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- I give my thanks to the image illustrator Mahaya-san and my editors Miki-san, Anan-san, and Onodera-san. This was a horror novel that focused on the situation2 KB (384 words) - 04:04, 9 July 2018
- ...my illustrator, Nagi Ryou-san, and my editors, Miki-san, Onodera-san, and Anan-san. It may have been more difficult to handle a story filled with large cr2 KB (400 words) - 07:49, 30 July 2015
- I give my thanks to my illustrator Aroa-san and my editors Anan-san, Nakajima-san, and Hamamura-san. It must have been tough working with a2 KB (437 words) - 06:14, 1 December 2024
- ...nks to my illustrator Mahaya-san and my editors Miki-san, Onodera-san, and Anan-san. After already building up the characters, I fit them together differen3 KB (478 words) - 19:27, 5 August 2017
- : Anan-san. El escenario esta vez tuvo que haber requerido una gran cantidad de2 KB (389 words) - 20:49, 28 January 2015
- ...nks to my illustrator Mahaya-san and my editors Miki-san, Onodera-san, and Anan-san. Not only did I focus on the Colosseum, but I also included a lot of ch3 KB (542 words) - 02:36, 11 June 2017
- I give my thanks to the image illustrator Mahaya-san and my editor Anan-san. So many regular characters live in this same world – a Vampire, a Zo3 KB (506 words) - 03:25, 3 July 2022
- ...ed the illustrations as well, and to my editors Miki-san, Onodera-san, and Anan-san. I love wasting resources and talent like this. You often hear that the3 KB (563 words) - 20:57, 30 January 2020
- I give my thanks to the image illustrator Mahaya-san and my editors Miki-san, Anan-san, Onodera-san, Nakajima-san, Kishigami-san, Mitera-san, and Yamamoto-san3 KB (507 words) - 01:23, 4 September 2018
- I give my thanks to the image illustrator Mahaya-san and my editors Miki-san, Anan-san, and Onodera-san. I’ve built up the series quite a bit since the firs3 KB (560 words) - 23:51, 25 December 2017
- ...-san who did the Five Overs. I also give my thanks to my editors Miki-san, Anan-san, Nakajima-san, and Hamamura-san. The sand magic isn’t very visually i3 KB (566 words) - 04:03, 21 May 2021
- I give my thanks to my illustrator Nilitsu-san and to my editors Miki-san, Anan-san, Nakajima-san, and Hamamura-san. The past, outside Academy City, Tokyo,3 KB (556 words) - 02:46, 7 April 2025
- ...to my illustrator Nagi Ryou-san and my editors Miki-san, Onodera-san, and Anan-san. With all the small things like the various mines, the bulls, and the A3 KB (579 words) - 14:21, 12 October 2016
- I give my thanks to the image illustrator Mahaya-san and my editors Miki-san, Anan-san, Nakajima-san, Yamamoto-san, and Mitera-san. It’s easy enough to writ3 KB (569 words) - 16:57, 28 June 2020
- ...o my illustrators Haimura-san and Itou Tateki-san and my editors Miki-san, Anan-san, Nakajima-san, and Hamamura-san. A gray city scarred by destruction, a3 KB (626 words) - 00:45, 1 May 2025
- ...nks to my illustrator Mahaya-san and my editors Miki-san, Onodera-san, and Anan-san. This time, I think the Japanese horror-style of abandoned village was3 KB (616 words) - 04:06, 21 July 2013
- ...the image illustrator Mahaya-san and my editors Miki-san, Onodera-san, and Anan-san. I probably shouldn’t say this when I was the one to write it, but du4 KB (631 words) - 00:54, 12 September 2016
- I give my thanks to my illustrator Nagi Ryou-san and my editors Miki-san and Anan-san. …With all the non-Object weapons making an appearance this time, it3 KB (586 words) - 01:00, 8 October 2017
- ...my illustrator, Nagi Ryou-san, and my editors, Miki-san, Onodera-san, and Anan-san. I apologize for all the unreasonable requests I made this time. From t3 KB (621 words) - 07:55, 30 July 2015
- ...nks to my illustrator Mahaya-san and my editors Miki-san, Onodera-san, and Anan-san. With the necromancy stuff like Skull Wave and Disaster, I wanted them3 KB (611 words) - 04:06, 22 March 2017