Hyouka:Volume 3 Chapter 1
Status: Incomplete
55% completed (estimated)
1 - A Sleepless Night
001 - ♥01
As I couldn't sleep, I decided to take a walk outside.
The history of the Chitanda clan can be traced back to the beginning of the Edo period.
The large fields in the north of Kamiyama City used to be a farm village. As the leaders of the village, the Chitanda clan has maintained, farmed and rented out the land around here. As representatives of the village, they were charged with negotiating the taxes with the feudal lords as well as acting as the local magistrates. They were also involved in projects for improving farming products. And of course, they would represent the village and take part in the annual festivals in spring and autumn.
The land here isn't really that blessed by nature. Though the soil is rich, it is vulnerable to typhoons as well as blizzards. After all, this land wasn't really well irrigated until irrigation works were carried out during the Edo period. Just a minor change in the climate would result in crop failure, so it was natural for people then to fear and worship the gods.
As people of prestigious wealth, the Chitanda clan would represent the mortals in carrying out the rituals during the festivals. As they would be offering their wealth to the gods in the shrine on behalf of everyone else, before the laying of the crops and after harvest, as well as during Obon and New Year, they would go around collecting food and drink from the village folk. It would seem that this was considered a form of payment in lieu of money for renting land from the Chitanda clan. In turn, the leasing of land would form the basis of their wealth.
After the war, as part of the land reforms, the Chitanda clan, like all other large landowners, were compelled to sell most of the land they held to the government. Yet, Chitanda Shounosuke, the leader of the clan then, saw this as an opportunity to use the money from the land sales to modernize the farming equipment as quickly as possible, and profit from the new farming techniques. As such, Shounosuke was able to slowly buy back the land that was sold off, and by the time my father became head of the clan, the Chitandas had reclaimed nearly half of what was once their land, which was considered to be quite large during the late Showa period.
This may sound like me boasting, but Chitanda Shounosuke was not simply a man with business acumen, he was also a trustworthy man, as well as my grandfather. Though as he died early on, I do not remember much of him.
Anyway, the Chitanda clan had managed to weather the chaos during and after the war and maintained their status. As a result, they are still in charge of representing the local community during the festivals.
To begin with, contrary to what Fukube-san had said, the Chitanda clan aren't exactly so rich as to tower above everyone else. As a result, the annual festivities were reduced from four times a year to just twice, during spring and autumn, and the symbolic "payment" these days was merely a bottle of wine. As such, the ritual was merely an excuse for everyone to gather and have a feast. Though as I can't drink, I can't take part in the feast myself.
The spring and autumn festivals would take place in a small shrine worshiping the "village god", which was a minor deity. There would be the usual rituals of a lion dance and carrying of the mikoshi [1]. A person from the Chitanda clan would act as representative for the shrine pilgrims and pray for a peaceful year during the spring festival, as well as give thanks during the autumn festival.
And I too have been participating in such a festival ever since I was old enough to remember. I often get asked by my friends living nearby as well as visitors to the shrine as to what it is that I do during such a ritual, though I didn't exactly have to do much. There wasn't much to notice besides having to pay attention not to make many sounds until the end of the praying ceremony. So it's just the usual clapping your hands during a prayer.
As for me, I'm not a particularly religious person. To some degree, I'm not too different from my schoolmates. Maybe it has something to do with my experience in such festivals. Though it may be bothersome, whenever I visit a shrine, I make it a habit to hide what I'm wishing. I'm not sure whether this meant I had faith in the gods, or whether this is just my systematic way of calming myself whenever I'm feeling insecure. From time to time, I feel curious about it, but I have never found an answer.
Recently, my wish had been granted during the high school entrance exams. It had also been granted during the "Hyouka Incident", as it was named by Fukube-san.
And once again, tonight I find myself heading towards the shrine.
The Kamiyama High School Cultural Festival begins tomorrow. And for our Classics Club, which is just one of the many illustrious arts-based clubs in Kamiyama High School, a troubling situation awaits us, and we can find no solution to it. Though we intend to give it our best... it would seem we still need luck on our side.
After placing a 100 yen coin into the offering box within the confines of the moon-lit shrine, I clapped my hands together and closed my eyes as my thoughts for my friends in the Classics Club appeared.
Ibara Mayaka-san, Fukube Satoshi-san, Oreki Houtarou-san.
I wonder if Mayaka-san is sleeping well tonight?
Right now, she must be blaming herself for the predicament the Classics Club has found itself in. But that was not the case. Compared to Mayaka-san, I was totally of no help. If only I had been able to give my all and help out with her work, we could have avoided this altogether. So I too must bear some of the responsibility.
I wonder if Fukube-san is sleeping well tonight?
Sometimes I do suspect whether Fukube-san's hedonistic-like behaviour comes from the bottom of his heart. At the very least, he sure wasn't acting selfishly, as there's no way I could imagine him just laughing away at Mayaka-san's pain.
I wonder if Oreki-san is sleeping well tonight?
...He probably is sleeping well. If he wasn't, I would be very worried.
From time to time, I often find Oreki-san being able to sharply observe things that are out of the ordinary. I might even say that I was moved by it. But most of the time Oreki-san, how should I put it, tends to be slow in getting things done. So it's hard to determine whether he's a reliable person or not.
I prayed for everyone's well-being.
I prayed for luck to befall us for the next three days. Please let us overcome this "mountain".
As I opened my eyes, I still felt rather uneasy about it, so I took out another 50 yen from my purse.
002 - ♣01
As I couldn't sleep, I took out the pamphlet from underneath my pillow.
Participating Club Comments (By Order of Registration): Kendo Club Exhibition Match: Kamiyama High School vs Kamiyama Industrial High. Highlights include the showdown between the prefecture's ace captains.
Organizing Committee |
After reading them in one go, I placed them back on my pillow satisfactorily. On the cover of the pamphlet were big words in Gothic font that read "Kanya Festival Guide", and underneath it a smaller caption which read "The 42nd Kamiyama High School Cultural Festival". This was created by the Council General Committee, of which I, Fukube Satoshi, was a member.
By the way, besides being a member of the General Committee, I'm also a member of the dexterous Handicraft Club as well as the prestigious Classics Club. As to which club was the busiest for me... I guess it'd have to be the Classics Club.
When I was drafted by the Committee President into the making of the festival pamphlet, I thought it would have been a simple job of merely copying last year's pamphlet format. But on the contrary, it was a rather difficult task. Though it was hard work, it is quite interesting when one puts in the effort to work on it.
As something of a reward, one of the privileges of dealing with such a difficult task was that I got to decide what materials to use, which was pretty interesting to say the least. As a result, I decided to play a little prank with the last section of this pamphlet, "Participating Club Comments".
For last year's pamphlet, the clubs were ordered according to the Japanese hiragana spelling, but I decided to change it into the order in which the clubs registered with us. When I made the proposal to the Committee President, saying that "For an official guidebook, it's not really fair that the A Capella Club always gets to start every year in such a conspicuous starting position", my motive was quite simple, really. At the very least, I would arrange to have the comments of one of my clubs, the Classics Club, placed in a noticeable position. Though the Committee President was doubtful to begin with, he soon agreed and the motion was passed unanimously. Under the official pretext of "registration order", the Kendo Club was the first to register, so there was no way I could move that from the starting position. But in turn, I get to mix up the order at the end. After all, it's much more noticeable if you're standing out "right in the middle".
Well, it's not exactly a grand PR effort. So rather than being pleased for advertising for the Classics Club, I was more pleased at my superiority in making such minor manipulation of the materials.
And so, to quote from Vice President Shoukawa, "At last a job well done". Besides work in the General Committee, work in the Handicraft Club was tough too. Just who was it that proposed making a Mandala carpet to begin with? Though as it was enjoyable, I guess I can't complain too much, but it was tiring for the eyes, sewing that stuff. With so much time spent on the General Committee and the Handicraft Club, my time with the Classics Club was brief in contrast. Conclusions cannot be made from databases alone, after all. With so little time left, I do wonder sometimes how on earth I wrote such an interesting essay for the anthology.
I Wonder where I should go tomorrow. At any rate, the Quiz Contest is a must. As it's held by the Quiz Study Club, their members can't participate in the competition, so that's got my attention. As for Day 2, the Cooking Contest looked quite interesting. I've decided on making a seafood fried rice dish, as I won't lose to anyone in that department.
I'm more worried about Mayaka being depressed about it. Well, she's a strong girl. Objectively speaking, her responsibility was relatively light. Though Chitanda-san may be quite worried, I'm pretty optimistic about it. We may not be able to do anything now, but somehow we'll get by.
Oh, I'm so looking forward to this Cultural Festival. And thus, the Classics Club will attempt to claw back from the jaws of failure.
How fantastic to have to face such a challenge which we have to climb through!
Anyway, I'd better get some sleep and prepare for tomorrow. It would be a serious blunder for Fukube Satoshi if he were to run out of energy for such an event.
Translator's notes and references
- ↑ A small, portable Shinto shrine - Wikipedia
- ↑ A traditional Japanese style of poetry anthology of 100 waka poems where each contributor writes one poem - Wikipedia
- ↑ A traditional Japanese string instrument - Wikipedia
- ↑ A traditional Japanese storytelling style where the storyteller sits seiza style on the stage with a paper fan and tells a story that is usually long and comical - Wikipedia
- ↑ Japanese flower arranging - Wikipedia
- ↑ An Italian film - Wikipedia
- ↑ An award for the best sci-fi literature published in the preceding year - Wikipedia
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