決めて練習して\nその他諸々の問題を解決するには十分な時間だ。
|ベースを見つけてドラムを見つけて\nできればキーボードを見つけて曲決めて練習して\nその他諸々の問題を解決するには十分な時間だ。
|There's plenty of time to go find a bassist, drummist, and maybe a keyboardist. Decide on a song, practice, and deal with the rest of the things.
|There's plenty of time to go find a bassist, drummer, and maybe a keyboardist. Decide on a song, practice, and deal with the rest of the things.
|}}
|}}


Line 342: Line 342:
|56|武也|Takeya
|56|武也|Takeya
|「改めて、これからよろしく。\nそれと…」
|「改めて、これからよろしく。\nそれと…」
|"Once again, I look forward to working with you.\nAnd..."
|"Once again, I look forward to working with you.<br>And..."
|}}
|}}


Line 354: Line 354:
|58|武也|Takeya
|58|武也|Takeya
|「こいついい奴だから、\nお願いだから捨てないでやってな」
|「こいついい奴だから、\nお願いだから捨てないでやってな」
|"He's a good guy,\nso please don't throw him away."
|"He's a good guy,<br>so please don't throw him away."
|}}
|}}


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|60||
|60||
|『馬鹿、カバ』の次が差別用語だと気づき、\nこれ以上の発言ができない。
|『馬鹿、カバ』の次が差別用語だと気づき、\nこれ以上の発言ができない。
|I stopped short of throwing a childish insult at him,\nrealizing the latter parts of it were discriminatory.
|I stopped short of throwing a childish insult at him,<br>realizing the latter parts of it were discriminatory.
|The actual phrase Haruki planned to use is "baka kaba chindon-ya" (「馬鹿、カバ、チンドン屋」). It's a childish phrase used to taunt/bully people. There doesn't appear to be an English equivalent for this phrase, so it'll be referred to as a "childish insult" instead.
|The actual phrase Haruki planned to use is "baka kaba chindon-ya" (「馬鹿、カバ、チンドン屋」). It's a childish phrase used to taunt/bully people. There doesn't appear to be an English equivalent for this phrase, so it'll be referred to as a "childish insult" instead.
|deepskyblue}}
|deepskyblue}}
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|61|雪菜|Setsuna
|61|雪菜|Setsuna
|「ええ、いい人ですよね。北原くんって。\n本気でそう思います」
|「ええ、いい人ですよね。北原くんって。\n本気でそう思います」
|"Yeah, Kitahara-kun really is a good guy.\nI truly think so."
|"Yeah, Kitahara-kun really is a good guy.<br>I truly think so."
|}}
|}}


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|63||
|63||
|『バッカじゃないの？』の次があまりにも恥ずかしくて、\nこれ以上の発言ができない。
|『バッカじゃないの？』の次があまりにも恥ずかしくて、\nこれ以上の発言ができない。
|The continuation past "Are you an idiot?" was far too embarrassing,\nso I couldn't continue any further.
|The continuation past "Are you an idiot?" was far too embarrassing,<br>so I couldn't continue any further.
|Though ｢バッカじゃないの？」 ("Are you an idiot?") is a general term, Haruki mentions a continuation to this phrase that is far too embarrassing. Given that Setsuna previously said that she thinks Haruki is a good guy, the most likely candidate for the complete phrase is [http://matomemo.com/?p{{=}}30499 ｢バッカじゃないの？アンタのこと好きじゃないし！｣]</a> ("Are you an idiot? I don't even like you, you know!").  
|Though ｢バッカじゃないの？」 ("Are you an idiot?") is a general term, Haruki mentions a continuation to this phrase that is far too embarrassing. Given that Setsuna previously said that she thinks Haruki is a good guy, the most likely candidate for the complete phrase is [http://matomemo.com/?p{{=}}30499 ｢バッカじゃないの？アンタのこと好きじゃないし！｣]</a> ("Are you an idiot? I don't even like you, you know!").  
}}
}}
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|66|雪菜|Setsuna
|66|雪菜|Setsuna
|「っ…ぷ…ふふ…\nやっぱり、男の子同士の遠慮のない会話って面白いね」
|「っ…ぷ…ふふ…\nやっぱり、男の子同士の遠慮のない会話って面白いね」
|"... heh... heheh...\nI knew it'd be interesting seeing guys speak so openly with one another."
|"... heh... heheh...<br>I knew it'd be interesting seeing guys speak so openly with one another."
|}}
|}}


Line 416: Line 416:
|68|春希|Haruki
|68|春希|Haruki
|「え、ええと！　じゃ練習始めるから！\n小木曽は…今日はひとまず見学ってことでいい？」
|「え、ええと！　じゃ練習始めるから！\n小木曽は…今日はひとまず見学ってことでいい？」
|"U, umm! We're gonna start practice now!\nOgiso can... well, for today you can just observe, right?"
|"U, umm! We're gonna start practice now!<br>Ogiso can... well, for today you can just observe, right?"
|}}
|}}


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|69||
|69||
|これ以上このまま会話を続けると、\n色んな意味で俺の寿命が縮んでしまいそうだ。
|これ以上このまま会話を続けると、\n色んな意味で俺の寿命が縮んでしまいそうだ。
|My life span is gonna be cut short in a lot of ways,\nif this conversation is to continue.
|My life span is gonna be cut short in a lot of ways,<br>if this conversation is to continue.
|}}
|}}


Line 464: Line 464:
|76|武也|Takeya
|76|武也|Takeya
|「だからやめとけって春希。\n無駄だって」
|「だからやめとけって春希。\n無駄だって」
|"Just give it up, Haruki.\nIt's useless."
|"Just give it up, Haruki.<br>It's useless."
|}}
|}}


Line 470: Line 470:
|77|春希|Haruki
|77|春希|Haruki
|「けど、けど…\nこのままじゃ同好会が…学園祭が…」
|「けど、けど…\nこのままじゃ同好会が…学園祭が…」
|"But, but...\nAt this rate the Light Music Club will... the school festival will..."
|"But, but...<br>At this rate the Light Music Club will... the school festival will..."
|}}
|}}


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|79||
|79||
|『悪い！　言ってなかったな。\n今日は具合が悪くて早退だって』
|『悪い！　言ってなかったな。\n今日は具合が悪くて早退だって』
|"Sorry! I never told you, did I?\nHe was feeling ill so he headed home early."
|"Sorry! I never told you, did I?<br>He was feeling ill so he headed home early."
|}}
|}}


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|80||
|80||
|『え、ええと…胃腸風邪らしいから、\n二、三日したら復帰すると思う。\nああ、出てきたらちゃんと紹介するから』
|『え、ええと…胃腸風邪らしいから、\n二、三日したら復帰すると思う。\nああ、出てきたらちゃんと紹介するから』
|"U, umm... he's got the stomach flu,\nso I don't think he'll be abck for two or three days.\nYeah, when he comes back I'll introduce you."
|"U, umm... he's got the stomach flu,<br>so I don't think he'll be back for two or three days.<br>Yeah, when he comes back I'll introduce you."
|}}
|}}


Line 494: Line 494:
|81|武也|Takeya
|81|武也|Takeya
|「見栄張るお前が悪いんだろ？\n正直に言っちまえば良かったんだよ。\n『ウチは初めからピアノなんかいない』って…」
|「見栄張るお前が悪いんだろ？\n正直に言っちまえば良かったんだよ。\n『ウチは初めからピアノなんかいない』って…」
|"It's your fault for putting on a show, right?\nYou should have just told her the truth.\n'There was never a pianist to begin with'..."
|"It's your fault for putting on a show, right?<br>You should have just told her the truth.<br>'There was never a pianist to begin with'..."
|}}
|}}


Line 500: Line 500:
|82|春希|Haruki
|82|春希|Haruki
|「ついでに今はベースもドラムも、\n何もかもいないってか！？」
|「ついでに今はベースもドラムも、\n何もかもいないってか！？」
|"And then tell her there's no bassist or drummist,\nor anyone at all!?"
|"And then tell her there's no bassist or drummer,<br>or anyone at all!?"
|}}
|}}


Line 506: Line 506:
|83|武也|Takeya
|83|武也|Takeya
|「逆ギレすんなよ。\n春希らしくもない」
|「逆ギレすんなよ。\n春希らしくもない」
|"I should be the one who's angry.\nThis isn't like you, Haruki."
|"I should be the one who's angry.<br>This isn't like you, Haruki."
|}}
|}}


Line 518: Line 518:
|85|武也|Takeya
|85|武也|Takeya
|「いや、まぁ…\n恋する漢は百万馬力なのかもしれないけど」
|「いや、まぁ…\n恋する漢は百万馬力なのかもしれないけど」
|"Well, you see...\nAn honorable, loving man could have a million horsepower."
|"Well, you see...<br>An honorable, loving man could have a million horsepower."
|Far too literal; maybe could be "have the power of a space shuttle" but that's 22m HP...
|Far too literal; maybe could be "have the power of a space shuttle" but that's 22m HP...
|}}
|}}
Line 525: Line 525:
|86|春希|Haruki
|86|春希|Haruki
|「何とでも言え。\n今の俺に皮肉は通用しない」
|「何とでも言え。\n今の俺に皮肉は通用しない」
|"Whatever it is you may say,\nit has no effect on me right now."
|"Whatever it is you may say,<br>it has no effect on me right now."
|}}
|}}


Line 531: Line 531:
|87|武也|Takeya
|87|武也|Takeya
|「けど、そうやってずっと誤魔化してると、\nどんどん引っ込みがつかなくなるぞ？」
|「けど、そうやってずっと誤魔化してると、\nどんどん引っ込みがつかなくなるぞ？」
|"But, if you keep fooling people like that,\nyou're not gonna be able to back out anymore."
|"But, if you keep fooling people like that,<br>you're not gonna be able to back out anymore."
|}}
|}}


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|89||
|89||
|『そうなると、\n後はそのイメージを守るために見栄に見栄を重ねて…』
|『そうなると、\n後はそのイメージを守るために見栄に見栄を重ねて…』
|"When that happened,\nI had to do so many things to keep my image up..."  
|"When that happened,<br>I had to do so many things to keep my image up..."  
|From 1003 line 240
|From 1003 line 240
|}}
|}}
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|91||
|91||
|今、俺のしてることって、\n２年前から小木曽がずっとしてきたことと同じだな。
|今、俺のしてることって、\n２年前から小木曽がずっとしてきたことと同じだな。
|What I'm doing right now,\nis exactly what Ogiso's been doing for the past two years.
|What I'm doing right now,<br>is exactly what Ogiso's been doing for the past two years.
|}}
|}}


Line 562: Line 562:
|92||
|92||
|相手に気に入られたくて、いい顔して、\n向こうの勘違いをそのまま放置して、\nどんどん追い込まれていって。
|相手に気に入られたくて、いい顔して、\n向こうの勘違いをそのまま放置して、\nどんどん追い込まれていって。
|Get others interested in me, put on a happy face,\nleave misunderstandings as they are,\nand drive myself slowly into a corner.
|Get others interested in me, put on a happy face,<br>leave misunderstandings as they are,<br>and drive myself slowly into a corner.
|}}
|}}


Line 574: Line 574:
|94||
|94||
|…だからって、\n今、小木曽に本当のことを言って、\n彼女のモチベーションを下げるなんてとんでもない。
|…だからって、\n今、小木曽に本当のことを言って、\n彼女のモチベーションを下げるなんてとんでもない。
|... even so,\ntelling Ogiso the truth,\nand killing her motivation would be unthinkable.
|... even so,<br>telling Ogiso the truth,<br>and killing her motivation would be unthinkable.
|}}
|}}


Line 580: Line 580:
|95||
|95||
|彼女があの時、思わずあの歌を口ずさんだのは、\n下手くそなギターのせい、だけじゃなかった。
|彼女があの時、思わずあの歌を口ずさんだのは、\n下手くそなギターのせい、だけじゃなかった。
|Because when she spontaneously started singing like that,\nit wasn't just because of my terrible guitar playing.
|Because when she spontaneously started singing like that,<br>it wasn't just because of my terrible guitar playing.
|}}
|}}


Line 586: Line 586:
|96||
|96||
|そんなつっかえつっかえの主旋律に完璧に合わせてた、\n流暢なピアノがあったから、なんだ。
|そんなつっかえつっかえの主旋律に完璧に合わせてた、\n流暢なピアノがあったから、なんだ。
|It's because that fluent piano was there,\nto match my stuttering melody.
|It's because that fluent piano was there,<br>to match my stuttering melody.
|}}
|}}


Line 592: Line 592:
|97|武也|Takeya
|97|武也|Takeya
|「お、おい…本当に音楽科の奴らに頭下げんのかよ？\n俺はヤだぞ」
|「お、おい…本当に音楽科の奴らに頭下げんのかよ？\n俺はヤだぞ」
|"H, hey... you're really gonna bow before the music students?\nI'm not in this."
|"H, hey... you're really gonna bow before the music students?<br>I'm not in this."
|}}
|}}


Line 598: Line 598:
|98|春希|Haruki
|98|春希|Haruki
|「武也は降りてもいい…\nけど今となっては、例の“松川君”に頼むしかないんだ」
|「武也は降りてもいい…\nけど今となっては、例の“松川君”に頼むしかないんだ」
|"You can step aside, Takeya...\nbut right now, I have to ask that 'Matsukawa-kun'."
|"You can step aside, Takeya...<br>but right now, I have to ask that 'Matsukawa-kun'."
|}}
|}}


Line 610: Line 610:
|100||
|100||
|こっちのどんな演奏にも\n即興で合わせてくれる完璧なピアノ。
|こっちのどんな演奏にも\n即興で合わせてくれる完璧なピアノ。
|The fluent piano that would improvise,\nregardless of what melody I played.
|The fluent piano that would improvise,<br>regardless of what melody I played.
|}}
|}}


Line 616: Line 616:
|101||
|101||
|ギターしかいない俺たち軽音楽同好会にとって、\nその実力は、喉から食指のついた手が出てくるほどで。
|ギターしかいない俺たち軽音楽同好会にとって、\nその実力は、喉から食指のついた手が出てくるほどで。
|To our Light Music Club which only had guitarists,\nit was a power so great we were in desperate need of it.
|To our Light Music Club which only had guitarists,<br>it was a power so great we were in desperate need of it.
|}}
|}}


Line 622: Line 622:
|102|春希|Haruki
|102|春希|Haruki
|「ちょっとごめん！\n松川君っているかな？」
|「ちょっとごめん！\n松川君っているかな？」
|"Excuse me!\nIs Matsukawa-kun here?"
|"Excuse me!<br>Is Matsukawa-kun here?"
|}}
|}}


Line 640: Line 640:
|105||
|105||
|誰もいない放課後の教室に、\n俺のため息が盛大に響く。
|誰もいない放課後の教室に、\n俺のため息が盛大に響く。
|I took a large sigh,\nin the empty classroom.
|I took a large sigh,<br>in the empty classroom.
|}}
|}}


Line 652: Line 652:
|107|春希|Haruki
|107|春希|Haruki
|「もう音楽科の連中とは口きかん。\nなんであんなにプライド高いんだ奴らは」
|「もう音楽科の連中とは口きかん。\nなんであんなにプライド高いんだ奴らは」
|"I'm not gonna talk with those music guys anymore.\nWhy do tehy have so much pride, anyway?"
|"I'm not gonna talk with those music guys anymore.<br>Why do they have so much pride, anyway?"
|}}
|}}


Line 658: Line 658:
|108||
|108||
|俺の、熱意溢れる音楽科アタックは、\n結局、武也が予想した通りの結果に終わった。
|俺の、熱意溢れる音楽科アタックは、\n結局、武也が予想した通りの結果に終わった。
|The enthusiasm I had for the music students,\nin the end, was exactly as how Takeya predicted.
|The enthusiasm I had for the music students,<br>in the end, was exactly as how Takeya predicted.
|}}
|}}


Line 664: Line 664:
|109|春希|Haruki
|109|春希|Haruki
|「にしても、どうなってんだ…？\n第二音楽室って誰が使ってんだよ…？」
|「にしても、どうなってんだ…？\n第二音楽室って誰が使ってんだよ…？」
|"Still, what's going on...?\nWho's using the second music room...?"
|"Still, what's going on...?<br>Who's using the second music room...?"
|}}
|}}


Line 682: Line 682:
|112||
|112||
|件の松川君は、すぐに見つかった。\n痩せぎすで、長身で、度の強い眼鏡をかけた、\n随分と神経質そうな外見の男子だった。
|件の松川君は、すぐに見つかった。\n痩せぎすで、長身で、度の強い眼鏡をかけた、\n随分と神経質そうな外見の男子だった。
|I found Matsukawa-kun in an instant.\nHe was skinny, tall, and wore glasses with a rather strong index.\nHe seemed like a very nervous guy.
|I found Matsukawa-kun in an instant.<br>He was skinny, tall, and wore glasses with a rather strong index.<br>He seemed like a very nervous guy.
|}}
|}}


Line 688: Line 688:
|113||
|113||
|…で、ちょっと話してみただけで、俺のその第一印象は、\nまるっきり正鵠を得ていたことを痛感させられた。
|…で、ちょっと話してみただけで、俺のその第一印象は、\nまるっきり正鵠を得ていたことを痛感させられた。
|... and, after talking with him for a little bit,\nmy first impression of his crowd was right on the mark.
|... and, after talking with him for a little bit,<br>my first impression of his crowd was right on the mark.
|}}
|}}


Line 694: Line 694:
|114||
|114||
|松川は、俺の申し出を聞くなり、\n散々軽音楽同好会のことを馬鹿にした。
|松川は、俺の申し出を聞くなり、\n散々軽音楽同好会のことを馬鹿にした。
|After hearing my request,\nMatsukawa harshly criticized the Light Music Club.
|After hearing my request,<br>Matsukawa harshly criticized the Light Music Club.
|}}
|}}


Line 700: Line 700:
|115||
|115||
|やれ計画性がないだの、無謀だの、\n素人の浅はかさに呆れるだの、\nどうせ上手く行くはずがないから参加を取り消せだの。
|やれ計画性がないだの、無謀だの、\n素人の浅はかさに呆れるだの、\nどうせ上手く行くはずがないから参加を取り消せだの。
|Like we were disorganized, reckless,\nhis disgust of such foolish amatuers,\nand not willing to participate since it wouldn't go well anyway.
|Like we were disorganized, reckless,<br>his disgust of such foolish amateurs,<br>and not willing to participate since it wouldn't go well anyway.
|}}
|}}


Line 712: Line 712:
|117||
|117||
|なのに最後…\n“あの野郎”は、あろうことか、こう言い放った。
|なのに最後…\n“あの野郎”は、あろうことか、こう言い放った。
|Even so at the end...\n"That guy" declared that, of all things.
|Even so at the end...<br>'That guy' declared that, of all things.
|}}
|}}


Line 718: Line 718:
|118||
|118||
|『とにかく、僕は第二音楽室を使ったことなんかない。\nウチのクラスであそこを使う人間なんかいない。\nあんな不愉快な場所、寄り付くはずもない！』
|『とにかく、僕は第二音楽室を使ったことなんかない。\nウチのクラスであそこを使う人間なんかいない。\nあんな不愉快な場所、寄り付くはずもない！』
|"Anyways, I've never used the second music room.\nThere's no one in this class that uses it.\nThere's no way anyone would approach such a detestful place!"
|"Anyways, I've never used the second music room.<br>There's no one in this class that uses it.<br>There's no way anyone would approach such a detestful place!"
|}}
|}}


Line 730: Line 730:
|120|春希|Haruki
|120|春希|Haruki
|「そういうことなら最初に言えよ…\nそしたらあっさり引き下がったよ…」
|「そういうことなら最初に言えよ…\nそしたらあっさり引き下がったよ…」
|"If that's how it is, then tell us sooner...\nThen we'd leave in an instant..."
|"If that's how it is, then tell us sooner...<br>Then we'd leave in an instant..."
|}}
|}}


Line 748: Line 748:
|123||
|123||
|と、いうわけで、振り出しに戻ってしまった\n『第二音楽室の主』探し。
|と、いうわけで、振り出しに戻ってしまった\n『第二音楽室の主』探し。
|And, with that, we're back to square one with\nfinding the "owner of the second music room".
|And, with that, we're back to square one with<br>finding the "owner of the second music room".
|}}
|}}


Line 754: Line 754:
|124||
|124||
|ただ一つだけ得た新しい情報は、\n『音楽科の人間は第二音楽室を使わない』という事実。
|ただ一つだけ得た新しい情報は、\n『音楽科の人間は第二音楽室を使わない』という事実。
|The only thing we learned,\nwas the reality that "no one from the music program uses the second room".
|The only thing we learned,<br>was the reality that "no one from the music program uses the second room".
|}}
|}}


Line 760: Line 760:
|125||
|125||
|実際、松川の野郎以外の誰に聞いても、\n『第二音楽室なんか使ってない』の一点張りだった。
|実際、松川の野郎以外の誰に聞いても、\n『第二音楽室なんか使ってない』の一点張りだった。
|In actuality, even if we asked people other than Matsukawa,\nthey all said, "We've never used the second music room".
|In actuality, even if we asked people other than Matsukawa,<br>they all said, "We've never used the second music room".
|}}
|}}


Line 766: Line 766:
|126||
|126||
|確かに、Ｈ組の隣にあれだけ広い第三音楽室があるし、\nわざわざ普通科側の音楽室を使う理由はない気がする。
|確かに、Ｈ組の隣にあれだけ広い第三音楽室があるし、\nわざわざ普通科側の音楽室を使う理由はない気がする。
|Certainly, class H has that big third music room.\nFeels like they'd have no real reason to come all the way to use the second one.
|Certainly, class H has that big third music room.<br>Feels like they'd have no real reason to come all the way to use the second one.
|}}
|}}


Line 784: Line 784:
|129||
|129||
|なんだか、やけに触れたくない話題のようで、\n気まずそうに目をそらしたり、\n関わり合いになるのを恐れたり。
|なんだか、やけに触れたくない話題のようで、\n気まずそうに目をそらしたり、\n関わり合いになるのを恐れたり。
|It seemed like they didn't want to touch the subject.\nThey'd give unpleasant looks,\nand feared getting involved.
|It seemed like they didn't want to touch the subject.<br>They'd give unpleasant looks,<br>and feared getting involved.
|}}
|}}


Line 790: Line 790:
|130||
|130||
|音楽科の連中があの教室を使っていないのは事実としても、\nそれでも何かを知っているような気がする。
|音楽科の連中があの教室を使っていないのは事実としても、\nそれでも何かを知っているような気がする。
|Even if it's a fact no one from the music program uses the room,\nsomehow it feels like they know something.
|Even if it's a fact no one from the music program uses the room,<br>somehow it feels like they know something.
|}}
|}}


Line 808: Line 808:
|133||
|133||
|誰も使っていないはずの音楽室。\n鳴り響くピアノ。\nそして、口を閉ざす生徒たち。
|誰も使っていないはずの音楽室。\n鳴り響くピアノ。\nそして、口を閉ざす生徒たち。
|No one should ever be using tha tmusic room.\nA piano that echoes.\nAnd students that remain silent.
|No one should ever be using that music room.<br>A piano that echoes.<br>And students that remain silent.
|}}
|}}


Line 826: Line 826:
|136||
|136||
|『第二音楽室の主』って…\nもしかしたら、もうこの世には…
|『第二音楽室の主』って…\nもしかしたら、もうこの世には…
|"The owner of the second music room"...\nCould he have possibly passed away long ago...?
|"The owner of the second music room"...<br>Could he have possibly passed away long ago...?
|}}
|}}


Line 862: Line 862:
|142|春希|Haruki
|142|春希|Haruki
|「あ、い、いや違う。すまん。\n勝手に驚いた俺が悪い」
|「あ、い、いや違う。すまん。\n勝手に驚いた俺が悪い」
|"Ah, n, no wait, sorry.\nIt's my fault for getting surprised."
|"Ah, n, no wait, sorry.<br>It's my fault for getting surprised."
|}}
|}}


Line 874: Line 874:
|144|春希|Haruki
|144|春希|Haruki
|「待て待て待て！\nだから悪かった。悪かったってば！」
|「待て待て待て！\nだから悪かった。悪かったってば！」
|"Wait wait wait!\nI said I was sorry! I'm sorry, okay?"
|"Wait wait wait!<br>I said I was sorry! I'm sorry, okay?"
|}}
|}}


Line 886: Line 886:
|146||
|146||
|…そういえば数日前、\n向こうから話しかけてきてくれたのに、\n思いっきりスルーしたばかりのような。
|…そういえば数日前、\n向こうから話しかけてきてくれたのに、\n思いっきりスルーしたばかりのような。
|... speaking of which, several days ago,\nshe did come to do so,\nbut I feel like I ignored her or something.
|... speaking of which, several days ago,<br>she did come to do so,<br>but I feel like I ignored her or something.
|}}
|}}


Line 898: Line 898:
|148|春希|Haruki
|148|春希|Haruki
|「え、えっと、どしたんだこんな遅くまで？\n部活入ってたっけ？」
|「え、えっと、どしたんだこんな遅くまで？\n部活入ってたっけ？」
|"U, umm, how come you're staying this late?\nAre you in a club?"
|"U, umm, how come you're staying this late?<br>Are you in a club?"
|}}
|}}


Line 922: Line 922:
|152|春希|Haruki
|152|春希|Haruki
|「…音楽室は週に二日しか使えないの。\n弱小同好会だから」
|「…音楽室は週に二日しか使えないの。\n弱小同好会だから」
|"... we can only use the music room twice a week.\nWe're a miserable circle, after all."
|"... we can only use the music room twice a week.<br>We're a miserable circle, after all."
|}}
|}}


Line 940: Line 940:
|155|春希|Haruki
|155|春希|Haruki
|「……順調だよ。\nボーカルだって見つかった」
|「……順調だよ。\nボーカルだって見つかった」
|"...... we're doing fine.\nWe even found a vocalist."
|"...... we're doing fine.<br>We even found a vocalist."
|}}
|}}


Line 952: Line 952:
|157|春希|Haruki
|157|春希|Haruki
|「聞いて驚け。\nなんとあの…」
|「聞いて驚け。\nなんとあの…」
|"Listen and shudder!\nShe turns out to be..."
|"Listen and shudder!<br>She turns out to be..."
|}}
|}}


Line 994: Line 994:
|164||
|164||
|こんなに長話したのは数か月ぶりなのに、\nどうしてここまで話が弾まないんだろう。
|こんなに長話したのは数か月ぶりなのに、\nどうしてここまで話が弾まないんだろう。
|Why is it that we can't continue this conversation,\neven though it's been months since we talked this long?
|Why is it that we can't continue this conversation,<br>even though it's been months since we talked this long?
|}}
|}}


Line 1,018: Line 1,018:
|168|隣席の女子生徒|Neighboring Female Student
|168|隣席の女子生徒|Neighboring Female Student
|「ドラムは？」
|「ドラムは？」
|"Who's the drummist?"
|"Who's the drummer?"
|}}
|}}


Line 1,042: Line 1,042:
|172||
|172||
|こんなに長話したのは数か月ぶりなのに、\nどうしてここまで悲しくなってくるんだろう。
|こんなに長話したのは数か月ぶりなのに、\nどうしてここまで悲しくなってくるんだろう。
|Why is it that I'm drowned in such sorrow,\neven though it's been months since we talked this long?
|Why is it that I'm drowned in such sorrow,<br>even though it's been months since we talked this long?
|}}
|}}


Line 1,054: Line 1,054:
|174||
|174||
|いくら席が前後のよしみだからって、\nバラしていいことと悪いことがあるだろう。
|いくら席が前後のよしみだからって、\nバラしていいことと悪いことがあるだろう。
|He should know that because he's sitting right in front of her,\nso any good or bad news will spread.
|He should know that because he's sitting right in front of her,<br>so any good or bad news will spread.
|}}
|}}


Line 1,066: Line 1,066:
|176|春希|Haruki
|176|春希|Haruki
|「大丈夫だよ…大丈夫なんだよっ。\n俺にはもう一つの秘密兵器があるんだ」
|「大丈夫だよ…大丈夫なんだよっ。\n俺にはもう一つの秘密兵器があるんだ」
|"It's fine... it's fine!\nWe have another secret weapon of ours!"
|"It's fine... it's fine!<br>We have another secret weapon of ours!"
|}}
|}}


Line 1,096: Line 1,096:
|181|春希|Haruki
|181|春希|Haruki
|「あのなぁ、\nいつもはこっちから話しかけてもシカトしまくりなくせに、\n人が落ち込んでる時だけわざわざ話しかけてくるなよ…」
|「あのなぁ、\nいつもはこっちから話しかけてもシカトしまくりなくせに、\n人が落ち込んでる時だけわざわざ話しかけてくるなよ…」
|"You know,\njust because you ignore me when I come talk to you all the time,\ndon't go out of your way to talk to me when I'm down."
|"You know,<br>just because you ignore me when I come talk to you all the time,<br>don't go out of your way to talk to me when I'm down."
|}}
|}}


Line 1,108: Line 1,108:
|183|春希|Haruki
|183|春希|Haruki
|「からかうだけなら帰ってくれ。\n俺はもうしばらく一人でいたいんだよ」
|「からかうだけなら帰ってくれ。\n俺はもうしばらく一人でいたいんだよ」
|"If you're just gonna joke around, then go home.\nI want to be alone for a little longer."
|"If you're just gonna joke around, then go home.<br>I want to be alone for a little longer."
|}}
|}}


Line 1,120: Line 1,120:
|185|春希|Haruki
|185|春希|Haruki
|「そうなの。\nはいさよなら。お疲れさま。\nしっしっ」
|「そうなの。\nはいさよなら。お疲れさま。\nしっしっ」
|"That's right.\nOkay, goodbye. Good work.\nShoo, shoo!"
|"That's right.<br>Okay, goodbye. Good work.<br>Shoo, shoo!"
|}}
|}}


Line 1,162: Line 1,162:
|192||
|192||
|教室の扉は、あれだけのダメージにかかわらず、\nなんとか元の形を保ち。
|教室の扉は、あれだけのダメージにかかわらず、\nなんとか元の形を保ち。
|Despite taking so much damage,\nsomehow the classroom door kept its shape.
|Despite taking so much damage,<br>somehow the classroom door kept its shape.
|}}
|}}


Line 1,168: Line 1,168:
|193||
|193||
|そして、その揺れが収まったとき、\nやっと教室に、俺の求めた静寂が訪れる。
|そして、その揺れが収まったとき、\nやっと教室に、俺の求めた静寂が訪れる。
|And once that shudder ceased,\nthe silence I desired in this classroom had finally come.
|And once that shudder ceased,<br>the silence I desired in this classroom had finally come.
|}}
|}}


Line 1,192: Line 1,192:
|197||
|197||
|どうもお隣とはコミュニケーションが上手く行かない。\n小木曽とだと、呆れるくらいに何故か話が弾むのに。
|どうもお隣とはコミュニケーションが上手く行かない。\n小木曽とだと、呆れるくらいに何故か話が弾むのに。
|It's hard to talk with her.\nEven though I talk with Ogiso so well it's surprising.
|It's hard to talk with her.<br>Even though I talk with Ogiso so well it's surprising.
|}}
|}}


Line 1,204: Line 1,204:
|199||
|199||
|３年になって、初めて同じクラスになった。\nそれまでは、恥ずかしながら存在すら知らなかった。
|３年になって、初めて同じクラスになった。\nそれまでは、恥ずかしながら存在すら知らなかった。
|We ended up in the same class when I entered third year.\nAshamed to say, I hadn't known she was around before then.
|We ended up in the same class when I entered third year.<br>Ashamed to say, I hadn't known she was around before then.
|}}
|}}


Line 1,210: Line 1,210:
|200||
|200||
|どうにもあのつっけんどんな態度が馴染めなくて、\n向こうも俺の干渉しすぎる態度が気にくわなくて、\n最初のうちは結構衝突したっけなぁ。
|どうにもあのつっけんどんな態度が馴染めなくて、\n向こうも俺の干渉しすぎる態度が気にくわなくて、\n最初のうちは結構衝突したっけなぁ。
|I could never get used to her blunt attitude,\nand she could never stomach my nosy attitude,\nso we were in conflict to begin with, weren't we?
|I could never get used to her blunt attitude,<br>and she could never stomach my nosy attitude,<br>so we were in conflict to begin with, weren't we?
|}}
|}}


Line 1,222: Line 1,222:
|202||
|202||
|…少なくとも、ぶたれたりせずに、\nただ鬱陶しがられるだけくらいには。
|…少なくとも、ぶたれたりせずに、\nただ鬱陶しがられるだけくらいには。
|... at the very least, things remained without getting physical,\nonly remaining gloomy.
|... at the very least, things remained without getting physical,<br>only remaining gloomy.
|}}
|}}


Line 1,234: Line 1,234:
|204||
|204||
|…俺がいい関係でありたいと願う、\n数少ない『男以外』なんだけど、な。
|…俺がいい関係でありたいと願う、\n数少ない『男以外』なんだけど、な。
|... though I'd been wishing for good relations,\nwith those few I knew "outside of guys".
|... though I'd been wishing for good relations,<br>with those few I knew "outside of guys".
|}}
|}}


Line 1,252: Line 1,252:
|207||
|207||
|今にして思えば、\n俺って相当面食いなのかもしれないな。
|今にして思えば、\n俺って相当面食いなのかもしれないな。
|If I think it now,\nmaybe I'm attracted to her.
|If I think it now,<br>maybe I'm attracted to her.
|}}
|}}


Line 1,318: Line 1,318:
|218||
|218||
|大きく伸びをして、脳に空気を行き渡らせてから\nゆっくり教室を見渡す。
|大きく伸びをして、脳に空気を行き渡らせてから\nゆっくり教室を見渡す。
|Stretching out real hard, relaxing my brain,\nI slowly glanced over the classroom.
|Stretching out real hard, relaxing my brain,<br>I slowly glanced over the classroom.
|}}
|}}


Line 1,324: Line 1,324:
|219||
|219||
|と、見事に自分以外の人間がいないこの場所は、\nさっきよりも随分と夕闇に侵食されていた。
|と、見事に自分以外の人間がいないこの場所は、\nさっきよりも随分と夕闇に侵食されていた。
|Well, with this place having no one else here other than myself,\nit'd gotten much closer to evening than I'd noticed.
|Well, with this place having no one else here other than myself,<br>it'd gotten much closer to evening than I'd noticed.
|}}
|}}


Line 1,330: Line 1,330:
|220||
|220||
|時計を見ると、何だかんだでもう５時を過ぎてる。\n結局、いつもの練習時間まで居座ってしまった。
|時計を見ると、何だかんだでもう５時を過ぎてる。\n結局、いつもの練習時間まで居座ってしまった。
|Looking at the time, it seems like it's just past five.\nIn the end, I'd also sat out my usual practice time.
|Looking at the time, it seems like it's just past five.<br>In the end, I'd also sat out my usual practice time.
|}}
|}}


Line 1,348: Line 1,348:
|223||
|223||
|意味もなく罵られ、振り出しに戻り、\n最後には無駄な喧嘩まで。
|意味もなく罵られ、振り出しに戻り、\n最後には無駄な喧嘩まで。
|Insulted for no reason, going back to square one,\nand then getting into an argument.
|Insulted for no reason, going back to square one,<br>and then getting into an argument.
|}}
|}}


Line 1,360: Line 1,360:
|225||
|225||
|もしこのまま、\n彼が二度と第二音楽室に戻ってこなかったら…
|もしこのまま、\n彼が二度と第二音楽室に戻ってこなかったら…
|What if,\nhe should never return to the second music room...
|What if,<br>he should never return to the second music room...
|}}
|}}


Line 1,402: Line 1,402:
|232||
|232||
|起き抜けでぼうっとしていた頭が、\nあの流れるような旋律をスルーしてしまっていた。
|起き抜けでぼうっとしていた頭が、\nあの流れるような旋律をスルーしてしまっていた。
|The first thing I'd been doing after waking up so dazed,\nwas ignore that melody that had been playing.
|The first thing I'd been doing after waking up so dazed,<br>was ignore that melody that had been playing.
|}}
|}}


Line 1,408: Line 1,408:
|233||
|233||
|あまりにもプロフェッショナルな演奏だから、\n街中で流れているＢＧＭのように\n聞き流してしまっていたのかもしれない。
|あまりにもプロフェッショナルな演奏だから、\n街中で流れているＢＧＭのように\n聞き流してしまっていたのかもしれない。
|It was such a professional performance,\nthat I'd probably ignored it like it was\nbackground music playing in the city.
|It was such a professional performance,<br>that I'd probably ignored it like it was<br>background music playing in the city.
|}}
|}}


Line 1,420: Line 1,420:
|235||
|235||
|…などと色々ごたくを並べてはみたものの、\n致命的なミスを犯したのは動かしがたい事実で…
|…などと色々ごたくを並べてはみたものの、\n致命的なミスを犯したのは動かしがたい事実で…
|... and as such, going through all this,\nthe reality that I'd committed a fatal error willed to set itself in motion...
|... and as such, going through all this,<br>the reality that I'd committed a fatal error willed to set itself in motion...
|}}
|}}


Line 1,444: Line 1,444:
|239||
|239||
|実は、この第二音楽室の鍵が開いていたのは、\n今日が初めてだったりした。
|実は、この第二音楽室の鍵が開いていたのは、\n今日が初めてだったりした。
|The truth is,\ntoday was the first time the second music room was left unlocked.
|The truth is,<br>today was the first time the second music room was left unlocked.
|}}
|}}


Line 1,474: Line 1,474:
|244||
|244||
|教室の真ん中に、\n堂々と鎮座するグランドピアノ。
|教室の真ん中に、\n堂々と鎮座するグランドピアノ。
|The magnificent grand piano,\nthat was enshrined right in the middle of the classroom.
|The magnificent grand piano,<br>that was enshrined right in the middle of the classroom.
|}}
|}}


Line 1,492: Line 1,492:
|247||
|247||
|いつも俺のギターに寄り添ってくれる、\n分不相応なパートナー、か。
|いつも俺のギターに寄り添ってくれる、\n分不相応なパートナー、か。
|The partner that was out of my league,\nwho always accompanied my guitar.
|The partner that was out of my league,<br>who always accompanied my guitar.
|}}
|}}


Line 1,498: Line 1,498:
|248||
|248||
|ほんのついさっきまで、いつものように、\n軽快で、重厚で、流麗で、頑強な音を奏でてたのか。
|ほんのついさっきまで、いつものように、\n軽快で、重厚で、流麗で、頑強な音を奏でてたのか。
|Just a moment ago, as always,\nhe'd play with a sound that was casual, profound, elegant, and stubborn.
|Just a moment ago, as always,<br>he'd play with a sound that was casual, profound, elegant, and stubborn.
|}}
|}}


Line 1,546: Line 1,546:
|256||
|256||
|だけど、そのポカの果て。\n最後の最後の最後に、\nたった一つの蜘蛛の糸を掴み取った。
|だけど、そのポカの果て。\n最後の最後の最後に、\nたった一つの蜘蛛の糸を掴み取った。
|But, at the end of that blunder.\nRight at the end of it all,\nI'd grabbed a single spider's thread.
|But, at the end of that blunder.<br>Right at the end of it all,<br>I'd grabbed a single spider's thread.
|}}
|}}


Line 1,552: Line 1,552:
|257|春希|Haruki
|257|春希|Haruki
|「今度こそ、会える。\n会ってみせる」
|「今度こそ、会える。\n会ってみせる」
|"I'll meet you next time.\nI'll make sure of it."
|"I'll meet you next time.<br>I'll make sure of it."
|}}
|}}


Line 1,558: Line 1,558:
|258||
|258||
|ここ数日、沈黙を続けていた、\nこの、第二音楽室のピアノが鳴った。
|ここ数日、沈黙を続けていた、\nこの、第二音楽室のピアノが鳴った。
|The silence had continued for the past several days.\nThis piano in the second music room had rung.
|The silence had continued for the past several days.<br>This piano in the second music room had rung.
|}}
|}}


Line 1,618: Line 1,618:
|268||
|268||
|俺の予測通り、彼は、\n昨日から日々の練習を再開したらしかった。
|俺の予測通り、彼は、\n昨日から日々の練習を再開したらしかった。
|As I predicted,\nhe started practicing since yesterday.
|As I predicted,<br>he started practicing since yesterday.
|}}
|}}


Line 1,624: Line 1,624:
|269|春希|Haruki
|269|春希|Haruki
|「隣に…行ってくる。\n俺の身に何かあったら、フォロー頼むな」
|「隣に…行ってくる。\n俺の身に何かあったら、フォロー頼むな」
|"I'm... going over.\nI'm counting on you should anything happen to me."
|"I'm... going over.<br>I'm counting on you should anything happen to me."
|}}
|}}


Line 1,642: Line 1,642:
|272|武也|Takeya
|272|武也|Takeya
|「なぁ、春希…\n隣に行く前に、もう一度自分の格好を\n見つめ直す気はないか？」
|「なぁ、春希…\n隣に行く前に、もう一度自分の格好を\n見つめ直す気はないか？」
|"Hey, Haruki...\nbefore you go over there, would you please\ncheck how you look once again?"
|"Hey, Haruki...<br>before you go over there, would you please<br>check how you look once again?"
|}}
|}}


Line 1,648: Line 1,648:
|273|春希|Haruki
|273|春希|Haruki
|「…それを言うなよ。\nせっかく決心が固まったところだったのに」
|「…それを言うなよ。\nせっかく決心が固まったところだったのに」
|"... don't tell me.\nI'd just readied myself for this, too."
|"... don't tell me.<br>I'd just readied myself for this, too."
|}}
|}}


Line 1,654: Line 1,654:
|274||
|274||
|武也のその一言のせいで、\n見たくもない自分の腹周りに目が行ってしまう。
|武也のその一言のせいで、\n見たくもない自分の腹周りに目が行ってしまう。
|Thanks to Takeya uttering that one comment,\nmy eyes fell upon the unsightly appearance around my waist.
|Thanks to Takeya uttering that one comment,<br>my eyes fell upon the unsightly appearance around my waist.
|}}
|}}


Line 1,660: Line 1,660:
|275||
|275||
|体育倉庫からくすねた綱引き用のロープにくくられた\n自分の胴体がまぶしい。
|体育倉庫からくすねた綱引き用のロープにくくられた\n自分の胴体がまぶしい。
|The tug-of-war rope I'd snatched from the gym storage room\ntied to my torso was dazzling.
|The tug-of-war rope I'd snatched from the gym storage room<br>tied to my torso was dazzling.
|}}
|}}


Line 1,666: Line 1,666:
|276||
|276||
|ロープの反対側は教室の柱にしっかり固定。\n完璧だ。
|ロープの反対側は教室の柱にしっかり固定。\n完璧だ。
|One end of the rope was anchored to a pillar in the classroom.\nPerfect.
|One end of the rope was anchored to a pillar in the classroom.<br>Perfect.
|}}
|}}


Line 1,690: Line 1,690:
|280|武也|Takeya
|280|武也|Takeya
|「開けてくれないってんなら出待ちすりゃいいじゃん。\nなんでわざわざ窓伝いに？」
|「開けてくれないってんなら出待ちすりゃいいじゃん。\nなんでわざわざ窓伝いに？」
|"If you say he won't open the door, then you could just wait for him.\nWhy go through the window?"
|"If you say he won't open the door, then you could just wait for him.<br>Why go through the window?"
|}}
|}}


Line 1,702: Line 1,702:
|282||
|282||
|何しろ相手は、今までのことを考えても、\n自分の演奏中の姿を誰にも見せる気がないらしい。\nまず間違いなく、かなり気難しい人間だろう。
|何しろ相手は、今までのことを考えても、\n自分の演奏中の姿を誰にも見せる気がないらしい。\nまず間違いなく、かなり気難しい人間だろう。
|After all, if I think over it,\nhe wasn't the type that was eager to reveal himself during practice.\nFirst of all, he's most definitely someone that's hard to please.
|After all, if I think over it,<br>he wasn't the type that was eager to reveal himself during practice.<br>First of all, he's most definitely someone that's hard to please.
|}}
|}}


Line 1,708: Line 1,708:
|283||
|283||
|…少なくとも、俺とセッションしてくれるくらい\n変わり者であることは間違いないわけだし。
|…少なくとも、俺とセッションしてくれるくらい\n変わり者であることは間違いないわけだし。
|... at the very least, it's clear he's so eccentric\nthat he's willing to hold sessions with me.
|... at the very least, it's clear he's so eccentric<br>that he's willing to hold sessions with me.
|}}
|}}


Line 1,714: Line 1,714:
|284||
|284||
|そんな相手に正攻法で行ったところで望み薄。\n何らかのインパクトを与え、\nこっちに興味を持ってもらわないと勝ち目はない。
|そんな相手に正攻法で行ったところで望み薄。\n何らかのインパクトを与え、\nこっちに興味を持ってもらわないと勝ち目はない。
|I have dim prospects for directly approaching such a person.\nWhatever impact it may have,\nif he isn't interested then this isn't going to work out.
|I have dim prospects for directly approaching such a person.<br>Whatever impact it may have,<br>if he isn't interested then this isn't going to work out.
|}}
|}}


Line 1,720: Line 1,720:
|285|春希|Haruki
|285|春希|Haruki
|「それに…\n『若いうちの馬鹿は買ってでもしろ』って言うだろ？」
|「それに…\n『若いうちの馬鹿は買ってでもしろ』って言うだろ？」
|"Besides...\nYou'd say 'fool around while we're still young', right?"
|"Besides...<br>You'd say 'fool around while we're still young', right?"
|}}
|}}


Line 1,732: Line 1,732:
|287|春希|Haruki
|287|春希|Haruki
|「言わねえよ。\n日本人のくせに日本語の使い方間違えるな」
|「言わねえよ。\n日本人のくせに日本語の使い方間違えるな」
|"Don't say it.\nDon't speak the language incorrectly just because you're Japanese."
|"Don't say it.<br>Don't speak the language incorrectly just because you're Japanese."
|}}
|}}


Line 1,744: Line 1,744:
|289|春希|Haruki
|289|春希|Haruki
|「それじゃ、今度こそ行ってくる。\nロープ見ててな」
|「それじゃ、今度こそ行ってくる。\nロープ見ててな」
|"Alright, I'm going this time.\nWatch the rope, okay?"
|"Alright, I'm going this time.<br>Watch the rope, okay?"
|}}
|}}


Line 1,750: Line 1,750:
|290|武也|Takeya
|290|武也|Takeya
|「気をつけろよ…\nこんなことで怪我したら本気で馬鹿馬鹿しいからな」
|「気をつけろよ…\nこんなことで怪我したら本気で馬鹿馬鹿しいからな」
|"Be careful...\nIf you get hurt here, this'll get real stupid."
|"Be careful...<br>If you get hurt here, this'll get real stupid."
|}}
|}}


Line 1,756: Line 1,756:
|291||
|291||
|武也の温かい励ましを背に、\n窓の桟に足をかける。
|武也の温かい励ましを背に、\n窓の桟に足をかける。
|With Takeya's warm encouragement from behind,\nI take a step outside the window frame.
|With Takeya's warm encouragement from behind,<br>I take a step outside the window frame.
|}}
|}}


Line 1,774: Line 1,774:
|294||
|294||
|まずは教室と教室の間にある雨どいに移り、\nそこを新たな足場として向こうの教室の窓に飛び移る。
|まずは教室と教室の間にある雨どいに移り、\nそこを新たな足場として向こうの教室の窓に飛び移る。
|First off, I should move along the drainspout between classrooms,\nand then jump to new footing at the other classroom.
|First off, I should move along the drainspout between classrooms,<br>and then jump to new footing at the other classroom.
|}}
|}}


Line 1,780: Line 1,780:
|295||
|295||
|距離的にも、強度的にも問題はないことは何度も確認した。\n人並みの運動神経があれば余裕のはず。\nもし駄目だったとしても、命綱が安全を保証してくれる。
|距離的にも、強度的にも問題はないことは何度も確認した。\n人並みの運動神経があれば余裕のはず。\nもし駄目だったとしても、命綱が安全を保証してくれる。
|I'd checked that both distance and strength were fine plenty of times.\nIf I have the reflexes of an average man, I should have some leeway.\nIf I can't, then my lifeline should keep me in check.
|I'd checked that both distance and strength were fine plenty of times.<br>If I have the reflexes of an average man, I should have some leeway.<br>If I can't, then my lifeline should keep me in check.
|}}
|}}


Line 1,792: Line 1,792:
|297||
|297||
|…んだけど、\nそれは３階の窓から下を見下ろさなかったときの\n想像での話だよなぁ。
|…んだけど、\nそれは３階の窓から下を見下ろさなかったときの\n想像での話だよなぁ。
|... or so I thought,\nthat's all I can imagine when I don't look down from the third floor.
|... or so I thought,<br>that's all I can imagine when I don't look down from the third floor.
|}}
|}}


Line 1,804: Line 1,804:
|299||
|299||
|壁、固いな。\nしかもざらついてるな…
|壁、固いな。\nしかもざらついてるな…
|The wall's hard.\nAnd rough, at that...
|The wall's hard.<br>And rough, at that...
|}}
|}}


Line 1,810: Line 1,810:
|300||
|300||
|いくら命綱があっても、\nもし手が離れたら全身ズルむけだな…
|いくら命綱があっても、\nもし手が離れたら全身ズルむけだな…
|Even if I have a lifeline,\nif I should lose grip it's gonna go against my entire body...
|Even if I have a lifeline,<br>if I should lose grip it's gonna go against my entire body...
|}}
|}}


Line 1,822: Line 1,822:
|302||
|302||
|気合いを入れ直し、\n恐怖心を忘れるため、目を閉じて雨どいに手を伸ばす。
|気合いを入れ直し、\n恐怖心を忘れるため、目を閉じて雨どいに手を伸ばす。
|Bringing back my fighting spirit,\nand to forget the fear in my heart, I closed my eyes and grabbed the drainspout.
|Bringing back my fighting spirit,<br>and to forget the fear in my heart, I closed my eyes and grabbed the drainspout.
|}}
|}}


Line 1,834: Line 1,834:
|304||
|304||
|…と、視覚なしでこんな真似をすることの\n命知らずさに戦慄し、しっかりと目を見開く。
|…と、視覚なしでこんな真似をすることの\n命知らずさに戦慄し、しっかりと目を見開く。
|... then, shivering at the recklessness of doing this with no vision,\nmy eyes pried wide-open.
|... then, shivering at the recklessness of doing this with no vision,<br>my eyes pried wide-open.
|}}
|}}


Line 1,846: Line 1,846:
|306||
|306||
|まず、雨どいに手を掛けて、\nそのまま足も一緒に掛ける。
|まず、雨どいに手を掛けて、\nそのまま足も一緒に掛ける。
|First, hold onto the drainspout,\nandn then move my feet along.
|First, hold onto the drainspout,<br>and then move my feet along.
|}}
|}}


Line 1,870: Line 1,870:
|310||
|310||
|いつものように、窓を開けておいてくれてたから、\nなんとか窓枠に左手を掛けることができた。
|いつものように、窓を開けておいてくれてたから、\nなんとか窓枠に左手を掛けることができた。
|Since the window happened to be open like always,\nsomehow my left hand was able to grab a hold of the window frame.
|Since the window happened to be open like always,<br>somehow my left hand was able to grab a hold of the window frame.
|}}
|}}


Line 1,882: Line 1,882:
|312||
|312||
|窓枠にかけた左手を引き寄せ、\n左足も窓枠に引っかける。
|窓枠にかけた左手を引き寄せ、\n左足も窓枠に引っかける。
|My right hand latches onto the window frame,\nand even my left foot gets in.
|My right hand latches onto the window frame,<br>and even my left foot gets in.
|}}
|}}


Line 1,888: Line 1,888:
|313||
|313||
|あとは雨どいに引っかけてある右足を思い切り蹴っ飛ばし、\nそのまま窓から部屋へとなだれ込むだけ。
|あとは雨どいに引っかけてある右足を思い切り蹴っ飛ばし、\nそのまま窓から部屋へとなだれ込むだけ。
|All that's left is to kick hard with my right leg from the drainspout,\nand slip into the room like that.
|All that's left is to kick hard with my right leg from the drainspout,<br>and slip into the room like that.
|}}
|}}


Line 1,906: Line 1,906:
|316||
|316||
|最後の目的地を見定めるべく、\n窓の中を覗き込んだとき、\n教室の真ん中のグランドピアノが目に飛び込んできた。
|最後の目的地を見定めるべく、\n窓の中を覗き込んだとき、\n教室の真ん中のグランドピアノが目に飛び込んできた。
|Making sure of my final destination,\njust as I peeped into the window,\nthe grand piano in the middle of the classroom was made clear.
|Making sure of my final destination,<br>just as I peeped into the window,<br>the grand piano in the middle of the classroom was made clear.
|}}
|}}


Line 1,912: Line 1,912:
|317||
|317||
|昨日、誰もいなかったその場所には、\n当たり前と言えば当たり前なんだけど、\n彼が腰掛け、一心不乱に両手の指を動かしている。
|昨日、誰もいなかったその場所には、\n当たり前と言えば当たり前なんだけど、\n彼が腰掛け、一心不乱に両手の指を動かしている。
|Thought here was no one there yesterday,\nand it's really obvious to say this,\n but he was there sitting, playing whole-heartedly with his fingers on the piano.
|Thought here was no one there yesterday,<br>and it's really obvious to say this,<br>but he was there sitting, playing whole-heartedly with his fingers on the piano.
|}}
|}}


Line 1,954: Line 1,954:
|324||
|324||
|けれど指先だけでなく、\n全身で躍動しているかのように生き生きと鍵盤を弾く。
|けれど指先だけでなく、\n全身で躍動しているかのように生き生きと鍵盤を弾く。
|It wasn't just the fingers,\nit's as if the entire body was vividly putting itself into playing the piano.
|It wasn't just the fingers,<br>it's as if the entire body was vividly putting itself into playing the piano.
|}}
|}}


Line 1,960: Line 1,960:
|325||
|325||
|線が細く、顔も小さく、\n何より、その横顔の白さ。
|線が細く、顔も小さく、\n何より、その横顔の白さ。
|Sensitive, with a small face,\nand most importantly, the whiteness of the face from the side.
|Sensitive, with a small face,<br>and most importantly, the whiteness of the face from the side.
|}}
|}}


Line 1,966: Line 1,966:
|326||
|326||
|けれど、それらのか細いイメージを一掃する、\n俺の耳を叩く力強い旋律。
|けれど、それらのか細いイメージを一掃する、\n俺の耳を叩く力強い旋律。
|However, wiping away all those minor details,\nwas that strong melody ringing in my ears.
|However, wiping away all those minor details,<br>was that strong melody ringing in my ears.
|}}
|}}


Line 1,978: Line 1,978:
|328||
|328||
|いつの間にか男と決めつけてたけれど、\nそんなの、何の根拠もなかったことを\n今さら思い知らされる。
|いつの間にか男と決めつけてたけれど、\nそんなの、何の根拠もなかったことを\n今さら思い知らされる。
|I'd decided that it was a guy at some point,\nbut I'd realized I had no basis in doing so just now.
|I'd decided that it was a guy at some point,<br>but I'd realized I had no basis in doing so just now.
|}}
|}}


Line 1,996: Line 1,996:
|331|男性教師|Male Teacher
|331|男性教師|Male Teacher
|「こらぁそこ！\n何をやっとるか～！」
|「こらぁそこ！\n何をやっとるか～！」
|"Hey, you there!\nWhat are you doing~!"
|"Hey, you there!<br>What are you doing~!"
|}}
|}}


Line 2,008: Line 2,008:
|333||
|333||
|“彼女”の顔を確かめようと、\nさらに一歩を踏み出そうとした瞬間…
|“彼女”の顔を確かめようと、\nさらに一歩を踏み出そうとした瞬間…
|Just as I was about to take a step forward,\nto check "her" face...
|Just as I was about to take a step forward,<br>to check "her" face...
|}}
|}}


Line 2,026: Line 2,026:
|336||
|336||
|俺の、いくつの校則を違反しているか定かでない行為は、\nとうとう、校内で然るべき責任を持つ人たちの\n知ることとなり。
|俺の、いくつの校則を違反しているか定かでない行為は、\nとうとう、校内で然るべき責任を持つ人たちの\n知ることとなり。
|The actions I took that broke a number of regulations,\nhad finally become known to the people\nwho were responsible within the school.
|The actions I took that broke a number of regulations,<br>had finally become known to the people<br>who were responsible within the school.
|}}
|}}


Line 2,044: Line 2,044:
|339||
|339||
|そして…\n今回のミッションで想定しうる最高の結果は、\n今ここに不可能との裁定が下った。
|そして…\n今回のミッションで想定しうる最高の結果は、\n今ここに不可能との裁定が下った。
|And...\nachieving the best results for this mission,\nan impossible judgment was handed down upon me.
|And...<br>achieving the best results for this mission,<br>an impossible judgment was handed down upon me.
|}}
|}}


Line 2,062: Line 2,062:
|342||
|342||
|足を滑らせた瞬間、なんとか両手を必死で伸ばし、\nそのまま窓枠にぶら下がることに成功してたから。
|足を滑らせた瞬間、なんとか両手を必死で伸ばし、\nそのまま窓枠にぶら下がることに成功してたから。
|The moment my feet slipped, somehow my arms desperately reached out,\nand managed to grab the bottom of the window frame.
|The moment my feet slipped, somehow my arms desperately reached out,<br>and managed to grab the bottom of the window frame.
|}}
|}}


Line 2,068: Line 2,068:
|343||
|343||
|だから、後はこのまま懸垂の要領で、\nぐいっと体を持ち上げ、華麗に教室に躍り込めば…
|だから、後はこのまま懸垂の要領で、\nぐいっと体を持ち上げ、華麗に教室に躍り込めば…
|So all that was left was to pull myself up,\nelevating my body as hard as I could, and magnificently jump into the classroom...
|So all that was left was to pull myself up,<br>elevating my body as hard as I could, and magnificently jump into the classroom...
|}}
|}}


Line 2,080: Line 2,080:
|345||
|345||
|掴まってるのが鉄棒だったら、\nそれもできたんだろうけど。
|掴まってるのが鉄棒だったら、\nそれもできたんだろうけど。
|Though I'm sure I could do that,\nif I were grabbing onto an iron rod.
|Though I'm sure I could do that,<br>if I were grabbing onto an iron rod.
|}}
|}}


Line 2,086: Line 2,086:
|346||
|346||
|指先だけが窓枠に引っかかり、\n腕全体の力を集中させることができない。
|指先だけが窓枠に引っかかり、\n腕全体の力を集中させることができない。
|Only fingers hung onto the window frame,\nso I can't concentrate on the power in my arms.
|Only fingers hung onto the window frame,<br>so I can't concentrate on the power in my arms.
|}}
|}}


Line 2,092: Line 2,092:
|347||
|347||
|そして何よりも…\n今は、俺が一番混乱していた。
|そして何よりも…\n今は、俺が一番混乱していた。
|And most importantly...\nright now, I was completely baffled.
|And most importantly...<br>right now, I was completely baffled.
|}}
|}}


Line 2,104: Line 2,104:
|349||
|349||
|武也の呼びかけも、下での騒動も、\n何も耳に入っては来なかった。
|武也の呼びかけも、下での騒動も、\n何も耳に入っては来なかった。
|I didn't hear anything.\nNot even Takeya calling out to me, or the riot below me.
|I didn't hear anything.<br>Not even Takeya calling out to me, or the riot below me.
|}}
|}}


Line 2,110: Line 2,110:
|350||
|350||
|だって…\n落ちる寸前にとうとう俺の視界に捕らえた、\n“彼女”の正体は…
|だって…\n落ちる寸前にとうとう俺の視界に捕らえた、\n“彼女”の正体は…
|Because...\nJust on the verge of falling, I'd gotten ahold of "her" identity...
|Because...<br>Just on the verge of falling, I'd gotten ahold of "her" identity...
|}}
|}}


Line 2,128: Line 2,128:
|353||
|353||
|『第二音楽室の主』。\n放課後のお隣さんの、これが正体。
|『第二音楽室の主』。\n放課後のお隣さんの、これが正体。
|The identity of the "owner of the second music room",\nwas none other than the neighboring student.
|The identity of the "owner of the second music room",<br>was none other than the neighboring student.
|}}
|}}


Revision as of 07:55, 17 April 2012

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