Difference between revisions of "White Album 2/Script/1009 020"
Jump to navigation
Jump to search
(→Text) |
(→Text) |
||
Line 15: | Line 15: | ||
|「ただ今、留守にしております。<br>ピーと鳴ったらメッセージをお願いします」 |
|「ただ今、留守にしております。<br>ピーと鳴ったらメッセージをお願いします」 |
||
|”You have reached answer machine. Please leave message after *beep* sound” |
|”You have reached answer machine. Please leave message after *beep* sound” |
||
+ | |reached '''the answering''' machine && leave '''a''' message after '''the''' *beep* [] |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 21: | Line 22: | ||
|「いないの、かずさ?<br>私、今、こっちに戻ってきてて。<br>食事でもどうかなって思ったんだけど…」 |
|「いないの、かずさ?<br>私、今、こっちに戻ってきてて。<br>食事でもどうかなって思ったんだけど…」 |
||
|”Are you not there, Kazusa? I wonder if we can have dinner while I'm back in the country” |
|”Are you not there, Kazusa? I wonder if we can have dinner while I'm back in the country” |
||
+ | |have dinner '''together''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 45: | Line 47: | ||
|「なにが?」 |
|「なにが?」 |
||
|”Why?” |
|”Why?” |
||
+ | |'''about what''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 63: | Line 66: | ||
|「何かあった?」 |
|「何かあった?」 |
||
|”Is there something happened?” |
|”Is there something happened?” |
||
+ | |'''Has''' something happened |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 69: | Line 73: | ||
|「色々あった」 |
|「色々あった」 |
||
|”Many things happened” |
|”Many things happened” |
||
+ | |Many things '''have''' happened |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 81: | Line 86: | ||
|「色々は色々だ…<br>楽しいことも、辛いことも、沢山あって忙しくて、<br>親なんかのこと考えてる暇なんかなかった」 |
|「色々は色々だ…<br>楽しいことも、辛いことも、沢山あって忙しくて、<br>親なんかのこと考えてる暇なんかなかった」 |
||
|”Many things are many things… Fun and painful things made me so busy, I didn’t have the time to think about you” |
|”Many things are many things… Fun and painful things made me so busy, I didn’t have the time to think about you” |
||
+ | |so busy '''that''' I didn't have [] time to think |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 87: | Line 93: | ||
|「よかったわね。男関係?」 |
|「よかったわね。男関係?」 |
||
|”Glad to hear it, is it related with guy?” |
|”Glad to hear it, is it related with guy?” |
||
+ | |hear it[.] '''Is it about a guy?'''}} |
||
− | |}} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 99: | Line 105: | ||
|「あ、ちょっと元の調子」 |
|「あ、ちょっと元の調子」 |
||
|”Ah, you’re back to before again” |
|”Ah, you’re back to before again” |
||
+ | |to '''your usual self''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 123: | Line 130: | ||
|「だから来てたのよ。<br>昨日の学園祭」 |
|「だから来てたのよ。<br>昨日の学園祭」 |
||
|”Like I said. I came to yesterday’s school festival” |
|”Like I said. I came to yesterday’s school festival” |
||
+ | |I '''went''' to yesterday's |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 135: | Line 143: | ||
|「柴田さんがね、連絡くれたの。<br>あなたが久しぶりにステージで演奏するって」 |
|「柴田さんがね、連絡くれたの。<br>あなたが久しぶりにステージで演奏するって」 |
||
|”I got called from Shibata-san. She said that you would perform in a stage again after a long time” |
|”I got called from Shibata-san. She said that you would perform in a stage again after a long time” |
||
+ | |got '''a''' call && said [] you would && perform '''on''' stage again |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 141: | Line 150: | ||
|「見たんだ…」 |
|「見たんだ…」 |
||
|”So you watched it…” |
|”So you watched it…” |
||
+ | |you''''ve''' watched |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 147: | Line 157: | ||
|「見たわよぉ、黒のミニで、しっかり足見せちゃって」 |
|「見たわよぉ、黒のミニで、しっかり足見せちゃって」 |
||
|”I saw it, you were wearing black miniskirt, and showing of your legs” |
|”I saw it, you were wearing black miniskirt, and showing of your legs” |
||
+ | |wearing '''a''' black miniskirt && showing [] your legs |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 159: | Line 170: | ||
|「何よ、いいじゃない。<br>人に見られることを意識するってのは、<br>演奏家にとって大切なことでしょう?」 |
|「何よ、いいじゃない。<br>人に見られることを意識するってのは、<br>演奏家にとって大切なことでしょう?」 |
||
|”What, it’s okay you know. It’s an important thing for musician to be conscious when seen by audience you know? |
|”What, it’s okay you know. It’s an important thing for musician to be conscious when seen by audience you know? |
||
+ | |''(not sure)'' It is [] important for '''a''' musician to be conscious of '''how they look in front of the audience''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 165: | Line 177: | ||
|「そういう問題じゃない…<br>すごく恥ずかしかった」 |
|「そういう問題じゃない…<br>すごく恥ずかしかった」 |
||
|”It’s not about that problem… It’s so embarrassing” |
|”It’s not about that problem… It’s so embarrassing” |
||
+ | |'''That's not the problem''' && It '''was''' so embarrassing |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 171: | Line 184: | ||
|「その割にはノリノリだったように見えたけど?<br>いきなりサックス吹いたり、ベース弾き出したり」 |
|「その割にはノリノリだったように見えたけど?<br>いきなりサックス吹いたり、ベース弾き出したり」 |
||
|”Then why did I see you looked like having fun in doing it? To suddenly playing sax and bass” |
|”Then why did I see you looked like having fun in doing it? To suddenly playing sax and bass” |
||
+ | |''(not sure)'' why did '''it look like as if you were having fun doing it, to suddenly play the sax and the bass?''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 177: | Line 191: | ||
|「あれも勝手に決められてて…」 |
|「あれも勝手に決められてて…」 |
||
|”That too was being decided not by me…” |
|”That too was being decided not by me…” |
||
+ | |wasn't '''my decision...''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 183: | Line 198: | ||
|「ギターの男のコとイチャついてたり」 |
|「ギターの男のコとイチャついてたり」 |
||
|”Flirting with the guitar boy” |
|”Flirting with the guitar boy” |
||
+ | |with '''that''' guitar boy |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 195: | Line 211: | ||
|「そう?<br>どう見ても、デキてるふうにしか見えなかったけど」 |
|「そう?<br>どう見ても、デキてるふうにしか見えなかったけど」 |
||
|”Is that so? No matter how I saw it, you two looked like that” |
|”Is that so? No matter how I saw it, you two looked like that” |
||
+ | |how I '''see''' it |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 201: | Line 218: | ||
|「どうしてすぐそっちの話に持っていこうとするんだ。<br>あんた、あたしの親だろ?」 |
|「どうしてすぐそっちの話に持っていこうとするんだ。<br>あんた、あたしの親だろ?」 |
||
|”Why did you like to suddenly change the topic to that. You’re my parent, aren’t you?” |
|”Why did you like to suddenly change the topic to that. You’re my parent, aren’t you?” |
||
+ | |did you '''suddenly''' change |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 207: | Line 225: | ||
|「親だからこそじゃない。<br>娘と彼氏の話なんて、憧れだったわ」 |
|「親だからこそじゃない。<br>娘と彼氏の話なんて、憧れだったわ」 |
||
|”It’s because I’m your parent that I like to hear the story about my daughter’s boyfriend” |
|”It’s because I’m your parent that I like to hear the story about my daughter’s boyfriend” |
||
+ | |that I '''want''' to hear && story '''of''' my daughter's |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 213: | Line 232: | ||
|「三年も放っておいてよく言うよ…」 |
|「三年も放っておいてよく言うよ…」 |
||
|”How could you say it after leaving me for three years…” |
|”How could you say it after leaving me for three years…” |
||
+ | |How '''can''' you say '''this''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 225: | Line 245: | ||
|「それに、あいつには彼女いるよ。<br>だから、あたしとは全然関係ない」 |
|「それに、あいつには彼女いるよ。<br>だから、あたしとは全然関係ない」 |
||
|”Besides that, he has a girlfriend already. That’s why, he has nothing to do with me” |
|”Besides that, he has a girlfriend already. That’s why, he has nothing to do with me” |
||
+ | |that's why [] he has |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 231: | Line 252: | ||
|「ボーカルのコでしょ」 |
|「ボーカルのコでしょ」 |
||
|”That vocalist right?” |
|”That vocalist right?” |
||
+ | |That vocalist[,] right? |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 249: | Line 271: | ||
|ま、仕方ないわね。あんなに可愛いコだし。<br>あっちもかなりあからさまだったしね」 |
|ま、仕方ないわね。あんなに可愛いコだし。<br>あっちもかなりあからさまだったしね」 |
||
|”Well, it can’t be helped. She is so cute after all. She was being open and direct too about it” |
|”Well, it can’t be helped. She is so cute after all. She was being open and direct too about it” |
||
+ | |open and direct [] about it '''too''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 261: | Line 284: | ||
|「図星?<br>なんてわかりやすい恋してるのよ、あなたたち」 |
|「図星?<br>なんてわかりやすい恋してるのよ、あなたたち」 |
||
|”Bull’s eye? Why do you all have that easy to be predicted love” |
|”Bull’s eye? Why do you all have that easy to be predicted love” |
||
+ | |''requires editing'' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 273: | Line 297: | ||
|「そんな怒鳴ることないじゃない。<br>女やってればよくあることよ」 |
|「そんな怒鳴ることないじゃない。<br>女やってればよくあることよ」 |
||
|”You don’t need to shout out like that. It’s often happen if you’re a woman” |
|”You don’t need to shout out like that. It’s often happen if you’re a woman” |
||
+ | |It '''happens often''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 285: | Line 310: | ||
|「何言ってるの。<br>私、男に捨てられまくりだったわよ?<br>あなたの父親とか」 |
|「何言ってるの。<br>私、男に捨てられまくりだったわよ?<br>あなたの父親とか」 |
||
|”What are you saying? I had been thrown away too you know? For example like your father” |
|”What are you saying? I had been thrown away too you know? For example like your father” |
||
+ | |For example, '''by''' your father |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 297: | Line 323: | ||
|「あら、もう怒るのはやめ?」 |
|「あら、もう怒るのはやめ?」 |
||
|”Ah, you stop being angry?” |
|”Ah, you stop being angry?” |
||
+ | |you '''stopped''' being |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 315: | Line 342: | ||
|「ま、仕方ないわね。<br>ギターのコ、真面目で優等生っぽかったもの。<br>大人と話すときはしっかり丁寧な言葉遣いだったし」 |
|「ま、仕方ないわね。<br>ギターのコ、真面目で優等生っぽかったもの。<br>大人と話すときはしっかり丁寧な言葉遣いだったし」 |
||
|”Well, it can’t be helped. That guitarist, looks like a serious and honor student. When he talked with adult he used such polite words too” |
|”Well, it can’t be helped. That guitarist, looks like a serious and honor student. When he talked with adult he used such polite words too” |
||
+ | |looks like a serious [] honors student && '''He uses such polite words when talking to adults too''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 321: | Line 349: | ||
|「…会ったの?」 |
|「…会ったの?」 |
||
|“…You met him?” |
|“…You met him?” |
||
+ | |You''''ve''' met him |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 339: | Line 368: | ||
|「バンドやるようなタイプじゃなかったわね。<br>どっちかって言うと、医者とか弁護士とか目指してそう」 |
|「バンドやるようなタイプじゃなかったわね。<br>どっちかって言うと、医者とか弁護士とか目指してそう」 |
||
|”He’s not the type to perform in a band. He’s more like to be a doctor or lawyer in the future” |
|”He’s not the type to perform in a band. He’s more like to be a doctor or lawyer in the future” |
||
+ | |more '''likely to become''' && or '''a''' lawyer |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 345: | Line 375: | ||
|「テストは常に学年一ケタで、クラス委員長で、<br>ついでに馬鹿だ」 |
|「テストは常に学年一ケタで、クラス委員長で、<br>ついでに馬鹿だ」 |
||
|”He got the top score in the test, he’s a class president, but also a stupid person” |
|”He got the top score in the test, he’s a class president, but also a stupid person” |
||
+ | |He '''always gets top scores in the tests''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 357: | Line 388: | ||
|あなたみたいに片親でグレてるようなコなんか、<br>歯牙にもかけられなかったでしょ?」 |
|あなたみたいに片親でグレてるようなコなんか、<br>歯牙にもかけられなかったでしょ?」 |
||
|”For someone like you who just have a single parent, he wouldn’t even care about you, would he?” |
|”For someone like you who just have a single parent, he wouldn’t even care about you, would he?” |
||
+ | |who '''has only''' a single |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 363: | Line 395: | ||
|「あ、あいつは…<br>そんなことで人を差別するような奴じゃない!」 |
|「あ、あいつは…<br>そんなことで人を差別するような奴じゃない!」 |
||
|”He… he’s not someone who like to discriminate people like that!” |
|”He… he’s not someone who like to discriminate people like that!” |
||
+ | |someone who '''likes''' to discriminate |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 375: | Line 408: | ||
|「誰に対しても平等でお節介で、<br>何度突き放しても平気で介入してくる、<br>救いようのない馬鹿だ」 |
|「誰に対しても平等でお節介で、<br>何度突き放しても平気で介入してくる、<br>救いようのない馬鹿だ」 |
||
|”He’s being equal and noisy to everyone, even after being refused bluntly he would still interfered, his stupidness is beyond cure” |
|”He’s being equal and noisy to everyone, even after being refused bluntly he would still interfered, his stupidness is beyond cure” |
||
+ | |he would still '''interfere''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 387: | Line 421: | ||
|「それに、あいつだって父親いなくて…<br>しかも母親に放っておかれてて…」 |
|「それに、あいつだって父親いなくて…<br>しかも母親に放っておかれてて…」 |
||
|”And, he didn’t have father too… Not just that but his mother also left him out” |
|”And, he didn’t have father too… Not just that but his mother also left him out” |
||
+ | |he '''doesn't''' have a father '''either''' && his mother '''has also''' left him [] |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 393: | Line 428: | ||
|「…だからやられちゃったんだ?<br>似たような境遇なのに、<br>平気で頑張ってる彼が眩しかった?」 |
|「…だからやられちゃったんだ?<br>似たような境遇なのに、<br>平気で頑張ってる彼が眩しかった?」 |
||
|”…That’s why you’re falling for him? Because he looked the same as you, yet he still tried his best which made him look so dazzling?” |
|”…That’s why you’re falling for him? Because he looked the same as you, yet he still tried his best which made him look so dazzling?” |
||
+ | |why you''''ve fallen''' && he '''looks just like''' you && he still '''tries''' his best[,] [] making him look so dazzling |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 405: | Line 441: | ||
|「だって普通、好きでもなんでもない男のこと、<br>そこまで熱く語る女いないわよ?」 |
|「だって普通、好きでもなんでもない男のこと、<br>そこまで熱く語る女いないわよ?」 |
||
|”Well normally, there’s no woman who like to talk that much about the guy that she doesn't even love” |
|”Well normally, there’s no woman who like to talk that much about the guy that she doesn't even love” |
||
+ | |who '''likes''' to talk && about '''a''' guy [] she doesn't |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 441: | Line 478: | ||
|「いつの間にか、恋に破れて泣く女の子になってたか。<br>あのかずさがね…」 |
|「いつの間にか、恋に破れて泣く女の子になってたか。<br>あのかずさがね…」 |
||
|”Before I know it, you had become a girl who cried because of love. That Kazusa huh…” |
|”Before I know it, you had become a girl who cried because of love. That Kazusa huh…” |
||
+ | |Before I '''knew''' it && you '''have''' become && who '''cries''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 453: | Line 491: | ||
|「ううん、わが娘ながら、可愛いなって」 |
|「ううん、わが娘ながら、可愛いなって」 |
||
|”No, for my daughter, you look cute” |
|”No, for my daughter, you look cute” |
||
+ | |''(not sure)'' '''as my daughter''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 513: | Line 552: | ||
|「そりゃよござんしたね。<br>そろそろフランス男に飽きた?」 |
|「そりゃよござんしたね。<br>そろそろフランス男に飽きた?」 |
||
|”Well it’s good to hear it. Have you been tired of France man?” |
|”Well it’s good to hear it. Have you been tired of France man?” |
||
+ | |'''Are you tired of Frenchmen?''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 543: | Line 583: | ||
|「もちろん無条件じゃない。<br>向こうに連れて行くってことは、<br>ピアノ一本でやっていける能力が必要だから」 |
|「もちろん無条件じゃない。<br>向こうに連れて行くってことは、<br>ピアノ一本でやっていける能力が必要だから」 |
||
|”Of course there’s a condition. For me to bring you there, you need to have the ability to play piano” |
|”Of course there’s a condition. For me to bring you there, you need to have the ability to play piano” |
||
+ | |Of course[,] there's |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 561: | Line 602: | ||
|「あんなの、今までやってきたことと全然関係ない。<br>ただの遊びだ」 |
|「あんなの、今までやってきたことと全然関係ない。<br>ただの遊びだ」 |
||
|”That has nothing related to what I had been doing until now. That’s just playing around” |
|”That has nothing related to what I had been doing until now. That’s just playing around” |
||
+ | |''requires editing'' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 567: | Line 609: | ||
|「ええ、とても楽しそうに音で遊んでた。<br>だからよ」 |
|「ええ、とても楽しそうに音で遊んでた。<br>だからよ」 |
||
|”Yeah, you looked like having fun playing it. That’s the reason” |
|”Yeah, you looked like having fun playing it. That’s the reason” |
||
+ | |like '''you were''' having fun |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 579: | Line 622: | ||
|「人の目をバリバリに意識して、<br>いちいちカッコつけたり、艶っぽさを見せつけたり」 |
|「人の目をバリバリに意識して、<br>いちいちカッコつけたり、艶っぽさを見せつけたり」 |
||
|”Working hard to be conscious when being seen by other people, sometimes you showed off your coolness and charm” |
|”Working hard to be conscious when being seen by other people, sometimes you showed off your coolness and charm” |
||
+ | |''requires editing'' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 585: | Line 629: | ||
|「バリバリって…<br>もう日本じゃそんな言葉使わないって」 |
|「バリバリって…<br>もう日本じゃそんな言葉使わないって」 |
||
|”Working hard… There’s no one using that kind of words anymore in Japan” |
|”Working hard… There’s no one using that kind of words anymore in Japan” |
||
+ | |'''No one uses that kind of words in Japan anymore''' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 603: | Line 648: | ||
|「…あなたの演奏の中じゃ久々のヒットだった。<br>すごく、私好み」 |
|「…あなたの演奏の中じゃ久々のヒットだった。<br>すごく、私好み」 |
||
|”…It’s one of your great performance compare to the past. It really was my favorite” |
|”…It’s one of your great performance compare to the past. It really was my favorite” |
||
+ | |great '''performances compared''' && It really '''is''' my favorite |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 615: | Line 661: | ||
|「年明けに、とある出版社主催のコンクールがあるわ。<br>私の知り合いが編集長やってるから、<br>今からでも潜り込める」 |
|「年明けに、とある出版社主催のコンクールがあるわ。<br>私の知り合いが編集長やってるから、<br>今からでも潜り込める」 |
||
|”In the beginning of the new year, there’ll be a concour sponsored by a publisher. My acquaintance is the editor-in-chief in there, I think I can make you to join it now” |
|”In the beginning of the new year, there’ll be a concour sponsored by a publisher. My acquaintance is the editor-in-chief in there, I think I can make you to join it now” |
||
+ | |''requires editing && concours is a French word; maybe competition/contest?'' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 627: | Line 674: | ||
|「このコンクールに出場すること。<br>その上で、今度は本職で私を納得させること。\k\n |
|「このコンクールに出場すること。<br>その上で、今度は本職で私を納得させること。\k\n |
||
|”You must participate in this concour and make me accept you going professional.” \k\n |
|”You must participate in this concour and make me accept you going professional.” \k\n |
||
+ | |''requires editing && concours is a French word; maybe competition/contest?'' |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 645: | Line 693: | ||
|「今さら私なんかの言うことが聞けるかってことなら、<br>このまま日本に残ってもいい。<br>今まで通り、生活費は全て保証するわ」 |
|「今さら私なんかの言うことが聞けるかってことなら、<br>このまま日本に残ってもいい。<br>今まで通り、生活費は全て保証するわ」 |
||
|”If you think that you don’t want to listen to me anymore, you can continue to stay in Japan. I’ll assure all of your living expenses just like until now” |
|”If you think that you don’t want to listen to me anymore, you can continue to stay in Japan. I’ll assure all of your living expenses just like until now” |
||
+ | |If you think [] you don't |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 657: | Line 706: | ||
|「逆に、かずさにその気と能力があるなら、<br>向こうであなたをプロに育ててもいい。<br>大した覚悟がなくても、男を忘れるためでも構わない」 |
|「逆に、かずさにその気と能力があるなら、<br>向こうであなたをプロに育ててもいい。<br>大した覚悟がなくても、男を忘れるためでも構わない」 |
||
|”But if Kazusa have the will and ability, I can raise you to become pro. I don’t care even if you don’t have enough resolution, even if it’s to forget the man you loved” |
|”But if Kazusa have the will and ability, I can raise you to become pro. I don’t care even if you don’t have enough resolution, even if it’s to forget the man you loved” |
||
+ | |to become '''a pro''' && don't care [] if you don't have enough resolution, '''or''' if it is to forget '''that''' man you've loved |
||
− | |}} |
||
+ | }} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
||
Line 669: | Line 719: | ||
|「あなたが選びなさい」 |
|「あなたが選びなさい」 |
||
|”You have to choose by yourself” |
|”You have to choose by yourself” |
||
+ | |''(for yourself or by yourself? holds different meaning)''}} |
||
− | |}} |
||
{{WA2ScriptLine |
{{WA2ScriptLine |
Revision as of 00:44, 13 March 2014
Return to the main page here.
Translation
Editing
Translation Notes
Text
Speaker | Text | Comment | |||
---|---|---|---|---|---|
Line # | JP | EN | JP | EN | |
1 | 留守番電話 | Answering Machine | 「ただ今、留守にしております。 ピーと鳴ったらメッセージをお願いします」 | ”You have reached answer machine. Please leave message after *beep* sound”
| reached the answering machine && leave a message after the *beep* [] |
2 | 曜子 | Youko | 「いないの、かずさ? 私、今、こっちに戻ってきてて。 食事でもどうかなって思ったんだけど…」 | ”Are you not there, Kazusa? I wonder if we can have dinner while I'm back in the country”
| have dinner together |
3 | かずさ | Kazusa | 「………ぇ?」 | ”Eh?”
| |
4 | ……… | .........
| |||
5 | 曜子 | Youko | 「意外ね」 | ”I’m surprised”
| |
6 | かずさ | Kazusa | 「なにが?」 | ”Why?”
| about what |
7 | 曜子 | Youko | 「もっと嫌われてると思ってた」 | ”I thought you hate me”
| |
8 | かずさ | Kazusa | 「…嫌ってたよ。ついこの前まで。 今は、それどころじゃないだけ」 | ”I hated you until recently. But, now is not the time for that”
| |
9 | 曜子 | Youko | 「何かあった?」 | ”Is there something happened?”
| Has something happened |
10 | かずさ | Kazusa | 「色々あった」 | ”Many things happened”
| Many things have happened |
11 | 曜子 | Youko | 「例えば?」 | ”For example?”
| |
12 | かずさ | Kazusa | 「色々は色々だ… 楽しいことも、辛いことも、沢山あって忙しくて、 親なんかのこと考えてる暇なんかなかった」 | ”Many things are many things… Fun and painful things made me so busy, I didn’t have the time to think about you”
| so busy that I didn't have [] time to think |
13 | 曜子 | Youko | 「よかったわね。男関係?」 | ”Glad to hear it, is it related with guy?”
| hear it[.] Is it about a guy? |
14 | かずさ | Kazusa | 「…あんたと一緒にするな」 | ”…Don’t lump me together with you”
| |
15 | 曜子 | Youko | 「あ、ちょっと元の調子」 | ”Ah, you’re back to before again”
| to your usual self |
16 | かずさ | Kazusa | 「ふん」 | ”Hmph”
| |
17 | ……… | .........
| |||
18 | かずさ | Kazusa | 「え…」 | ”Eh…”
| |
19 | 曜子 | Youko | 「だから来てたのよ。 昨日の学園祭」 | ”Like I said. I came to yesterday’s school festival”
| I went to yesterday's |
20 | かずさ | Kazusa | 「なん、で?」 | ”Why?”
| |
21 | 曜子 | Youko | 「柴田さんがね、連絡くれたの。 あなたが久しぶりにステージで演奏するって」 | ”I got called from Shibata-san. She said that you would perform in a stage again after a long time”
| got a call && said [] you would && perform on stage again |
22 | かずさ | Kazusa | 「見たんだ…」 | ”So you watched it…”
| you've watched |
23 | 曜子 | Youko | 「見たわよぉ、黒のミニで、しっかり足見せちゃって」 | ”I saw it, you were wearing black miniskirt, and showing of your legs”
| wearing a black miniskirt && showing [] your legs |
24 | かずさ | Kazusa | 「っ…あ、あれは勝手に決められてて!」 | ”!! That outfit was not my choice!”
| |
25 | 曜子 | Youko | 「何よ、いいじゃない。 人に見られることを意識するってのは、 演奏家にとって大切なことでしょう?」 | ”What, it’s okay you know. It’s an important thing for musician to be conscious when seen by audience you know?
| (not sure) It is [] important for a musician to be conscious of how they look in front of the audience |
26 | かずさ | Kazusa | 「そういう問題じゃない… すごく恥ずかしかった」 | ”It’s not about that problem… It’s so embarrassing”
| That's not the problem && It was so embarrassing |
27 | 曜子 | Youko | 「その割にはノリノリだったように見えたけど? いきなりサックス吹いたり、ベース弾き出したり」 | ”Then why did I see you looked like having fun in doing it? To suddenly playing sax and bass”
| (not sure) why did it look like as if you were having fun doing it, to suddenly play the sax and the bass? |
28 | かずさ | Kazusa | 「あれも勝手に決められてて…」 | ”That too was being decided not by me…”
| wasn't my decision... |
29 | 曜子 | Youko | 「ギターの男のコとイチャついてたり」 | ”Flirting with the guitar boy”
| with that guitar boy |
30 | かずさ | Kazusa | 「してないっ!」 | ”I didn’t do that!!”
| |
31 | 曜子 | Youko | 「そう? どう見ても、デキてるふうにしか見えなかったけど」 | ”Is that so? No matter how I saw it, you two looked like that”
| how I see it |
32 | かずさ | Kazusa | 「どうしてすぐそっちの話に持っていこうとするんだ。 あんた、あたしの親だろ?」 | ”Why did you like to suddenly change the topic to that. You’re my parent, aren’t you?”
| did you suddenly change |
33 | 曜子 | Youko | 「親だからこそじゃない。 娘と彼氏の話なんて、憧れだったわ」 | ”It’s because I’m your parent that I like to hear the story about my daughter’s boyfriend”
| that I want to hear && story of my daughter's |
34 | かずさ | Kazusa | 「三年も放っておいてよく言うよ…」 | ”How could you say it after leaving me for three years…”
| How can you say this |
35 | 曜子 | Youko | 「ま、それを言われると辛いんだけどね」 | ”Well, I can’t talk back if you said it like that”
| |
36 | かずさ | Kazusa | 「それに、あいつには彼女いるよ。 だから、あたしとは全然関係ない」 | ”Besides that, he has a girlfriend already. That’s why, he has nothing to do with me”
| that's why [] he has |
37 | 曜子 | Youko | 「ボーカルのコでしょ」 | ”That vocalist right?”
| That vocalist[,] right? |
38 | かずさ | Kazusa | 「………」 | "........."
| |
39 | 曜子 | Youko | 「取られちゃったか。\k\n | ”So he has been stolen, huh” \k\n
| |
40 | 曜子 | Youko | ま、仕方ないわね。あんなに可愛いコだし。 あっちもかなりあからさまだったしね」 | ”Well, it can’t be helped. She is so cute after all. She was being open and direct too about it”
| open and direct [] about it too |
41 | かずさ | Kazusa | 「………っ」 | ”………!”
| |
42 | 曜子 | Youko | 「図星? なんてわかりやすい恋してるのよ、あなたたち」 | ”Bull’s eye? Why do you all have that easy to be predicted love”
| requires editing |
43 | かずさ | Kazusa | 「取られてない! あたしには関係ない! あいつらが勝手にくっついただけだ!」 | ”He’s not being stolen! It has nothing to do with me! They’re going out because of their own decision!
| |
44 | 曜子 | Youko | 「そんな怒鳴ることないじゃない。 女やってればよくあることよ」 | ”You don’t need to shout out like that. It’s often happen if you’re a woman”
| It happens often |
45 | かずさ | Kazusa | 「あたしはあんたみたいに、 男とっかえひっかえしてばっかりの、 『控えめに言って恋多き女』とは違うんだよ!」 | ”I’m not like you who can go out with many guys, I’m not someone who can be in love with many different people!”
| |
46 | 曜子 | Youko | 「何言ってるの。 私、男に捨てられまくりだったわよ? あなたの父親とか」 | ”What are you saying? I had been thrown away too you know? For example like your father”
| For example, by your father |
47 | かずさ | Kazusa | 「っ…」 | ”!!”
| |
48 | 曜子 | Youko | 「あら、もう怒るのはやめ?」 | ”Ah, you stop being angry?”
| you stopped being |
49 | かずさ | Kazusa | 「呆れただけだ」 | ”I’m just tired”
| |
50 | ……… | .........
| |||
51 | 曜子 | Youko | 「ま、仕方ないわね。 ギターのコ、真面目で優等生っぽかったもの。 大人と話すときはしっかり丁寧な言葉遣いだったし」 | ”Well, it can’t be helped. That guitarist, looks like a serious and honor student. When he talked with adult he used such polite words too”
| looks like a serious [] honors student && He uses such polite words when talking to adults too |
52 | かずさ | Kazusa | 「…会ったの?」 | “…You met him?”
| You've met him |
53 | 曜子 | Youko | 「ちょっとね。 体育館まで案内してもらったわ」 | ”He was the one who led me to the gymnasium”
| |
54 | かずさ | Kazusa | 「そ、か…」 | ”Is that so…”
| |
55 | 曜子 | Youko | 「バンドやるようなタイプじゃなかったわね。 どっちかって言うと、医者とか弁護士とか目指してそう」 | ”He’s not the type to perform in a band. He’s more like to be a doctor or lawyer in the future”
| more likely to become && or a lawyer |
56 | かずさ | Kazusa | 「テストは常に学年一ケタで、クラス委員長で、 ついでに馬鹿だ」 | ”He got the top score in the test, he’s a class president, but also a stupid person”
| He always gets top scores in the tests |
57 | 曜子 | Youko | 「あ~それじゃ駄目だ。\k\n | ”Ah~ Then it’s no good.”
| |
58 | 曜子 | Youko | あなたみたいに片親でグレてるようなコなんか、 歯牙にもかけられなかったでしょ?」 | ”For someone like you who just have a single parent, he wouldn’t even care about you, would he?”
| who has only a single |
59 | かずさ | Kazusa | 「あ、あいつは… そんなことで人を差別するような奴じゃない!」 | ”He… he’s not someone who like to discriminate people like that!”
| someone who likes to discriminate |
60 | 曜子 | Youko | 「…そうなの?」 | ”…Are you sure?”
| |
61 | かずさ | Kazusa | 「誰に対しても平等でお節介で、 何度突き放しても平気で介入してくる、 救いようのない馬鹿だ」 | ”He’s being equal and noisy to everyone, even after being refused bluntly he would still interfered, his stupidness is beyond cure”
| he would still interfere |
62 | 曜子 | Youko | 「………」 | "........."
| |
63 | かずさ | Kazusa | 「それに、あいつだって父親いなくて… しかも母親に放っておかれてて…」 | ”And, he didn’t have father too… Not just that but his mother also left him out”
| he doesn't have a father either && his mother has also left him [] |
64 | 曜子 | Youko | 「…だからやられちゃったんだ? 似たような境遇なのに、 平気で頑張ってる彼が眩しかった?」 | ”…That’s why you’re falling for him? Because he looked the same as you, yet he still tried his best which made him look so dazzling?”
| why you've fallen && he looks just like you && he still tries his best[,] [] making him look so dazzling |
65 | かずさ | Kazusa | 「やめろよ…」 | ”Stop it…”
| |
66 | 曜子 | Youko | 「だって普通、好きでもなんでもない男のこと、 そこまで熱く語る女いないわよ?」 | ”Well normally, there’s no woman who like to talk that much about the guy that she doesn't even love”
| who likes to talk && about a guy [] she doesn't |
67 | かずさ | Kazusa | 「やめてよ…っ」 | ”Please stop it…”
| |
68 | 曜子 | Youko | 「………」 | "........."
| |
69 | かずさ | Kazusa | 「っ…ぅぅ…っ」 | ”…uuu…”
| |
70 | 曜子 | Youko | 「ふぅん」 | ”Hmmm…”
| |
71 | かずさ | Kazusa | 「ぃっ…ぅ…」 | ”uu…uh…”
| |
72 | 曜子 | Youko | 「いつの間にか、恋に破れて泣く女の子になってたか。 あのかずさがね…」 | ”Before I know it, you had become a girl who cried because of love. That Kazusa huh…”
| Before I knew it && you have become && who cries |
73 | かずさ | Kazusa | 「っ…おかしいかよ?」 | ”…Am I strange?”
| |
74 | 曜子 | Youko | 「ううん、わが娘ながら、可愛いなって」 | ”No, for my daughter, you look cute”
| (not sure) as my daughter |
75 | かずさ | Kazusa | 「うるさいっ… やっぱりあんた大嫌いだ」 | ”Shut up… just as I thought, I really hate you”
| |
76 | 曜子 | Youko | 「ほら、ハンカチ」 | ”Here, handkerchief”
| |
77 | かずさ | Kazusa | 「そんなものいるか! …自分のがある」 | ”I don’t need that! I have my own”
| |
78 | ……… | .........
| |||
79 | 曜子 | Youko | 「少しは落ち着いた?」 | ”Have you calmed down?”
| |
80 | かずさ | Kazusa | 「最初から取り乱してなんかない」 | ”From the beginning I’m not thrown away at all”
| |
81 | 曜子 | Youko | 「ちょっと込み入った話があるんだけど、いいかしら?」 | ”I have something different to talk about, is it alright?”
| |
82 | かずさ | Kazusa | 「…なんだよ」 | ”…What is it?”
| |
83 | 曜子 | Youko | 「今度ね、わたし、 パリからウィーンに引っ越す予定なの」 | ”After this, I plan to move from Paris to Vienna.”
| |
84 | かずさ | Kazusa | 「そりゃよござんしたね。 そろそろフランス男に飽きた?」 | ”Well it’s good to hear it. Have you been tired of France man?”
| Are you tired of Frenchmen? |
85 | 曜子 | Youko | 「…そういうジョーク飛ばせるってことは、 少しは落ち着いたみたいね」 | ”If you can joke around about it, I guess you have calmed down”
| |
86 | かずさ | Kazusa | 「ジョークじゃないんだけど。 とにかく、あたしには全然関係ない」 | ”It’s not a joke though. Anyway, it has nothing to do with me”
| |
87 | 曜子 | Youko | 「来る気、ある?」 | ”Do you want to come with me?”
| |
88 | かずさ | Kazusa | 「…え?」 | ”…Eh?”
| |
89 | 曜子 | Youko | 「もちろん無条件じゃない。 向こうに連れて行くってことは、 ピアノ一本でやっていける能力が必要だから」 | ”Of course there’s a condition. For me to bring you there, you need to have the ability to play piano”
| Of course[,] there's |
90 | かずさ | Kazusa | 「なんで今さら? 三年前は見捨てたくせに」 | ”What are you saying? After leaving me for three years”
| |
91 | 曜子 | Youko | 「今のあなたなら、 伸びるかもしれないって思ったから。 …あの学園祭の演奏を見てね」 | ”I think you can grow more after looking at your performance in that school festival”
| |
92 | かずさ | Kazusa | 「あんなの、今までやってきたことと全然関係ない。 ただの遊びだ」 | ”That has nothing related to what I had been doing until now. That’s just playing around”
| requires editing |
93 | 曜子 | Youko | 「ええ、とても楽しそうに音で遊んでた。 だからよ」 | ”Yeah, you looked like having fun playing it. That’s the reason”
| like you were having fun |
94 | かずさ | Kazusa | 「…わからない。 言ってること理解できないよ」 | ”…I don’t understand. I really can’t understand what you said”
| |
95 | 曜子 | Youko | 「人の目をバリバリに意識して、 いちいちカッコつけたり、艶っぽさを見せつけたり」 | ”Working hard to be conscious when being seen by other people, sometimes you showed off your coolness and charm”
| requires editing |
96 | かずさ | Kazusa | 「バリバリって… もう日本じゃそんな言葉使わないって」 | ”Working hard… There’s no one using that kind of words anymore in Japan”
| No one uses that kind of words in Japan anymore |
97 | 曜子 | Youko | 「見せつけようとしてた相手が観客じゃなくて、 隣の男のコたった一人ってのはどうかと思ったけど…」 | ”It’s a bit wrong though for you to show off not to the audience but just to the boy next to you…”
| |
98 | かずさ | Kazusa | 「してないっ!」 | ”I didn’t do it!”
| |
99 | 曜子 | Youko | 「…あなたの演奏の中じゃ久々のヒットだった。 すごく、私好み」 | ”…It’s one of your great performance compare to the past. It really was my favorite”
| great performances compared && It really is my favorite |
100 | かずさ | Kazusa | 「あんた、やっぱりあたしを馬鹿にしてるだろ」 | ”Just like I thought, you are really making fun of me, aren’t you?”
| |
101 | 曜子 | Youko | 「年明けに、とある出版社主催のコンクールがあるわ。 私の知り合いが編集長やってるから、 今からでも潜り込める」 | ”In the beginning of the new year, there’ll be a concour sponsored by a publisher. My acquaintance is the editor-in-chief in there, I think I can make you to join it now”
| requires editing && concours is a French word; maybe competition/contest? |
102 | かずさ | Kazusa | 「ちょっと待てよ…」 | ”Wait a minute…”
| |
103 | 曜子 | Youko | 「このコンクールに出場すること。 その上で、今度は本職で私を納得させること。\k\n | ”You must participate in this concour and make me accept you going professional.” \k\n
| requires editing && concours is a French word; maybe competition/contest? |
104 | 曜子 | Youko | …これが条件。どう?」 | ”That’s the condition. How is it?”
| |
105 | かずさ | Kazusa | 「待てってば」 | ”I said wait”
| |
106 | 曜子 | Youko | 「今さら私なんかの言うことが聞けるかってことなら、 このまま日本に残ってもいい。 今まで通り、生活費は全て保証するわ」 | ”If you think that you don’t want to listen to me anymore, you can continue to stay in Japan. I’ll assure all of your living expenses just like until now”
| If you think [] you don't |
107 | かずさ | Kazusa | 「あんたは… どうしていつも人の話を聞かずに勝手なことばっかり」 | ”You… Why do you like to ignore other people’s story and do whatever you want?”
| |
108 | 曜子 | Youko | 「逆に、かずさにその気と能力があるなら、 向こうであなたをプロに育ててもいい。 大した覚悟がなくても、男を忘れるためでも構わない」 | ”But if Kazusa have the will and ability, I can raise you to become pro. I don’t care even if you don’t have enough resolution, even if it’s to forget the man you loved”
| to become a pro && don't care [] if you don't have enough resolution, or if it is to forget that man you've loved |
109 | かずさ | Kazusa | 「………」 | "........."
| |
110 | 曜子 | Youko | 「あなたが選びなさい」 | ”You have to choose by yourself”
| (for yourself or by yourself? holds different meaning) |
111 | ……… | .........
| |||
112 | …… | ......
| |||
113 | … | ...
|
Script Chart
Edit this section For more instructions on how the script chart works, please click here.
If you are below the age of consent in your respective country, you are advised to not read any adult content (marked by cells with red backgrounds) where applicable. Otherwise, you are agreeing to the terms of our Disclaimer.
Introductory Chapter | ||||||
---|---|---|---|---|---|---|
1001 | 1008 | 1009 | 1010 | 1011 | 1012 | 1013 |
1002 | 1008_020 | 1009_020 | 1010_020 | 1011_020 | 1012_020 | |
1003 | 1008_030 | 1009_030 | 1010_030 | 1011_030 | 1012_030 | |
1004 | 1008_040 | 1010_040 | 1012_030_2 | |||
1005 | 1008_050 | 1010_050 | ||||
1006 | 1010_060 | |||||
1006_2 | 1010_070 | |||||
1007 |
Closing Chapter | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
Common | Setsuna | Koharu | Chiaki | Mari | ||||||
2001 | 2011 | 2020 | 2027 | 2301 | 2309 | 2316 | 2401 | 2408 | 2501 | 2510 |
2002 | 2012 | 2021 | 2028 | 2302 | 2310 | 2317 | 2402 | 2409 | 2502 | 2511 |
2003 | 2013 | 2022 | 2029 | 2303 | 2311 | 2318 | 2403 | 2410 | 2503 | 2512 |
2004 | 2014 | 2023 | 2030 | 2304 | 2312 | 2319 | 2404 | 2411 | 2504 | 2513 |
2005 | 2015 | 2024 | 2031 | 2305 | 2313 | 2320 | 2405 | 2412 | 2505 | 2514 |
2006 | 2016 | 2025 | 2032 | 2306 | 2314 | 2321 | 2406 | 2413 | 2506 | 2515 |
2007 | 2017 | 2026 | 2033 | 2307 | 2315 | 2322 | 2407 | 2507 | 2516 | |
2008 | 2018 | 2308 | 2508 | 2517 | ||||||
2009 | 2019 | 2509 | ||||||||
2010 | ||||||||||
Setsuna | Koharu | Chiaki | Mari | |||||||
2031_2 | 2312_2 | 2401_2 | 2504_2 | 2511_2 | ||||||
2031_3 | 2313_2 | 2402_2 | 2507_2 | 2513_2 | ||||||
2031_4 | 2313_3 | 2402_3 |
Coda | |||||||||
---|---|---|---|---|---|---|---|---|---|
Common | Kazusa (True) | Setsuna (True) | Kazusa (Normal) | ||||||
3001 | 3008 | 3014_2 | 3020 | 3101 | 3107 | 3201 | 3207 | 3901 | 3907 |
3002 | 3009 | 3014_3 | 3021 | 3102 | 3108 | 3202 | 3208 | 3902 | 3908 |
3003 | 3010 | 3015 | 3022 | 3103 | 3109 | 3203 | 3209 | 3903 | 3909 |
3004 | 3011 | 3016 | 3023 | 3104 | 3110 | 3204 | 3210 | 3904 | |
3005 | 3012 | 3017 | 3024 | 3105 | 3111 | 3205 | 3211 | 3905 | |
3006 | 3013 | 3018 | 3106 | 3206 | 3906 | ||||
3007 | 3014 | 3019 | |||||||
Common | Setsuna (True) | Kazusa (Normal) | |||||||
3001_2 | 3210_2 | 3901_2 | 3906_2 | ||||||
3015_2 | 3902_2 | 3907_2 | |||||||
3902_3 | 3907_3 | ||||||||
3904_2 |
Mini After Story and Extra Episode | |||
---|---|---|---|
The Path Back to Happiness | The Path Forward to Happiness | Dear Mortal Enemy | |
6001 | 6101 | 4000 | 4005 |
6002 | 6102 | 4001 | 4006 |
6003 | 6103 | 4002 | 4007 |
6004 | 6104 | 4003 | 4008 |
6005 | 4004 | 4009 |
Novels | |||||
---|---|---|---|---|---|
The Snow Melts, And Until The Snow Falls | The Idol Who Forgot How to Sing | Twinkle Snow ~Reverie~ | After the Festival ~Setsuna's Thirty Minutes~ | His God, Her Savior | |
5000 | 5100 | 5200 | 5205 | 5300 | 5400 |
5001 | 5101 | 5201 | 5206 | 5301 | 5401 |
5002 | 5102 | 5202 | 5207 | 5302 | |
5003 | 5103 | 5203 | 5208 | 5303 | |
5004 | 5104 | 5204 | 5209 |
Short Stories | |||
---|---|---|---|
Princess Setsuna's Distress and Her Minister's Sinister Plan | Koharu Climate After the Passing of the Typhoon | This isn't the Season for White Album | Todokanai Koi, Todoita |
7000 | 7100 | 7200 | 7300 |