Editing Denpa Onna to Seishun Otoko:Volume1 Afterword

==Afterword==

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The person who wrote this book is someone who could easily say, 'I didn't win the prize, so why the hell would I join the award ceremony!”. An envious person who refuses to admit defeat, who makes up for what he lacks with pure motivation — a terrible person. I say that, but I actually did win a prize. The dispute I had at the final examination was a past long gone.

The reward I won was called the first '直o賞.' (Nao*Shyou) There's no way the word in the middle was 木 (ki). During a conversation, if I vaguely bring up 'yea, I actually got the 直。。。賞!' the effect is quite amazing. As a side note, my chief editor's name is 小山直子 (Koyama Naoko). 

Man, what a surprise.

Aside from that, this book's outline was, without the empty lines, about four lines long — the blank was astounding. I wanted to walk from the east exit of Shinjuku station to the south exit, yet I got all the way to Yoyogi station. Even until now, I still can't type without looking at the keyboard. A lot of things happened too, like doodling on the white board in the editorial department, but the book was published safely. This is all thanks to the help of many people around me, and the readers.

To be honest, I didn't think I could be an author for so long.

Because there wasn't any idea for afterwords, I've preemptively set the next volume's to be a short, single paged story — if there is a next book!

My greatest thanks to the two editors who gave it their all for the production of this book. Being able to bring this perilously written book out into the stores so quickly, my biggest thanks to you.

I've only seen the rough sketches of ブリキ先生(Buriki), who provided the illustrations of my work this time, but I believe sensei will definitely deliver beautiful pictures that will raise the book's interest when displayed in store.

Also, to a certain fifty three year-old person who bragged 'I know everything!' only to ask 'what is that?' two seconds later, and my mother, who I will not make comments here about, my appreciation. I still haven't heard anything from 水彦先生, who once made fun of me saying 'if you can be a writer, then I can live with gillls!'. I'm a bit worried; I am eagerly waiting to see you walk under the blue sky energetically with gills.

Finally, not just to the people who first read this book, or the readers who have supported me all this time, I give the greatest thanks to all viewers of this work. Thank you.

Hitoma Iruma 人間入間

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