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===Chapter 2=== |
===Chapter 2=== |
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− | The clothes that suit a baseball boy best |
+ | The clothes that suit a baseball boy best should be mud-stained uniforms and jerseys. |
− | + | So when I’m in a no-nationality chef’s outfit, complete with a long apron tied in the front and a floral bandana around my head, even if I’m complimented by others, I can’t bring myself to be happy about it. |
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“I thought Yuuri looks really good like that, so I asked the chef to bring his uniform.” |
“I thought Yuuri looks really good like that, so I asked the chef to bring his uniform.” |
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− | Even if the compliment comes from an unparalleled pretty boy, as |
+ | Even if the compliment comes from an unparalleled pretty boy, as fragile as a flower. |
− | “And you |
+ | “And you also need a change of clothes, right?” |
− | + | “… Thanks.” |
|
− | I accept the neatly-folded stack of clothes from Saralegui, who is cocking his head to |
+ | I accept the neatly-folded stack of clothes from Saralegui, who is cocking his head to the side and giving me a blossoming smile. When I spread it out and look at it, I see that it is a properly starched chef's uniform. |
“Waa— It’s brand new, too—” |
“Waa— It’s brand new, too—” |
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− | No, no, |
+ | No, no, I'm almost speaking in monotone. I have to accept his nice intentions graciously. |
− | “But |
+ | “But I would have preferred dirtier clothes, Sara. Eventually they’ll get dirty anyway. I feel like I'll be overly conscious moving around in something so pure white. Ah, or maybe I should just be a bona fide kitchen apprentice and go peel some potatoes in the dining room.” |
− | “What are you talking about, Yuuri!” |
+ | “What are you talking about, Yuuri!?” |
Saralegui grabs my right hand tightly with his fair and slender fingers. |
Saralegui grabs my right hand tightly with his fair and slender fingers. |
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− | His reaction and the skin contact are surprisingly agitated, seems like his |
+ | His reaction and the skin contact are surprisingly agitated, seems like his fragile appearance hides a rather passionate side of him. |
− | “You are my very important guest, how can I let you work together with the |
+ | “You are my very important guest, so how can I let you work together with the sailors? Besides, the sunlight and the sea breeze are very strong on the ocean. If you catch a cold, how can I face the people of Shin Makoku?” |
− | “Even so, |
+ | “Even so, our pockets are completely empty so we haven't even given you a transportation fee or a present. It's like we're getting a free ride and I feel uneasy.” |
− | + | “Not a single person here thinks you're riding for free. You and your friend saved my life. You could say you saved Shou Shimaron.” |
|
+ | The friend he's talking about is Wolfram. Because the borrowed cloak caused Wolfram to be mistaken for Saralegui, he was shot in the chest by a subordinate of Maxine's after Maxine started a rebellion. It’s all thanks to the protection of the Poison Lady that he’s fine now, but back then my mind had really gone blank with the shock. |
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− | The friend he’s talking about is Wolfram. |
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+ | And so, after travelling urgently on business from Japan to this world, I’m now, for some specific reasons, on the boat of a long-time enemy country, Shou Shimaron. On top of that, I ended up basically alone with the young, seventeen-year-old, tailor-made-for-the-throne, Shou Shimaron king, Saralegui. |
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− | Because the borrowed cloak caused Wolfram to be mistaken for Saralegui, and then he was shot in the chest by the rebelling Maxine’s subordinate. |
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+ | Our destination is a country for which no detailed map exists that has been locked away for 2000 years and lies at the ends of the seas - Seisakoku. We set out to this land of the shinzoku who are shrouded in mystery in the hopes of discussing the possibility of restoring diplomatic relations between us. |
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− | It’s all thanks to the protection of the Poison Lady that he’s fine now, but back then my mind had really gone blank with the shock. |
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− | |||
− | ※ ※ ※ ※ ※ |
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− | |||
− | And so, after travelling urgently on business from Japan to this world, I’m now, for some specific reasons, on the boat of a long-time enemy country, Shou Shimaron, and together with the seventeen-year-old tailor-made-for-the-throne Shou Shimaron king, Saralegui, no less. |
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− | |||
− | And our destination is way at the ends of the seas, somewhere not even stated on a map, the country locked away for 2000 years, Seisakoku. |
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− | |||
− | This trip is aiming for the shinzoku’s mysterious homeland, in the hopes of discussing the possibility of restoring diplomatic relations between us. |
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Although it’s an ambassadorial envoy led by the king, the ship we’re riding seems a bit simple. |
Although it’s an ambassadorial envoy led by the king, the ship we’re riding seems a bit simple. |
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+ | Still, the storm three days ago hadn’t affected it at all, proving that it is indeed stronger than it looks. Though due to the vessel’s slight… no, considerable age, the paint on the outside is peeling in many places. Not only isn’t there a beautiful goddess statue on its helm, even the railings don’t have any animal carvings. Unsurprising, because this was never a king’s flagship. Instead, it was a cargo ship meant to bring offerings to Seisakoku. |
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− | Still, three days in the storm hasn’t affected it at all, proving that it is indeed stronger than it looks. |
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+ | Although this situation was caused by an unexpected ACCIDENT, they can't let a king go CRUISING on a lone ship no matter what. So, they had summoned some Shou Shimaron, medium-sized ships that were out on the open sea to take up guard duty mid-way. That's why we don't need any self-defense equipment. Also, even if this wasn't a battleship or a passenger boat, the crew needs living quarters so there are rooms that keep out the rain and moisture. Thrown into a panic by the presence of the king, the captain had offered the most spacious and beautiful cabin for the king and his guest. Of course, Saralegui still sighed in exasperation even after that. He has probably only rested in luxurious bedrooms. Although this room is a lot bigger than my living room back home. |
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− | Though due to the vessel’s slight… no, considerable age, the paint on the outside is peeling in many places. |
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+ | Even though these are pretty good circumstances for a cargo ship, it’s still torturous to stay with someone you’ve just met, twenty-four seven. And Saralegui is the young king of a large country and, unlike me, he's an heir from an old and honorable ROYAL FAMILY. If you want me to stay in the same room as him all day, just that awkward atmosphere will be enough to suffocate me. |
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− | Not only isn’t there a beautiful goddess statue on its helm, even the railings don’t have any animal carvings. |
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+ | Maybe if he had went to PUBLIC SCHOOL or something we'd have something to talk about, but unfortunately I was born a commoner and I went to the local public elementary, middle, and high schools. I didn't have any friends who were nobility, and I don't have a knack for riding horses. My school trips were always to Kyoto and we would all keep pillow fighting until the teacher came and yelled at us. |
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− | Unsurprising, because this was never a king’s flagship. Instead, it’s a cargo ship meant to bring offerings to Seisakoku. |
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+ | To make matters worse, Saralegui wears the expected negligee at night. I wonder if there is a rule in this world that pretty boys' pajamas must only be negligees? For someone like me, who can't be bothered and just falls asleep in a shirt and underwear, a see-through negligee is an eyesore.<ref>The word for eyesore here is literally translated as 'poison for the eyes' and it can mean 1: Something that will negatively affect you if you see it or 2: Something that you will want once you see it. So he's either saying he likes looking at it or hates it. The sentence could mean either one. ALSO, Yuuri is not necessarily talking about <i>Sara's</i> negligee right now, just negligees in general. Takabayashi-sensei knows how to play with us.</ref>. In the middle of the night when I went to the bathroom, I even thought I’d accidentally walked into a girl’s room and got such a shock. |
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− | Although this situation was caused by accidents beyond anyone’s predictions, but they can’t let a king sail on a lone ship no matter what, so they had summoned some of the medium-sized ships in the Shou Shimaron outer waters to take up guard duty mid-way. That’s why we don’t need any self-defense equipment, and there are enough rooms for the crew of both the flagship and the cargo ship to live in. |
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+ | At first all our belongings were kept on a luxury ferry, pretty as a picture and docked in the Saralegui War Port, but just as we were setting sail we were hit with a nightmarish coup d'etat and we barely escaped with our lives onto this accompanying cargo ship. Although all that happened more than ten days ago, just thinking about the situation back then still makes my heart ache and a certain spot deep in my mind heat up. |
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− | Thrown into a panic by the presence of the king, the captain had even prepared spacious and beautiful cabins for the king and his guests. |
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+ | The hand that was gripping mine loosened at the indescribable sound of a stick plunging into the sand and the body next to me swayed forward. |
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− | Despite all the preparations, Saralegui still sighed in surprise—looks like he can only rest in a luxurious bedroom. |
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+ | Wolfram, who was falling backwards onto the deck engulfed in flames, had a single iron arrow sticking out of his chest. |
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− | Though that room is a lot bigger than the living room back home. |
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− | |||
− | Even though these are pretty good circumstances for a cargo ship, but it’s still torturous to stay with someone you’ve just met, twenty-four seven. |
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− | |||
− | And Saralegui is the young king of a large country, unlike me, he’s a royal heir from a famous family. |
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− | |||
− | If you want me to stay in the same room as him all day, just that awkward atmosphere will be enough to suffocate me. |
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− | |||
− | Maybe if he studied at a public high school too, we’d still have something to talk about. |
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− | |||
− | Unfortunately, I was born in a commoner’s family, and studied at fairly standard public middle, middle high, and high schools. |
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− | |||
− | I didn’t have any friends who are nobility, and neither do I like riding horses. |
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− | |||
− | For my graduation trip I always went to Kyoto, and would get a lashing from the teacher for pillow fighting. |
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− | |||
− | As for Saralagui, he even wears silk nightclothes to sleep. |
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− | |||
− | Pretty boys’ pajamas must be made of silk, that seems to be a rule in this world. |
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− | |||
− | As for someone like me, who feels bothered wearing even shorts and a T-shirt to sleep, the silk nightclothes that are sometimes there and sometimes not, are practically maiming my eyes. |
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− | |||
− | In the middle of the night when I went to the bathroom, I even thought I’d accidentally walked into a girl’s room, and got such a shock. |
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− | |||
− | At first all our belongings were kept it a luxury ferry, pretty as picture and docked in the Saralegui War Port. Who would have thought that just as we were setting sail, there was a political upheaval, and we barely escaped with our lives into this accompanying cargo ship. |
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− | |||
− | Although all that happened more than ten days ago, but just thinking about the situation back then still makes my heart ache, and a certain spot deep in my mind heat up. |
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− | |||
− | The hands that were gripping mine so tightly. Loosening with the indescribable sound of a stick plunging into the sand, and the body next to me falling slowly. |
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− | |||
− | Wolfram with an arrow sticking out of his chest, fell backwards onto the deck, engulfed in flames. |
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When I grabbed the middle part, it felt exceptionally cold. |
When I grabbed the middle part, it felt exceptionally cold. |
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− | + | “… -ri, Yuuri!” |
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− | + | “Yeah.” |
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− | + | Saralegui's fair and slender fingers are shaking my shoulders and he's staring at me with an expression of concern. Since there's a pale-colored lens between us, I don't know what color his eyes are. These sunglasses are his own way of protecting his eyes from the light and the heat he's sensitive to so unless he's sleeping, he is always wearing them. |
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− | |||
− | Since there’s a pale colored lens between us, I can’t see the color of his eyes. |
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− | |||
− | Those sunglasses are meant to protect his eyes from the light and the heat, so unless he’s sleeping, he always wears them. |
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“What’s the matter? Are you not feeling well? Didn’t you say you don’t get seasick?” |
“What’s the matter? Are you not feeling well? Didn’t you say you don’t get seasick?” |
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Line 111: | Line 69: | ||
“Relax, relax, I’m fine. I was just feeling a little breathless, that’s all.” |
“Relax, relax, I’m fine. I was just feeling a little breathless, that’s all.” |
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− | “Breathless? |
+ | “Breathless? Oh no, should we open the windows?” |
“Ah~ It’s okay, it’s okay! I’ll just go out for a breather. Seems like if I’m cooped up indoors, I can’t calm down at all!” |
“Ah~ It’s okay, it’s okay! I’ll just go out for a breather. Seems like if I’m cooped up indoors, I can’t calm down at all!” |
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− | And so I abandon my unhappy roommate and leave the room |
+ | And so I abandon my unhappy roommate and leave the room. When I close the door behind me, I naturally heave a long sigh. The tension leaves my shoulders. For some reason, I get really nervous whenever I'm alone with Saralegui. On the wide open deck, I enjoy the sea breeze and prepare to break my own SQUAT record. |
− | |||
− | Only now do my tense shoulders relax. |
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− | |||
− | For some reason, I get really nervous whenever I’m alone with Saralegui. |
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− | |||
− | On the wide open deck, I enjoy the sea breeze and prepare to break my own squats record. |
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− | “Something |
+ | “Something happen?” |
“Waa!” |
“Waa!” |
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− | The |
+ | The pleasantly husky voice comes from right beside me, forcing me to make a very embarrassing scream. |
“D-d-don’t suddenly speak up like that! Y-you scared the hell out of me.” |
“D-d-don’t suddenly speak up like that! Y-you scared the hell out of me.” |
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+ | “A LADY never makes a noise when walking, and Gurrier<ref>Crossdressing version of Gurrier used here. Also, Josak did in fact say 'lady' in English. Takabayashi-sensei takes care to not have the people in the other world use the English words that have found their way into normal, everyday Japanese conversation (even including Wasei Eigo terms that English speakers can't even understand anymore) so this stands out even though 'lady' is an English word you'll hear Japanese speakers toss around every once in a while. I'm going to guess that Josak learned this word from Yuuri.</ref> is very graceful, y’know.” |
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− | “A lady never makes a noise when walking, and Gurrier is very graceful, y’know.” |
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− | Shin Makoku’s spy |
+ | Shin Makoku’s spy flexes his enchanting biceps. |
− | Sometimes a well-honed spy infiltrating another country, sometimes |
+ | Sometimes a well-honed spy infiltrating another country, sometimes a reliable BODYGUARD in history’s lowest staffed ambassadorial envoy, sometimes the flower of the party dressed in magnificent evening clothes… He is Gurrier Josak. The scary thing is, he still gets tons of invitations and has almost never known what it’s like to be a wallflower. Seems that different people have different interests, after all. |
− | |||
− | The scary thing is, he still gets tons of invitations, and has almost never known what it’s like to be a wallflower. |
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− | |||
− | Seems that different people have different interests, after all. |
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“Why d’you suddenly pop up from the corner of the corridor?!” |
“Why d’you suddenly pop up from the corner of the corridor?!” |
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− | “Because this ship doesn’t have an extra layer under the floorboards, or an extra layer on the ceiling |
+ | “Because this ship doesn’t have an extra layer under the floorboards, or an extra layer on the ceiling. We spies do best hiding in dark and damp spots…” |
“And Josak… Why are you wearing the long-sleeved apron of a cafeteria auntie…” |
“And Josak… Why are you wearing the long-sleeved apron of a cafeteria auntie…” |
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− | + | The most incredible thing is that he's pulling it off flawlessly. There’s not any bit of awkwardness in it. |
|
“Isn’t it obvious? Of course it’s to match the Young Master, and I won’t ever let you leave any food uneaten—” |
“Isn’t it obvious? Of course it’s to match the Young Master, and I won’t ever let you leave any food uneaten—” |
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+ | I feel as though he’s stuck a sour plum on my forehead<ref>This is a home remedy to reduce fevers and cure colds. Yuuri is just commenting that Josak just sounded like a fussy mom-type.</ref>. Although he's a bit of a cross-dresser, even I know that once you put a weapon in his hands, he’s the most capable soldier. Only now he has a pan and a ladle in those hands. |
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− | I feel as though he’s stuck a sour plum on my forehead. |
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− | |||
− | Although he looks a bit disorienting, I know that once he has a weapon in his hands, he’s the most capable soldier. |
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− | |||
− | Only now he has a pan and a ladle in those hands. |
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“But what’s up with you? Sighing so long just now, that’s not like you at all.” |
“But what’s up with you? Sighing so long just now, that’s not like you at all.” |
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Line 161: | Line 105: | ||
“You say it like I’m always carefree. Right, right, so I’m someone with no brains and all brawn!” |
“You say it like I’m always carefree. Right, right, so I’m someone with no brains and all brawn!” |
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− | “I would never say something so rude |
+ | “I would never say something so rude. Ah, but Gurrier likes muscles. After all they're a good way to pass the time." |
− | + | "Don't tell me you flex your pecs too when you're bored…" |
|
And flexing both sides in rhythm. |
And flexing both sides in rhythm. |
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− | The two of us, in brand |
+ | The two of us, in a brand NEW kitchen uniform and a long sleeved apron respectively, come to the chilly, windy deck. The sun is high in the sky so it should be past noon now, but it seems that the temperature in this part of the sea is real low all year round. The ocean surface is greyish-blue and the waves are fairly high, too. |
+ | “Because there’s a cold current. This is much farther north than Shin Makoku. Aren’t you cold?” |
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− | The sun is high in the sky, so it should be past noon now. But it seems that the temperature in these parts of the seas is real low all year round, the ocean surface is greyish-blue, and the waves are fairly high too. |
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− | |||
− | “Because there’s a cold current. This is far north, quite a distance away from Shin Makoku, aren’t you cold?” |
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“Cold? Ah~ Right.” |
“Cold? Ah~ Right.” |
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+ | |||
Now that he mentions it, I realize that the muscles in my body are all taut, it’s because of the cold air here, making my body naturally contract. If I did rigorous exercises the way I am now, my skin and flesh will probably split right open. |
Now that he mentions it, I realize that the muscles in my body are all taut, it’s because of the cold air here, making my body naturally contract. If I did rigorous exercises the way I am now, my skin and flesh will probably split right open. |
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“Right—Then I’ll just do some warm-ups, first some simple stretches and slow jogging.” |
“Right—Then I’ll just do some warm-ups, first some simple stretches and slow jogging.” |
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− | Josak’s brows immediately sag downwards. This is not surprising either, because |
+ | Josak’s brows immediately sag downwards. This is not surprising either, because during this entire journey I've been having him run with me whenever I'm free. |
+ | “You're going to run again?! Really, I haven't been forced to run this much since training in military school.” |
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− | “More jogging? Really, since I escaped from the army academy life where I was tortured by the seniors, I haven’t run like this.” |
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− | “Actually, you don’t have |
+ | “Actually, you don’t have to accompany me.” |
“Nonono, please let me accompany milord. In fact, I even wish we could sleep in the same room.” |
“Nonono, please let me accompany milord. In fact, I even wish we could sleep in the same room.” |
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Line 190: | Line 133: | ||
Josak asks me, who’s staring into the sky wordlessly, “Why?” Although it’s not something I should announce to the whole world, but I say it anyway. |
Josak asks me, who’s staring into the sky wordlessly, “Why?” Although it’s not something I should announce to the whole world, but I say it anyway. |
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+ | “Becauses Sara is a lingerie-wearing sexy king!” <ref>Original joke is Yuuri calling Sara 'Sukesuke Sukesaburo.' The joke being sukesuke means 'see-through/sheer' and Sukesaburo just being a name that starts with 'suke.' An English approximation would be something like 'Sara is a See-through McNegligee!' Along those lines ^-^</ref> |
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− | “Becauses Sara is a lingerie-wearing sexy king!” |
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Only thing is, if something small like this makes him lose his confidence, I’ll feel troubled; if it fires him up and causes him to wear a sexy long-sleeved apron, I’ll be even more troubled. |
Only thing is, if something small like this makes him lose his confidence, I’ll feel troubled; if it fires him up and causes him to wear a sexy long-sleeved apron, I’ll be even more troubled. |
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+ | After some simple stretches, I start jogging around the deck. Just when I touch the mast at the ship’s stern for the second time, my foot gets caught on the ropes, and I lose my balance. |
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− | ※ ※ ※ ※ ※ |
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− | |||
− | After some simple stretches, I start jogging around the deck. |
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− | |||
− | Just when I touch the mast at the ship’s stern for the second time, my foot gets caught on the ropes, and I lose my balance. |
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“Careful!” |
“Careful!” |
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Line 210: | Line 149: | ||
“Eh?” |
“Eh?” |
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− | A young woman is |
+ | A young woman is crouched down leaning on the boxes for support. |
− | Both her hands are pressed against the peeling paint on the wood, her thin body gently holding her breath. |
+ | Both her hands are pressed against the peeling paint on the wood, her thin body gently holding her breath. When our eyes meet, she resists the urge to scream, moving away from me using her knees, her lashes and lips trembling. |
+ | “Who-” |
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− | When our eyes meet, she resists the urge to scream, moving away from me using her knees, her lashes and lips trembling. |
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+ | Before I can ask her ‘who are you’, she’s already stood up. Her eyes are wide with terror, eyes that are clearly golden even under the sun. She turns around as she tries to escape the scene and that long hair floats by before me. Even her hair is golden, although filth has turned it pale grey. |
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− | “Who…” |
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+ | “Hey wa- Wait! I won’t do anything to you!” |
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− | Before I can ask her ‘who are you’, she’s already stood up. |
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+ | “Whoa, Young Master, if you twist your body like that-… Ah, but it looks like there's no need to chase her anymore. That's good.” |
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− | Her eyes are wide with terror, eyes that are clearly golden even under the sun. |
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+ | Just as Josak said, the young woman came back immediately. Since she had changed directions as soon as she started running earlier, now her stick-like legs are both shaking like leaves. I suddenly realize something. She's barefoot. And not only that, in this cold weather she's not wearing clothes that actually look like clothes. All she has is a piece of cloth like a kantoui from the Yayoi period tied at the waist with a piece of rope<ref>A kantoui is a simple outfit that is basically a piece of fabric with a hole cut out of it to put your head through, similar to a poncho, and then it's tied at the waist.</ref>. Her arms and neck are really thin and even the scream that she let out for some unknown reason is weak. |
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− | She turns back as she tries to escape the scene, and that long hair floats by before me. |
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+ | She curls up in the dark beside the cargo, covering her head with her arms. Her hunched back is shaking. What on earth is she so scared about? |
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− | Even her hair is golden, although filth has turned it pale grey. |
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− | |||
− | “Wait, please wait a moment! I won’t do anything to you!” |
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− | |||
− | “Aiya, Young Master, there’s no need to look so desperate<ref>Something wrong with my raws here, I’m winging it ^^’</ref>… Ah~ It looks like there’s no need to put up a chase anymore, perfect.” |
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− | |||
− | Just as Josak said, the woman is turning back. |
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− | |||
− | Since she had changed directions as soon as she started running earlier, now her stick-like legs are both shaking like leaves. |
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− | |||
− | Now I accidentally notice that she’s barefoot, and not wearing any decent clothes either in this cold air. All she has is a piece of cloth, worn in the fashion of the Yayoi period, tied at the waist with a piece of rope. |
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− | |||
− | Her arms and neck are really thin too, even her indistinguishable scream sounds weak. |
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− | |||
− | She curls up in the dark beside the cargo, holding her head in her hands. Her back continue to shake nonstop, what on earth is she so scared about? |
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“Um…” |
“Um…” |
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+ | Even though my outstretched hand hasn't touched her, her shoulders flinch with a start. It was because she heard some angry male voices coming from the stairs leading to the storage hold. Their conversing voices come closer and closer. They are clearly searching for someone. The young woman curls up her body even more, covers her ears, and stops moving. There's no mistaking it; she's the target the men are after. |
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− | Before I can even touch her with my outstretched hand, she’s already so terrified her shoulders are shuddering. |
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+ | “Even if she's hiding behind something, it's just a matter of time... At least if she hid in the boxes, she might still have a shot of making it past them. Damn, where is the lid?!” |
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− | Just then, some angry male voices come from the stair leading to the storage hold. |
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+ | I frantically pat down the cargo, looking for the opening, but every surface is firmly nailed shut and it doesn't look like I'll be able to open it. The spy beside me can't bear to watch anymore, so he puts his hands to the edges of the box and rips it off with pure strength. |
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− | Their conversing voices come closer and closer, making it obvious they’re looking for someone. The woman desperately curls up her body, covering her ears, too scared to move. There’s no mistaking it, she’s the target the men are after. |
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+ | "Honestly, 'don't get involved with shinzoku' has been the family motto since my parent's generation. Although... ORYA! I can't even remember my parent's face not to mention whether they were beautiful or not." |
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− | “There’s no point in hiding, they’ll flush her out eventually… If she hides in the boxes, she might still have a shot of making it past them. Damn, why are all of them covered?!” |
||
+ | The entire side of the box rips away in his hands. Those biceps really can do anything. |
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− | I frantically fumble with the cargo, looking for something that opens, but every surface is firmly nailed shut. |
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+ | “It’s all thanks to you, Josak. I’m sure your mother was a beauty who looked great in GORGEOUS dresses.” |
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− | The spy beside me can’t bear to watch anymore, so he puts his hands to the edges of the boxes, and starts pulling at them forcefully. |
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+ | “I was talking about my dad just now.” |
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− | The entire side of the box rips away in his hands, those biceps really can do anything. |
||
+ | We hurriedly stuff the thin body into the box, then casually put the boards back in place. In case the boards fall down again, we use our backs to hold them there. The crewmen who had been yelling loudly notice us and run over. They're wearing NO SLEEVE shirts that look like the sleeves have been deliberately ripped off and they're showing off how thick their arms are. I wonder if this is the wild man of the sea look? However, their hairstyle is the unique cropped ponytail. |
||
− | “It’s all thanks to you, Josak, I’m sure your mother was a beauty who looked great in an evening dress.” |
||
− | + | “Deepest apologies, esteemed guests.” |
|
+ | “W-what is the matter?” |
||
− | We hurriedly stuff the thin body into the box, then casually put the boards back in place. |
||
+ | Crap, I'm talking like a historical drama again. <ref>Unfortunately this particular sentence is hard to write in older English, but in Japanese, it does sound old timey.</ref> Whenever I purposely want to sound authoritative, I'll unconsciously use this manner of speaking. It's because I haven't learned the proper manner of nobility a king or ruler should have. |
||
− | In case the boards fall down again, we use our backs to hold them there. |
||
− | |||
− | That’s when the crew, yelling loudly, notice us and run over. |
||
− | |||
− | The sleeves on their clothes have been deliberately ripped off, as though they’re showing off how thick their arms are. |
||
− | |||
− | “Deepest apologies, milords.” |
||
− | |||
− | “W-what be the matter?” |
||
− | |||
− | Crap, I’m talking like historical drama again. |
||
− | |||
− | Whenever I purposely want to sound authoritative, I’ll unconsciously use this manner of speaking. |
||
− | |||
− | After all, I haven’t learned the proper manner of nobility a king or ruler should have. |
||
“Have you seen a young woman?” |
“Have you seen a young woman?” |
||
Line 282: | Line 193: | ||
“No, no. W-we didn’t see any stowaways!” |
“No, no. W-we didn’t see any stowaways!” |
||
− | The two crewmen cock their heads |
+ | The two crewmen cock their heads at my answer. Their light brown ponytails swing about adorably. I wonder if I said something I shouldn't have. |
− | |||
− | I said something I shouldn’t have, didn’t I? |
||
“There aren’t any stowaways aboard this ship.” |
“There aren’t any stowaways aboard this ship.” |
||
− | + | "Is that so? Then, well, that's great. What a bother, stowing away has become popular amongst the youths these days. So much so that in Japan we have a saying, 'after a stowaway it's fine'." <ref>This rhymes in Japanese and may also be the dumbest joke/pun ever. Mikkou wo shite kara Kekkou. The 'Ke(tsu)' in Kekkou means the end/last so the joke kind of reads like "After (you) do the Mikkou it's the last kou."</ref> |
|
There’s no such saying! |
There’s no such saying! |
||
Line 296: | Line 205: | ||
“Are you deaf? My young master already said he doesn’t know anything.” |
“Are you deaf? My young master already said he doesn’t know anything.” |
||
− | + | Exasperated by my ridiculous excuse, Josak starts cracking his fingers, looking as though he was getting ready to play it rough. |
|
− | “Right, who wants to be the maidmer |
+ | “Right, who wants to be the man-eating maidmer princess’s lunch?” |
− | The crewmen’s |
+ | The crewmen’s expressions change abruptly. I didn’t know that. Maidmer princesses were carnivorous? |
− | “Y-y-y-y-you said, be their lunch?” |
+ | “Y-y-y-y-you said, be their lunch?!” |
“Not that way, I saw her head for the control room.” |
“Not that way, I saw her head for the control room.” |
||
− | Right then |
+ | Right then a figure with a familiar gait walks over to us from a cabin in front of the mast, near the bow. He's wearing a uniform different from anyone else on this ship. Different from the aqua blue based Shou Shimaron army uniform, his outfit is yellow and white, reminiscent of desert sand. |
+ | He is the Dai Shimaron ambassador traveling with us, Lord Weller Conrart. |
||
− | He’s wearing a uniform different from anyone else on this ship. |
||
+ | “It seems like you're searching in the wrong place.” |
||
− | Different from the aqua blue-based Shou Shimaron army uniform, his outfit is yellow and white, reminiscent of desert sand. |
||
+ | He is the royal ambassador from a neighboring country of higher position. Perhaps they know that disobeying orders now will be a direct slap in the other party’s face because the crewmen reluctantly take their leave. |
||
− | He is the Dai Shimaron ambassador traveling with us, Lord Weller Conrad. |
||
+ | Standing before us, who had our backs against the wooden boxes, Lord Weller says in a low voice, “I don’t quite approve.” |
||
− | “You should be looking in the opposite direction.” |
||
+ | At first I thought he was scolding me for hiding the stowaway, but that doesn't seem to be the case. After gazing at me, he hands over the brown coat he was wearing. |
||
− | After all, he is the royal ambassador from a neighboring country of higher position. |
||
+ | “You'll catch a cold dressing like that and coming out into the sea breeze.” |
||
− | Perhaps they know that disobeying orders now will be a direct slap to the other party’s face, because the crewmen reluctantly take their leave. |
||
+ | I slowly shake my head. |
||
− | Standing before us, who had our backs against the wooden boxes, Lord Weller says in a low voice, “I honestly can’t quite approve of your methods.” |
||
+ | “No need. I have no intention of borrowing another country’s military uniform.” |
||
− | At first I thought he was blaming me for hiding the stowaways, but that doesn’t seem to be the case. |
||
+ | “These are my personal clothes.” |
||
− | After scrutinizing me from top to bottom, he hands over his brown coat, saying, |
||
+ | “I'll pass.” |
||
− | “Dressing like this and coming out into the sea breeze. You’ll catch a cold.” |
||
+ | Lord Weller turns his gaze to Josak. The spy raises both hands while saying in a light and mischievous tone to not look at him like that. "I didn't do a~nything, and I didn't give him any funny ideas, either." |
||
− | I softly turn my head to the other side. |
||
+ | “It’s true, no one gave me any ideas. I don’t feel cold, so I won’t borrow anyone else’s clothes. Even if I need to, I will borrow Saralegui’s. That’s all.” |
||
− | “No need, I don’t want to borrow another country’s uniform.” |
||
+ | "… If so, then please do so quickly. It will be too late once your health is affected." |
||
− | “These are my own casual clothes.” |
||
+ | "You're worrying about the wrong person." |
||
− | “I appreciate the intention.” |
||
+ | In place of an answer, his eyes narrow slightly. The scar on the side of his brow is stretched just a little. |
||
− | Lord Weller turns his gaze to Josak. The spy raises both hands, saying in a light and mischievous tone, |
||
+ | “Sara is in the bedroom. Is it okay for you to be away from him?” |
||
− | “Don’t look at me like that!” |
||
+ | “This is his ship. As long as there's no big crisis, the king of Shou Shimaron, Saralegui, is safe. That's right, as long as there's no big crisis.” |
||
− | And then he continues, |
||
+ | Lord Weller pulls back his left hand, his expression still unreadable. Is that real? As I look at the joint with its natural movements, I absently think about that in a corner of my brain. |
||
− | “I didn’t do anything, and I didn’t give him any funny ideas either.” |
||
+ | Is his left arm real? Or is it a well-crafted prosthetic which looks and works just like living flesh and bone? A soft prosthetic that's as warm as real human skin. Does a prosthetic like that exist? |
||
− | “It’s true, no one gave me any ideas. It’s because I don’t feel cold, so I don’t want to borrow anyone else’s clothes. Even if I need to, I will borrow Saralegui’s, that’s all.” |
||
+ | Maybe there's a von Karbelnikoff stamp near the elbow. |
||
− | “…If so, you should go and get it from him quickly, or it’ll be too late when you start feeling uncomfortable.” |
||
+ | My imagination is interrupted at the moment Lady Anissina smiles knowingly because I felt the wooden box behind me shake slightly. Crap, we left the stowaway girl locked up in the box. We can’t have her running out of air to breathe so we hurriedly take away the wooden boards. |
||
− | “I think you’re worrying about the wrong person.” |
||
+ | The young woman tumbles out of the box, taking a deep breath of fresh air and then sneezing loudly, and not just once or twice either. She kept on sneezing so much that I felt guilty as the one who hid her. |
||
− | He doesn’t answer, narrowing his eyes, and the scar on his brow even twitches a little. |
||
+ | “Sorry, was there pepper inside?” |
||
− | “Sara is in the bedroom, is it okay for you to be away from him?” |
||
+ | She puts her hands on her unsteady knees, trying to stand. When I look at her again, I see that this stowaway sneaking around was a little too young to be called a young woman. She might be my age or one or two years younger. Those golden eyes, filled with terror and staring at us, are the only large things about her. There are thin limbs that look like dry twigs poking out of the bottom of her Joumon or Yayoi period-esque clothes. But despite her skinniness, her chest is surprisingly large and eye-catching. So much so that I don't know where to look, finally resorting to staring at the sky. |
||
− | “This is his ship. As long as there’s no big crisis, Shou Shimaron’s Saralegui should logically be very safe. That’s right, as long as there’s no big crisis.” |
||
+ | "Your… chest… is… really… big… Waa! S-s-sorry!" |
||
− | Lord Weller pulls back his left hand, his expression still unreadable. |
||
+ | I actually said something that sounds like outrageous sexual harassment! |
||
− | I look at the joint with its natural movements, but I can’t stop thinking, is that a real hand? |
||
− | |||
− | Is his left arm real? |
||
− | |||
− | Or is it a well-crafted prosthetic, which looks and works just like living flesh and bone? |
||
− | |||
− | But is there really a prosthetic that’s as soft and warm as real human skin in this world? |
||
− | |||
− | And there’d probably be the von Karbelnikoff stamp near the arm, too. |
||
− | |||
− | My imagination is interrupted at the moment Lady Anissina smiles knowingly, because the wooden box behind me shakes slightly. |
||
− | |||
− | Crap, we forgot about the stowaway in the box. We can’t have her running out of air to breathe, so we hurriedly take away the wooden boards. |
||
− | |||
− | The woman tumbles out of the box, taking a deep breath of fresh air and then sneezing loudly, and not just once or twice either. |
||
− | |||
− | She doesn’t stop sneezing, and as the ones who helped hide her, we feel really guilty about it. |
||
− | |||
− | “Sorry, turns out there’s pepper inside, huh.” |
||
− | |||
− | She puts her hands on her unsteady knees, trying to stand. |
||
− | |||
− | That’s when I carefully reevaluate this sneaky stowaway, and honestly calling her a woman doesn’t seem too appropriate. |
||
− | |||
− | She’s more or less my age, or maybe she’s just one or two years older than me? Those golden eyes, filled with terror and staring at us, are fairly large, and those stick-like limbs poke out of clothes that look like they come from the Joumon or the Yayoi period. |
||
− | |||
− | But despite her skinniness, her chest is surprising large and eye-catching. So much so that I don’t know where to look, finally resorting to staring at the sky. |
||
− | |||
− | “Your… chest… is… really… big… Waa! S-sorry!” |
||
− | |||
− | I actually said something that sounds like sexual harassment! |
||
“Young Master, really, why should you get all flustered over those fakes? Those are obviously stuffed. Outsiders might be fooled, but you won’t get past my eyes!” |
“Young Master, really, why should you get all flustered over those fakes? Those are obviously stuffed. Outsiders might be fooled, but you won’t get past my eyes!” |
||
Line 394: | Line 273: | ||
“Because your chest is pure and genuine muscle… Waa!” |
“Because your chest is pure and genuine muscle… Waa!” |
||
+ | While I'm getting embarrassed about huge breasts under thin clothes, something hard and heavy suddenly falls. It's a can with a red and white label. The girl hurriedly kneels to the ground and picks up the fallen can and shoves it into her pocket. In that moment, I can see bread stuffed down her chest through a slit in her clothes. |
||
− | While I’m thrown into a panic by the bumps under the thin clothes, something hard and heavy suddenly lands on my foot! |
||
+ | "Ah, man-made breasts." |
||
− | It’s a can with red and white labels. |
||
+ | "See?" |
||
− | The girl hurriedly kneels to the ground and picks up the fallen can, cradling it. From the slit in her clothes, I can even see the bread stuffed down her chest. |
||
+ | The spy who believes that real men should go for D cups laughs, telling me ‘I told you so!’ with a look. Seems like she couldn’t bear her hunger while stowing away, so she stole some food from the kitchen, and even now she’s desperately protecting the food so we can’t snatch it away. |
||
− | “Ah, a manmade chest!” |
||
− | |||
− | “See!” |
||
− | |||
− | The spy who believes that men should have D cup laughs, telling me ‘I told you so!’ with a look. Seems like she couldn’t bear her hunger while stowing away, so she stole some food from the kitchen, and even now she’s desperately protecting the food so we can’t snatch it away. |
||
“I won’t take it! I won’t take away those things, so please stop grabbing your chest! Ah, otherwise my nose will starts spraying Gun… Gun Juices!” |
“I won’t take it! I won’t take away those things, so please stop grabbing your chest! Ah, otherwise my nose will starts spraying Gun… Gun Juices!” |
||
+ | 'Once you know they’re fake breasts, even the desire seems hollow,' taken from a sexual harassment senryuu<ref>Senryuu are poems like haiku that have 17 syllables/onji (usually in a 5-7-5 scheme) and don't rhyme. They are also usually about human nature and emotion as opposed to haiku which are usually about nature. By the way, Yuuri here has failed in creating a proper senryuu and has instead said something that's 5-4-9 (if you want to be nice and not say it was more of a 5-13) coming in at 18 syllables/onji XD</ref>. |
||
− | “Once you know they’re fakes, even the desire seems hollow,” taken from sexual harassment Senryuu<ref>Apparently it’s some motivational poem in Japan?</ref>. |
||
− | Lord Weller quickly surveys the surroundings |
+ | Ignoring my embarrassing discomposure, Lord Weller quickly surveys the surroundings. After making sure the crew don't see anything, he pushes the girl's back and urges her forward. She is a shinzoku. She probably won't understand what we're saying. |
+ | “It’s best if she gets back as soon as possible.” |
||
− | “She’s a shinzoku, I’m afraid we won’t be able to communicate with her.” |
||
+ | “Back? Back where? I would love to hide her in my room, but unfortunately this time I'm bunking with Sara. Ah! That's right, give me that coat just now.” |
||
− | “It’s best if we get her back as soon as possible.” |
||
+ | There are goosebumps on her exposed shoulders. |
||
− | “Back? Back where? Although there are plenty of places in my room where she can hide, unfortunately this time I’m bunking in with Sara. Ah! That’s right, give me that coat just now.” |
||
+ | “It’s for her. If you’re willing, can you lend it to her?” |
||
− | There are already goosebumps on her exposed shoulders. |
||
− | |||
− | “It’s for her. If you’re willing, can you lend it to her.” |
||
“Of course.” |
“Of course.” |
||
− | For a moment there, I felt as though Conrad smiled, or it could |
+ | For a moment there, I felt as though Conrad smiled, or it could have just been the strong winds forcing him to crinkle his eyes. He puts the coat over the girl without a hint of displeasure. That part of him is as gentlemanly as always. |
− | |||
− | He puts the coat over the girl without a hint of displeasure. At least he’s as gentlemanly as he used to be. |
||
“Anyway, first we have to find you a room to stay in. Josak, is there anywhere she can hide around your place?” |
“Anyway, first we have to find you a room to stay in. Josak, is there anywhere she can hide around your place?” |
||
+ | He replies with a shrug. He might have been forced to stay with the captain who had arranged for Saralegui and me to be in the same room. |
||
− | He replies with a shrug. |
||
− | |||
− | Looks like he’s also stuck with the captain, who had arranged for Saralegui and me to be in the same room. |
||
“How about Lord Weller’s place? Although it’s near the crew’s cabins, he has a single room. Because he’s Dai Shimaron’s ambassador.” |
“How about Lord Weller’s place? Although it’s near the crew’s cabins, he has a single room. Because he’s Dai Shimaron’s ambassador.” |
||
− | + | "If it was just her, I would be able to hide her, but..." |
|
− | + | "Eh, what? She didn't stow away alon-… Ah!" |
|
− | + | After carefully appraising her surroundings, the girl breaks free from us and starts running. She's running bent forward to prevent the food she's clutching to her chest from falling, as fast as a rabbit. |
|
− | |||
− | As she’s running, she even purposely bends her body forward, to prevent the food she’s carrying in her chest from falling, as fast as a rabbit. |
||
“Wait a sec!” |
“Wait a sec!” |
||
− | I hurriedly give chase |
+ | I hurriedly give chase and she climbs down the ladder at the stern, passes through a storage hold I've never been in, and then pulls up the floorboard at the very back. There's instantly a smell of saltwater even stronger than the sea breeze. |
“Wait up, you!” |
“Wait up, you!” |
||
Line 452: | Line 319: | ||
“Your Majesty, don’t run too far in!” |
“Your Majesty, don’t run too far in!” |
||
+ | Before my belt is grabbed, I'm already climbing down an almost completely rotten ladder. Although my palm is being pricked by the wood, it's taking all I have just to prevent myself from falling so I can't worry about splinters. What happened to the girl? Don't tell me she lost her footing and fell onto the shelves? Thinking that, I look down warily. |
||
− | Before my belt is grabbed, I’m already climbing down a ladder that will break at any moment. |
||
+ | “Eh…!” |
||
− | Although my palm is being pricked by the wood, but it’s taking all I got just to prevent myself from falling, so I don’t have the effort to worry about splinters. |
||
+ | Suddenly, countless lights shine up simultaneously from the bottom of the ship. It's not the light from fireflies or marine animals. Those are eyes, the eyes of sentient beings. This reminds me of the time I was surrounded by rats in the sewers, forcing a cold sweat on my back. My fingers start trembling and I nearly fall. |
||
− | “What happened to that girl? Don’t tell me she lost her footing and fell onto the shelves?” I look down warily, but I never thought— |
||
− | |||
− | “Eh…” |
||
− | |||
− | Suddenly, countless lights shine up simultaneously from the bottom of the ship. |
||
− | |||
− | It’s not the light from fireflies or marine animals, those are eyes, the eyes of sentient beings. |
||
− | |||
− | This reminds me of the time I was surrounded by rats in the sewers, forcing a cold sweat on my back. My fingers start trembling, and I nearly fall. |
||
“Your Majesty!" |
“Your Majesty!" |
||
− | “Young Master, are you all… |
+ | “Young Master, are you all… Oh my, looks like we’ve discovered some rather troubling cargo.” |
− | Josak and Lord Weller |
+ | Josak and Lord Weller look uncharacteristically panicked and they reach out from the storage hold and grab my clothes. |
− | “Why are there so many people at the bottom of the boat… |
+ | “Why are there so many people at the bottom of the boat… Are they stowing away in such a large group?!” |
“They’re not in here of their own free will.” |
“They’re not in here of their own free will.” |
||
Line 478: | Line 337: | ||
Lord Weller seems to know some inside information. |
Lord Weller seems to know some inside information. |
||
+ | As I'm forcefully pulled up, I felt their gazes so much it hurt. The gazes were sharp and piercing. I don't know if they are filled with hatred or curiosity. |
||
− | As I’m pulled up, I feel that painful, needle-sharp gaze. |
||
− | |||
− | Only I don’t know if it represents disgust or curiosity. |
||
− | |||
− | “They’re all shinzoku. Shinzoku who had wandered to Shimaron from Seisakoku, and are now being deported back to their home country. |
||
+ | “They’re all shinzoku. Shinzoku who had drifted to Shimaron from Seisakoku and are now being deported back to their home country. |
||
− | Their eyes are all golden. |
||
− | + | Their eyes are all golden. In the weak rays of light shining in from the cracks, only their silent eyes are shining. |
|
Latest revision as of 06:57, 1 April 2017
Chapter 2
The clothes that suit a baseball boy best should be mud-stained uniforms and jerseys.
So when I’m in a no-nationality chef’s outfit, complete with a long apron tied in the front and a floral bandana around my head, even if I’m complimented by others, I can’t bring myself to be happy about it.
“I thought Yuuri looks really good like that, so I asked the chef to bring his uniform.”
Even if the compliment comes from an unparalleled pretty boy, as fragile as a flower.
“And you also need a change of clothes, right?”
“… Thanks.”
I accept the neatly-folded stack of clothes from Saralegui, who is cocking his head to the side and giving me a blossoming smile. When I spread it out and look at it, I see that it is a properly starched chef's uniform.
“Waa— It’s brand new, too—”
No, no, I'm almost speaking in monotone. I have to accept his nice intentions graciously.
“But I would have preferred dirtier clothes, Sara. Eventually they’ll get dirty anyway. I feel like I'll be overly conscious moving around in something so pure white. Ah, or maybe I should just be a bona fide kitchen apprentice and go peel some potatoes in the dining room.”
“What are you talking about, Yuuri!?”
Saralegui grabs my right hand tightly with his fair and slender fingers.
His reaction and the skin contact are surprisingly agitated, seems like his fragile appearance hides a rather passionate side of him.
“You are my very important guest, so how can I let you work together with the sailors? Besides, the sunlight and the sea breeze are very strong on the ocean. If you catch a cold, how can I face the people of Shin Makoku?”
“Even so, our pockets are completely empty so we haven't even given you a transportation fee or a present. It's like we're getting a free ride and I feel uneasy.”
“Not a single person here thinks you're riding for free. You and your friend saved my life. You could say you saved Shou Shimaron.”
The friend he's talking about is Wolfram. Because the borrowed cloak caused Wolfram to be mistaken for Saralegui, he was shot in the chest by a subordinate of Maxine's after Maxine started a rebellion. It’s all thanks to the protection of the Poison Lady that he’s fine now, but back then my mind had really gone blank with the shock.
And so, after travelling urgently on business from Japan to this world, I’m now, for some specific reasons, on the boat of a long-time enemy country, Shou Shimaron. On top of that, I ended up basically alone with the young, seventeen-year-old, tailor-made-for-the-throne, Shou Shimaron king, Saralegui.
Our destination is a country for which no detailed map exists that has been locked away for 2000 years and lies at the ends of the seas - Seisakoku. We set out to this land of the shinzoku who are shrouded in mystery in the hopes of discussing the possibility of restoring diplomatic relations between us.
Although it’s an ambassadorial envoy led by the king, the ship we’re riding seems a bit simple.
Still, the storm three days ago hadn’t affected it at all, proving that it is indeed stronger than it looks. Though due to the vessel’s slight… no, considerable age, the paint on the outside is peeling in many places. Not only isn’t there a beautiful goddess statue on its helm, even the railings don’t have any animal carvings. Unsurprising, because this was never a king’s flagship. Instead, it was a cargo ship meant to bring offerings to Seisakoku.
Although this situation was caused by an unexpected ACCIDENT, they can't let a king go CRUISING on a lone ship no matter what. So, they had summoned some Shou Shimaron, medium-sized ships that were out on the open sea to take up guard duty mid-way. That's why we don't need any self-defense equipment. Also, even if this wasn't a battleship or a passenger boat, the crew needs living quarters so there are rooms that keep out the rain and moisture. Thrown into a panic by the presence of the king, the captain had offered the most spacious and beautiful cabin for the king and his guest. Of course, Saralegui still sighed in exasperation even after that. He has probably only rested in luxurious bedrooms. Although this room is a lot bigger than my living room back home.
Even though these are pretty good circumstances for a cargo ship, it’s still torturous to stay with someone you’ve just met, twenty-four seven. And Saralegui is the young king of a large country and, unlike me, he's an heir from an old and honorable ROYAL FAMILY. If you want me to stay in the same room as him all day, just that awkward atmosphere will be enough to suffocate me.
Maybe if he had went to PUBLIC SCHOOL or something we'd have something to talk about, but unfortunately I was born a commoner and I went to the local public elementary, middle, and high schools. I didn't have any friends who were nobility, and I don't have a knack for riding horses. My school trips were always to Kyoto and we would all keep pillow fighting until the teacher came and yelled at us.
To make matters worse, Saralegui wears the expected negligee at night. I wonder if there is a rule in this world that pretty boys' pajamas must only be negligees? For someone like me, who can't be bothered and just falls asleep in a shirt and underwear, a see-through negligee is an eyesore.[1]. In the middle of the night when I went to the bathroom, I even thought I’d accidentally walked into a girl’s room and got such a shock.
At first all our belongings were kept on a luxury ferry, pretty as a picture and docked in the Saralegui War Port, but just as we were setting sail we were hit with a nightmarish coup d'etat and we barely escaped with our lives onto this accompanying cargo ship. Although all that happened more than ten days ago, just thinking about the situation back then still makes my heart ache and a certain spot deep in my mind heat up.
The hand that was gripping mine loosened at the indescribable sound of a stick plunging into the sand and the body next to me swayed forward.
Wolfram, who was falling backwards onto the deck engulfed in flames, had a single iron arrow sticking out of his chest.
When I grabbed the middle part, it felt exceptionally cold.
“… -ri, Yuuri!”
“Yeah.”
Saralegui's fair and slender fingers are shaking my shoulders and he's staring at me with an expression of concern. Since there's a pale-colored lens between us, I don't know what color his eyes are. These sunglasses are his own way of protecting his eyes from the light and the heat he's sensitive to so unless he's sleeping, he is always wearing them.
“What’s the matter? Are you not feeling well? Didn’t you say you don’t get seasick?”
“Relax, relax, I’m fine. I was just feeling a little breathless, that’s all.”
“Breathless? Oh no, should we open the windows?”
“Ah~ It’s okay, it’s okay! I’ll just go out for a breather. Seems like if I’m cooped up indoors, I can’t calm down at all!”
And so I abandon my unhappy roommate and leave the room. When I close the door behind me, I naturally heave a long sigh. The tension leaves my shoulders. For some reason, I get really nervous whenever I'm alone with Saralegui. On the wide open deck, I enjoy the sea breeze and prepare to break my own SQUAT record.
“Something happen?”
“Waa!”
The pleasantly husky voice comes from right beside me, forcing me to make a very embarrassing scream.
“D-d-don’t suddenly speak up like that! Y-you scared the hell out of me.”
“A LADY never makes a noise when walking, and Gurrier[2] is very graceful, y’know.”
Shin Makoku’s spy flexes his enchanting biceps.
Sometimes a well-honed spy infiltrating another country, sometimes a reliable BODYGUARD in history’s lowest staffed ambassadorial envoy, sometimes the flower of the party dressed in magnificent evening clothes… He is Gurrier Josak. The scary thing is, he still gets tons of invitations and has almost never known what it’s like to be a wallflower. Seems that different people have different interests, after all.
“Why d’you suddenly pop up from the corner of the corridor?!”
“Because this ship doesn’t have an extra layer under the floorboards, or an extra layer on the ceiling. We spies do best hiding in dark and damp spots…”
“And Josak… Why are you wearing the long-sleeved apron of a cafeteria auntie…”
The most incredible thing is that he's pulling it off flawlessly. There’s not any bit of awkwardness in it.
“Isn’t it obvious? Of course it’s to match the Young Master, and I won’t ever let you leave any food uneaten—”
I feel as though he’s stuck a sour plum on my forehead[3]. Although he's a bit of a cross-dresser, even I know that once you put a weapon in his hands, he’s the most capable soldier. Only now he has a pan and a ladle in those hands.
“But what’s up with you? Sighing so long just now, that’s not like you at all.”
“You say it like I’m always carefree. Right, right, so I’m someone with no brains and all brawn!”
“I would never say something so rude. Ah, but Gurrier likes muscles. After all they're a good way to pass the time."
"Don't tell me you flex your pecs too when you're bored…"
And flexing both sides in rhythm.
The two of us, in a brand NEW kitchen uniform and a long sleeved apron respectively, come to the chilly, windy deck. The sun is high in the sky so it should be past noon now, but it seems that the temperature in this part of the sea is real low all year round. The ocean surface is greyish-blue and the waves are fairly high, too.
“Because there’s a cold current. This is much farther north than Shin Makoku. Aren’t you cold?”
“Cold? Ah~ Right.”
Now that he mentions it, I realize that the muscles in my body are all taut, it’s because of the cold air here, making my body naturally contract. If I did rigorous exercises the way I am now, my skin and flesh will probably split right open.
“Right—Then I’ll just do some warm-ups, first some simple stretches and slow jogging.”
Josak’s brows immediately sag downwards. This is not surprising either, because during this entire journey I've been having him run with me whenever I'm free.
“You're going to run again?! Really, I haven't been forced to run this much since training in military school.”
“Actually, you don’t have to accompany me.”
“Nonono, please let me accompany milord. In fact, I even wish we could sleep in the same room.”
“…When it comes to the rooms, I’d advise you not to accompany me.”
Josak asks me, who’s staring into the sky wordlessly, “Why?” Although it’s not something I should announce to the whole world, but I say it anyway.
“Becauses Sara is a lingerie-wearing sexy king!” [4]
Only thing is, if something small like this makes him lose his confidence, I’ll feel troubled; if it fires him up and causes him to wear a sexy long-sleeved apron, I’ll be even more troubled.
After some simple stretches, I start jogging around the deck. Just when I touch the mast at the ship’s stern for the second time, my foot gets caught on the ropes, and I lose my balance.
“Careful!”
Josak grabs my waist just in time.
I’m saved, thank goodness I didn’t have to crash into that stack of cargo left out here to brave the weather.
Just as I shake my head and prepare to lift myself up, although I wasn’t paying any particular attention to it, my gaze just happens to wander to the shadows of the wooden crates.
“Eh?”
A young woman is crouched down leaning on the boxes for support.
Both her hands are pressed against the peeling paint on the wood, her thin body gently holding her breath. When our eyes meet, she resists the urge to scream, moving away from me using her knees, her lashes and lips trembling.
“Who-”
Before I can ask her ‘who are you’, she’s already stood up. Her eyes are wide with terror, eyes that are clearly golden even under the sun. She turns around as she tries to escape the scene and that long hair floats by before me. Even her hair is golden, although filth has turned it pale grey.
“Hey wa- Wait! I won’t do anything to you!”
“Whoa, Young Master, if you twist your body like that-… Ah, but it looks like there's no need to chase her anymore. That's good.”
Just as Josak said, the young woman came back immediately. Since she had changed directions as soon as she started running earlier, now her stick-like legs are both shaking like leaves. I suddenly realize something. She's barefoot. And not only that, in this cold weather she's not wearing clothes that actually look like clothes. All she has is a piece of cloth like a kantoui from the Yayoi period tied at the waist with a piece of rope[5]. Her arms and neck are really thin and even the scream that she let out for some unknown reason is weak.
She curls up in the dark beside the cargo, covering her head with her arms. Her hunched back is shaking. What on earth is she so scared about?
“Um…”
Even though my outstretched hand hasn't touched her, her shoulders flinch with a start. It was because she heard some angry male voices coming from the stairs leading to the storage hold. Their conversing voices come closer and closer. They are clearly searching for someone. The young woman curls up her body even more, covers her ears, and stops moving. There's no mistaking it; she's the target the men are after.
“Even if she's hiding behind something, it's just a matter of time... At least if she hid in the boxes, she might still have a shot of making it past them. Damn, where is the lid?!”
I frantically pat down the cargo, looking for the opening, but every surface is firmly nailed shut and it doesn't look like I'll be able to open it. The spy beside me can't bear to watch anymore, so he puts his hands to the edges of the box and rips it off with pure strength.
"Honestly, 'don't get involved with shinzoku' has been the family motto since my parent's generation. Although... ORYA! I can't even remember my parent's face not to mention whether they were beautiful or not."
The entire side of the box rips away in his hands. Those biceps really can do anything.
“It’s all thanks to you, Josak. I’m sure your mother was a beauty who looked great in GORGEOUS dresses.”
“I was talking about my dad just now.”
We hurriedly stuff the thin body into the box, then casually put the boards back in place. In case the boards fall down again, we use our backs to hold them there. The crewmen who had been yelling loudly notice us and run over. They're wearing NO SLEEVE shirts that look like the sleeves have been deliberately ripped off and they're showing off how thick their arms are. I wonder if this is the wild man of the sea look? However, their hairstyle is the unique cropped ponytail.
“Deepest apologies, esteemed guests.”
“W-what is the matter?”
Crap, I'm talking like a historical drama again. [6] Whenever I purposely want to sound authoritative, I'll unconsciously use this manner of speaking. It's because I haven't learned the proper manner of nobility a king or ruler should have.
“Have you seen a young woman?”
“No, no. W-we didn’t see any stowaways!”
The two crewmen cock their heads at my answer. Their light brown ponytails swing about adorably. I wonder if I said something I shouldn't have.
“There aren’t any stowaways aboard this ship.”
"Is that so? Then, well, that's great. What a bother, stowing away has become popular amongst the youths these days. So much so that in Japan we have a saying, 'after a stowaway it's fine'." [7]
There’s no such saying!
“We’re not looking for stowaways, but Seisakoku’s…”
“Are you deaf? My young master already said he doesn’t know anything.”
Exasperated by my ridiculous excuse, Josak starts cracking his fingers, looking as though he was getting ready to play it rough.
“Right, who wants to be the man-eating maidmer princess’s lunch?”
The crewmen’s expressions change abruptly. I didn’t know that. Maidmer princesses were carnivorous?
“Y-y-y-y-you said, be their lunch?!”
“Not that way, I saw her head for the control room.”
Right then a figure with a familiar gait walks over to us from a cabin in front of the mast, near the bow. He's wearing a uniform different from anyone else on this ship. Different from the aqua blue based Shou Shimaron army uniform, his outfit is yellow and white, reminiscent of desert sand.
He is the Dai Shimaron ambassador traveling with us, Lord Weller Conrart.
“It seems like you're searching in the wrong place.”
He is the royal ambassador from a neighboring country of higher position. Perhaps they know that disobeying orders now will be a direct slap in the other party’s face because the crewmen reluctantly take their leave.
Standing before us, who had our backs against the wooden boxes, Lord Weller says in a low voice, “I don’t quite approve.”
At first I thought he was scolding me for hiding the stowaway, but that doesn't seem to be the case. After gazing at me, he hands over the brown coat he was wearing.
“You'll catch a cold dressing like that and coming out into the sea breeze.”
I slowly shake my head.
“No need. I have no intention of borrowing another country’s military uniform.”
“These are my personal clothes.”
“I'll pass.”
Lord Weller turns his gaze to Josak. The spy raises both hands while saying in a light and mischievous tone to not look at him like that. "I didn't do a~nything, and I didn't give him any funny ideas, either."
“It’s true, no one gave me any ideas. I don’t feel cold, so I won’t borrow anyone else’s clothes. Even if I need to, I will borrow Saralegui’s. That’s all.”
"… If so, then please do so quickly. It will be too late once your health is affected."
"You're worrying about the wrong person."
In place of an answer, his eyes narrow slightly. The scar on the side of his brow is stretched just a little.
“Sara is in the bedroom. Is it okay for you to be away from him?”
“This is his ship. As long as there's no big crisis, the king of Shou Shimaron, Saralegui, is safe. That's right, as long as there's no big crisis.”
Lord Weller pulls back his left hand, his expression still unreadable. Is that real? As I look at the joint with its natural movements, I absently think about that in a corner of my brain.
Is his left arm real? Or is it a well-crafted prosthetic which looks and works just like living flesh and bone? A soft prosthetic that's as warm as real human skin. Does a prosthetic like that exist?
Maybe there's a von Karbelnikoff stamp near the elbow.
My imagination is interrupted at the moment Lady Anissina smiles knowingly because I felt the wooden box behind me shake slightly. Crap, we left the stowaway girl locked up in the box. We can’t have her running out of air to breathe so we hurriedly take away the wooden boards.
The young woman tumbles out of the box, taking a deep breath of fresh air and then sneezing loudly, and not just once or twice either. She kept on sneezing so much that I felt guilty as the one who hid her.
“Sorry, was there pepper inside?”
She puts her hands on her unsteady knees, trying to stand. When I look at her again, I see that this stowaway sneaking around was a little too young to be called a young woman. She might be my age or one or two years younger. Those golden eyes, filled with terror and staring at us, are the only large things about her. There are thin limbs that look like dry twigs poking out of the bottom of her Joumon or Yayoi period-esque clothes. But despite her skinniness, her chest is surprisingly large and eye-catching. So much so that I don't know where to look, finally resorting to staring at the sky.
"Your… chest… is… really… big… Waa! S-s-sorry!"
I actually said something that sounds like outrageous sexual harassment!
“Young Master, really, why should you get all flustered over those fakes? Those are obviously stuffed. Outsiders might be fooled, but you won’t get past my eyes!”
“Because your chest is pure and genuine muscle… Waa!”
While I'm getting embarrassed about huge breasts under thin clothes, something hard and heavy suddenly falls. It's a can with a red and white label. The girl hurriedly kneels to the ground and picks up the fallen can and shoves it into her pocket. In that moment, I can see bread stuffed down her chest through a slit in her clothes.
"Ah, man-made breasts."
"See?"
The spy who believes that real men should go for D cups laughs, telling me ‘I told you so!’ with a look. Seems like she couldn’t bear her hunger while stowing away, so she stole some food from the kitchen, and even now she’s desperately protecting the food so we can’t snatch it away.
“I won’t take it! I won’t take away those things, so please stop grabbing your chest! Ah, otherwise my nose will starts spraying Gun… Gun Juices!”
'Once you know they’re fake breasts, even the desire seems hollow,' taken from a sexual harassment senryuu[8].
Ignoring my embarrassing discomposure, Lord Weller quickly surveys the surroundings. After making sure the crew don't see anything, he pushes the girl's back and urges her forward. She is a shinzoku. She probably won't understand what we're saying.
“It’s best if she gets back as soon as possible.”
“Back? Back where? I would love to hide her in my room, but unfortunately this time I'm bunking with Sara. Ah! That's right, give me that coat just now.”
There are goosebumps on her exposed shoulders.
“It’s for her. If you’re willing, can you lend it to her?”
“Of course.”
For a moment there, I felt as though Conrad smiled, or it could have just been the strong winds forcing him to crinkle his eyes. He puts the coat over the girl without a hint of displeasure. That part of him is as gentlemanly as always.
“Anyway, first we have to find you a room to stay in. Josak, is there anywhere she can hide around your place?”
He replies with a shrug. He might have been forced to stay with the captain who had arranged for Saralegui and me to be in the same room.
“How about Lord Weller’s place? Although it’s near the crew’s cabins, he has a single room. Because he’s Dai Shimaron’s ambassador.”
"If it was just her, I would be able to hide her, but..."
"Eh, what? She didn't stow away alon-… Ah!"
After carefully appraising her surroundings, the girl breaks free from us and starts running. She's running bent forward to prevent the food she's clutching to her chest from falling, as fast as a rabbit.
“Wait a sec!”
I hurriedly give chase and she climbs down the ladder at the stern, passes through a storage hold I've never been in, and then pulls up the floorboard at the very back. There's instantly a smell of saltwater even stronger than the sea breeze.
“Wait up, you!”
“Your Majesty, don’t run too far in!”
Before my belt is grabbed, I'm already climbing down an almost completely rotten ladder. Although my palm is being pricked by the wood, it's taking all I have just to prevent myself from falling so I can't worry about splinters. What happened to the girl? Don't tell me she lost her footing and fell onto the shelves? Thinking that, I look down warily.
“Eh…!”
Suddenly, countless lights shine up simultaneously from the bottom of the ship. It's not the light from fireflies or marine animals. Those are eyes, the eyes of sentient beings. This reminds me of the time I was surrounded by rats in the sewers, forcing a cold sweat on my back. My fingers start trembling and I nearly fall.
“Your Majesty!"
“Young Master, are you all… Oh my, looks like we’ve discovered some rather troubling cargo.”
Josak and Lord Weller look uncharacteristically panicked and they reach out from the storage hold and grab my clothes.
“Why are there so many people at the bottom of the boat… Are they stowing away in such a large group?!”
“They’re not in here of their own free will.”
Lord Weller seems to know some inside information.
As I'm forcefully pulled up, I felt their gazes so much it hurt. The gazes were sharp and piercing. I don't know if they are filled with hatred or curiosity.
“They’re all shinzoku. Shinzoku who had drifted to Shimaron from Seisakoku and are now being deported back to their home country.
Their eyes are all golden. In the weak rays of light shining in from the cracks, only their silent eyes are shining.
Back to Chapter 1 | Return to MA Series | Forward to Chapter 3 |
References
- ↑ The word for eyesore here is literally translated as 'poison for the eyes' and it can mean 1: Something that will negatively affect you if you see it or 2: Something that you will want once you see it. So he's either saying he likes looking at it or hates it. The sentence could mean either one. ALSO, Yuuri is not necessarily talking about Sara's negligee right now, just negligees in general. Takabayashi-sensei knows how to play with us.
- ↑ Crossdressing version of Gurrier used here. Also, Josak did in fact say 'lady' in English. Takabayashi-sensei takes care to not have the people in the other world use the English words that have found their way into normal, everyday Japanese conversation (even including Wasei Eigo terms that English speakers can't even understand anymore) so this stands out even though 'lady' is an English word you'll hear Japanese speakers toss around every once in a while. I'm going to guess that Josak learned this word from Yuuri.
- ↑ This is a home remedy to reduce fevers and cure colds. Yuuri is just commenting that Josak just sounded like a fussy mom-type.
- ↑ Original joke is Yuuri calling Sara 'Sukesuke Sukesaburo.' The joke being sukesuke means 'see-through/sheer' and Sukesaburo just being a name that starts with 'suke.' An English approximation would be something like 'Sara is a See-through McNegligee!' Along those lines ^-^
- ↑ A kantoui is a simple outfit that is basically a piece of fabric with a hole cut out of it to put your head through, similar to a poncho, and then it's tied at the waist.
- ↑ Unfortunately this particular sentence is hard to write in older English, but in Japanese, it does sound old timey.
- ↑ This rhymes in Japanese and may also be the dumbest joke/pun ever. Mikkou wo shite kara Kekkou. The 'Ke(tsu)' in Kekkou means the end/last so the joke kind of reads like "After (you) do the Mikkou it's the last kou."
- ↑ Senryuu are poems like haiku that have 17 syllables/onji (usually in a 5-7-5 scheme) and don't rhyme. They are also usually about human nature and emotion as opposed to haiku which are usually about nature. By the way, Yuuri here has failed in creating a proper senryuu and has instead said something that's 5-4-9 (if you want to be nice and not say it was more of a 5-13) coming in at 18 syllables/onji XD